About the writer/artist: I like to write and paint. My current obsession is Sandman, but I enjoy most fantasy fandoms as well as anime (I think I’m on season seven billion of One Piece right now 🤣). I'm also weird as they come (and awkward, too), so just please ignore my oddball (coughTERRIBLEcough) sense of humor.
On a more personal note, I have PTSD and suffer from severe manic depressive episodes. Writing and art are my most familiar coping mechanisms, and I need them like I need oxygen. Seriously, there were times in my life that knowing I had to finish a story or a piece of art was the only thing stopping me from ending up dead. So, I don't take part in fandom drama. Having my peace and protecting my mental health are very big deals to me, and I won't risk those for anything if I can help it.
As for my writing, it ranges from short one-shots to ridiculously long novel series. I use third person POV (on longer series) as well as second person (on shorter things). I also try to always exclude physical descriptions when writing main character OCs and assign them nicknames to avoid using Y/N. I love to read Y/N fics, but writing them makes me feel like I'm at work. And who actually wants to ever feel like they're at work when they're engaging in a hobby? Definitely not me.
Lastly, there's usually more stuff on my AO3 page than I have listed here, because I forget to post it pretty often. Oops. I'll get around to moving it all over one day. Probably. Maybe.
Feel free to leave an ask if you want or just drop by my DMs. <3
Artwork links are at the bottom of this list, so if you're here for those, that's where they are.
Sandman 'Verse
All the Precious and Fragile Things (so easily do they break)
After banishing his lover from the Dreaming for her betrayal, Morpheus learns that she is pregnant with his child.
And that she’s been captured by a revenge-seeking Alexander Burgess.
What the both of them are unaware of is that this will set in motion a cascade of unfavorable events, causing a chain reaction that threatens the whole of existence itself.
PART I: All of This Past
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
PART II: These Tender, Loving Mercies
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
PART III: When It All Falls Down
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
PART IV: The Dark of War
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Epilogue
Sometimes He's Sweet
Morpheus hates the holidays.
As excited as she seems to experience the mortal holiday, he's… less so. Much less so. With the entire collective unconscious contained within him, this time of year can be wholly overwhelming, a miasma of too much red and green, too much worry, too much loneliness, too much excitement, too many similarly themed dreams, too many similarly themed nightmares, and far far too many holiday songs. It all bleeds out from the collective unconscious into his own mind, sticks there like weeping sap to a tree until he feels half-mad with the unrelenting presence of it, with his inability to get free from its cloying trespass upon his very being.
This is just a little sweet fluff for the holiday season. It takes place between chapters 19 and 20 of "All the Precious and Fragile Things". No spoilers here if you've read that far!
The Dog Debacle (or how best to sneak a dragon into the dreaming)
Morpheus' daughter gets a new dog.
Well..... kind of.
That Familiar Feeling of Family (or how Hob Gadling ended up as an uncle to his stranger's oftentimes feral children)
It's a pretty universally known thing that families are just strange. As Hob is quickly figuring out, however, this little fact is magnified by AT LEAST a billion when the family in question is Endless.
(A lighthearted story in which Hob Gadling finds out his stranger has married, makes friends with a homicidal maniac/ruler, and manages to become an exemplary uncle to a pack of magically mischievous children. Really, now all he has to do is convince everyone to stop calling his and Dream's weekly meetups "playdates", and then his life would be practically perfect.)
Chapter 1
Chapter 2
The Maker, the Muse, and the Sundered Song
In his temple, what remains of Orpheus waits in trepidation. Something is changing. Something that he knows might alter the very fabric of the world as he understands it.
Finally freed from captivity, Calliope struggles to make any meaningful changes to the laws that saw her bound and taken in the first place. When the strange woman appears on Mount Parnassus and offers help, Calliope knows she would be a fool not to accept it. Even if she thinks that she's being lied to.
Meanwhile in the peace of the Dreaming, Morpheus grapples with guilt over his son's fate. As he basks in the love of his new children, he can't help but to regret his own failings where Orpheus is concerned.
And as for May, she's really just got a job to do. And her own traumatic issues to deal with. And if it's all hella awkward because she's having to work alongside her husband's ex-wife, she'll see it done anyway. There's even the small possibility that she might eventually admit to Calliope the truth about her identity. That is if she can ever actually work up the courage to say it aloud.
Chapter 1
Nothing in This Closet but Boots and a Boy
Morpheus is wildly protective of his daughter.
That's probably bad for the boy in said daughter's closet.
