This time, I leaned more heavily on electric guitars.
Whether quiet, dry, or wrapped in distortion, the same emotions remain.
I’d be happy if you listened.

seen from T1
seen from Jordan
seen from China

seen from Spain
seen from United States
seen from United States

seen from Canada
seen from United States
seen from Malaysia

seen from United States

seen from United States
seen from Türkiye
seen from Libya
seen from China

seen from United States
seen from Türkiye

seen from Malaysia
seen from United States
seen from Thailand
seen from China
This time, I leaned more heavily on electric guitars.
Whether quiet, dry, or wrapped in distortion, the same emotions remain.
I’d be happy if you listened.
I recently started releasing my music officially.
Before that, I felt a bit unsure about putting out only old recordings,
so I combined some recent tracks with older ones.
But after a while, I wanted to separate them properly—
to let the past works stand on their own.
So I uploaded a collection of my older songs on Bandcamp.
The artwork is a simple photo of CD-Rs and covers I made in my 20s.
Not perfect, but something I wanted to preserve quietly.
A day after releasing it, I received a message.
It was from someone in New Zealand.
He told me that he had been keeping my old songs from the MySpace era,
and was the one who shared them with the “Lost Archive” YouTube channel.
For a long time, I didn’t know how those recordings had survived online.
Now I finally understood.
He also makes music himself and is starting a small label.
Reading his message meant a lot to me.
It made me realize that my music had stayed with someone, somewhere.
It also became one of the reasons I started making music again.
I don’t know if something like this will happen again.
But if the sounds I leave behind can stay with someone, even quietly,
that’s enough for me.
— PostWater
A new track from my one-person project PostWater.
"Layer #3"
A wall of distorted guitar textures, recorded on a small MTR at midnight.
Not perfect.
Not clean.
But honest.
Music is an attitude.
Listen on Bandcamp.🎧
I love shoegaze, post-rock, and emo.
But this time, I was searching for a sound that didn’t quite fit into any of them.
This rough sketch is where the “Layer” series began.
Still recording on a 26-year-old MTR.
BOSS BR-8 Digital Recording Studio
Layer #11 — PostWater
One night, I quietly played an acoustic guitar,
tapping on its body as I strummed.
A sense of distance, loneliness,
and feelings that never become fully clear.
A small record of that tension.
PostWater
I share my music like a quiet diary of sounds.
Feel free to visit whenever you like.
Listen / Follow
Short ambient pieces.
Quiet, minimal, and reflective.
🎧 YouTube
Japanese musician - PostWater Leaving traces of sound, memory, and time. Since around 2000, I’ve been recording at home using an MTR. 音と
🎧 Spotify
🎧 Bandcamp
https://postwater.bandcamp.com
🎧 SoundCloud
From MySpace to Tumblr, and into a new era. PostWater began creating music in 2000. 2006 — MySpace His home-recorded tracks quietly reache
PostWater
PostWater — Japanese musician crafting hazy, minimal instrumental pieces.
Haze#1
Track#2
Past and present.