AU's and Other Stuff in the Sandman 'Verse
Of Exes, Hellhounds, and Waffle Fries
Morpheus shows up to rescue the woman he probably loves (though he won't admit it) from hellhounds and ends up getting roped into helping with her family. This is one of those extras that doesn't fit into the main story, but it's fun, so I'm posting it.
The Bizarre Breeding Habits of Anthropomorphic Personifications
It's a tale as old as time.
Two idiots fall in love. Two idiots fall out of love.
Neither one of them is expecting a baby to come along and derail their unhappily ever after.
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Original Fanart
I like to play around with different styles and to try new things with my artwork. Sometimes it works. Sometimes it doesn't. I'm still learning, and I am so far from being a professional that it's laughable. But I only post things that I think look decent or that I think others might enjoy.
The Lover's Argument (Morpheus x oc)
Oneiros (Morpheus in Grecian garb)
Because I could not stop for Death, she kindly stopped for me... (Regency era Dream and Death)
That Familiar Feeling of Family (or how Hob Gadling ended up as an uncle to his stranger's oftentimes feral children): Chapter 2
It's a pretty universally known thing that families are just strange. As Hob is quickly figuring out, however, this little fact is magnified by AT LEAST a billion when the family in question is Endless.
(A lighthearted story in which Hob Gadling finds out his stranger has married, makes friends with a homicidal maniac/ruler, and manages to become an exemplary uncle to a pack of magically mischievous children. Really, now all he has to do is convince everyone to stop calling his and Dream's weekly meetups "playdates", and then his life will be practically perfect.)
Chapter One here, AO3 here, Masterlist here
In the year 1689, Hob Gadling stumbles into the Tavern of the White Horse dressed in little more than disgusting rags. It doesn't shock him that almost immediately he finds himself having an altercation with the guard they'd placed at the door precisely to keep Hob's type out. But what does shock him is that it's his stranger who intervenes, a passionate fury told on his finely chiseled face that Hob is honestly too tired (and hungry) to overly examine much at the moment.
"This man is my guest," his stranger says, an authority in his voice that Hob, even in his current state of starvation, guesses is nice enough. With the strange reversal of fortune that Hob's spent the past few decades dealing with, it's reassuring to have someone, anyone, stick up for him. Even if that someone is the enigmatic devil who'd both blessed and cursed Hob with eternal life.
When he collapses into a chair across from his host for the evening, Hob digs into the bread, consuming it so quickly that he has to remind himself to chew, to breathe as his stomach cramps with its desire to have food in it. And his stranger, usually a bit… well, prudish, only sits back and listens as Hob speaks of his woes, seemingly uncaring of Hob's lack of manners or the solid finger-breadth thick layer of filth covering him.
Of course, his stranger remains as aloof as he's always been. The cut of his clothing is finely done, making both him and Hob appear as if they're sitting on exact opposite sides of the table in more ways than one given the tattered remnants of Hob's own rags as they hang loose about his body. Though he is also patient this night, speaking pleasantly and pityingly despite that their conversation mainly consists of Hob mumbling things at him around a mouth full of food.
As the meal concludes, Hob is almost… ashamed of the way he doesn't want to leave his stranger's presence. In the years of stormy, utterly bleak upheaval that Hob has known recently, Dream is a bit like a lighthouse on a distant shore, the brightness of him cutting through all the gloom so that Hob is nearly afraid to venture out alone into the gale force winds and darkness of his life now.
But he does so anyway.
This is, after all, their arrangement. They meet once every hundred years. No more. No less.
So Hob stumbles from the tavern, drowsy from his full belly, and finds an alley in which to promptly pass out. For the first time in years, he sleeps deeply. Astoundingly deeply, he'd say. Or he would say, he supposes, were he not practically unconscious and all. In his dreams, he finds himself on a path, its way dotted on each side with large, sprawling trees whose branches hang low with apples, shiny and red and perfect. He plucks one for himself, and despite that he knows he's still full, that he's just gorged himself on a rather large quantity of food during his centennial meeting with his stranger, Hob can't seem to resist taking a bite.
He moans. It's otherworldly in its perfection, juicy and firm, the taste sweet with just the smallest hint of tartness to it. He chews what's in his mouth, savoring every last masticated piece of it before he swallows.
When he wakes, the memory of his dream's warmth is still lingering on his skin, and for a moment, it almost feels as if the bright sunshine of that place has followed him here. It's not to last, though. Hob, as an immortal, knows all too well that that's the nature of living. Nothing is forever.
Well, except for him, apparently. And his stranger.
Still, the next night it rains, and the deluge that soaks him is bitterly cold. Hob finds another alley, tucking himself as far under the small overhang of a butcher's shop door as he can in some futile effort to stay dry and hopefully avoid freezing to death. It won't kill him, but the thawing of icy limbs is bloody painful, which makes him… reticent to experience such a thing if he can avoid it.
Sleep takes him again, and he's somewhat surprised to find himself back on that same path from the night before. This time, though, he's starving, and he has three apples before he ventures out from the canopy of trees into a meadow so that he can feel the sun on his skin, can let it warm him in anticipation of how chilled he's sure to be when he's pulled from his slumber to face the harsh reality of his real life.
A week later, Hob starts thinking that something… odd is going on. His days are still miserable, but his nights are… peaceful, wondrous even, the serene calm he finds in them mending his mind and his body. He aches less. The vicious hunger pains in his belly plague him no longer, as if the apples he consumes in his dreams are sustaining him somehow. But that can't be, can it? How addle-brained has he gone that he's even considering that as a possibility?
Nonetheless, when next he sleeps, he notices the addition of plum and orange trees. After that, there are pomegranates and pears. And then… one night there's an entire table set with a feast fit for a king.
And Hob knows he should question this unexpected good fortune after the dismal dreariness of decades of bad luck, but he decides not to. He instead partakes of the bounties he is given and thanks whatever deity strikes his fancy for these gifts of plenty. Even though he is aware that this strange kindness is only a dream.
PRESENT DAY...
The next night, Hob isn't surprised to find the girl waiting for him.
Aurora is in an embroidered lavender dress made of something like silk or taffeta, the iridescent skirt of it swishing just above the tops of her black boots, boots that Hob's relatively sure are just miniature versions of the ones he'd noticed his stranger wearing the day before. Her pitch black hair is plaited back, though there are a few wayward curls that have worked free and dangle in front of her face. She seems to pay them no mind, however, unbothered by the sure annoyance of them in the way that only children can ever seem to manage.
"Hi, Mr. Hob!" Aurora greets cheerfully, offering him a brilliant smile as she reaches out to take hold of his hand, using her grasp to pull him with her as she walks. "My mommy sent me to get you."
"Your… mommy?" He doesn't quite know if it's nervousness that he's feeling at the prospect of meeting the newly discovered (to him anyway) Mrs. Stranger. Will she be like Dream? Maybe worse? Maybe more haughty and inhuman? Could she end up hating Hob for being as normal as he is? Might she even try and dissuade Dream from seeing him again?
"Yep. She said Dadda needed a playdate."
Then again, with an answer like that, Hob tells himself that he could be possibly worrying over absolutely nothing. If she's brought him here to see Dream, then obviously it's not to stop them from meeting. Or having a playdate. Which… Playdate? Hob fights his wince, because he can unfortunately imagine the scowl on Dream's face when he hears that particular descriptor applied to their every century gatherings.
"Well, we're not really due our next get-together for about 98 years," he tells Aurora, careful to emphasize the words get-together so that she might use those in lieu of the term playdate.
"But why?" she asks, glancing up at him with more than a bit of confusion in her shimmery blue eyes, and Hob doesn't understand why exactly they're so… twinkly. He peers down at her, studying them.
"What do you mean?" is his murmured question, and he thinks that… Wait. Are those stars? Does she have literal stars shining out from her eyes?
She blinks, and it snaps him out of his scrutiny like she's just clapped in front of his face and ordered him to focus. "You and Dadda are friends."
"Yes?" He doesn't quite know where she's going with this, but she seems very determined in whatever she's getting at.
"Daniel is my friend, and I see him every we… every week for a playdate."
Oh, no no no. There's that word again. Playdate. He wonders briefly if he should just firmly instruct her not to use it. Would she heed his advice? Is that even his place?
"Your dadda," Hob begins, still not sure how he feels about that word being used in reference to his stranger. "He decided we should have a meeting every century."
"But you're friends."
"Yes. I believe so."
"Mommy said you were."
Even he's not stupid enough to argue with a child about his or her mother and what they've said. When his Robyn had been a small lad, Eleanor's words had been law to the boy, so powerful that his son often acted like they were the building blocks of reality itself. "Oh. Silly me. Then of course we are."
"I think I need to have a talk with my dadda about how he should behave with his friends, then." She sounds resigned, vaguely exasperated, as if she has to do this often with her father. And somehow, Hob thinks that if she were to have that talk, his stranger might actually… listen? It’s an odd thing to consider, this slip of a girl lecturing the unsociable (to put it mildly) Dream of the Endless on how to properly conduct a friendship. Not that Hob doesn't think his stranger couldn't use a healthy dose of lecturing on the matter, since his abilities regarding it are frankly the worst of any he's ever came across.
"He's very nice," she goes on, and Hob has to forcibly stop himself from laughing at that. Dream? Nice? Hob decides he won't touch that one with a three hundred meter pole. Not in front of Dream's actual child anyway. When Hob gets a chance to properly speak to him, however, he might have a few things to say about his stranger's niceness. Or lack thereof. "And he really tries to always be good, but he… doesn't get it right sometimes."
Sometimes? Pfft. That's an understatement if he's ever heard one, the radioactive icing on a cake made of this poor, naive girl's dross.
Wisely, he doesn't say that either. Instead he asks, "Did your mother tell you that as well?"
"No. But she says that Dadda has as much emotional intell… intell…"
"Intelligence?"
"Yes! She says he has as much of that as the bottoms of my boots do." Aurora frowns like she's thinking over her words very seriously. "Is that something that shoe bottoms have lots of?"
"What? Emotional intelligence?"
"Mmm-hmm."
And Hob really doesn't know how to answer that. He feels like it would be disloyal to Dream were he to confess to this child how… clueless her father is when it comes to interacting with others. Though he wonders why it should strike him as disloyal or why he should have any sense of loyalty at all, since apparently Dream is a repressed git who couldn't even be bothered to tell Hob, his friend by his own admission, that he'd married and had a child. "Er…"
"So… no."
"I dunno, honestly," Hob lies. He refuses to allow himself any guilt about it, either, because sometimes lies are acceptable, especially when they might spare a young child's feelings. "Maybe? Maybe not? I'm not a mum, so I don't even pretend to have any of their mysterious wisdom."
"You might be right, Mr. Hob," Aurora declares after a minute. "My mommy is very smart. And funny. Though Dadda says her sense of humor is horrid."
Ha. Hob bets his stick in the mud personification of a friend understands humor about as well as Hob himself understands how thermodynamic fusion works. And he can imagine that any woman married to Dream would probably benefit from being able to laugh at just what in the hell she'd gotten herself into by wedding and bedding such a standoffish clodpole.
But he's not going to say that either. The truth is that he's… upset with Dream currently, and he'd rather save all of his anger for when they finally get to have their one on one playdate. He shakes his head, like by doing so he can shake that term from his mind. Not playdate. Meeting. Gathering. Encounter. Literally, he needs to refer to it as anything else besides a playdate.
Hob tears his gaze away from Aurora, taking a moment to look around wherever they're at, a luxury he hadn't been afforded the day before since he'd been… well, running for his life and all.
And what he sees there nearly takes his breath away.
He… He knows this place.
Trees line either side of the path they're on, their limbs stretching out over it like a canopy. Amidst the emerald green leaves, apples hang low and heavy, their heft making some of the thinner branches droop, and the scent of the fruit fills up the air, causing his mouth to water with the memory of it.
It hasn’t changed at all in the centuries since Hob used to find refuge here.
"This is the or…orchard," Aurora supplies, reaching up on her tiptoes to snatch one of the perfect red globes in her free hand before rubbing it on her dress and handing it to him. "You can eat it. The trees are happy to have the weight of them off their arms, and I do it all the time while I'm waiting for cookies to finish baking."
The trees don't… mind? Do they speak here? Is there anything about this place or the being who runs it that's even close to ordinary? But of course not. Hob's known for a long time that his stranger isn't anything close to normal, so he supposes it makes sense that Dream's home would likely be just as outlandish as everything else about him.
"Cookies?" he questions, taking the offering from her, his stomach twisting in remembrance. "Does your dadda… make you those?"
Her eyebrows raise high on her forehead, a look of such childish incredulity on her face that Hob automatically assumes the answer to be a giant no, which is… sort of a relief. The mental image of his stranger wearing a bright pink apron and matching oven mitts while waiting impatiently for a timer to go off is one that could likely make his brain explode in sheer absurdity.
"No, Mr. Hob. Minnie does the cookies."
"Minnie?"
She grins, standing on her tiptoes again to snatch an apple for herself. "Minnie is one of my favorites. She cooks alllll day and sometimes she even lets me help!"
Minnie… cooks. All day long, apparently. Why is he not surprised that his stranger seems to have his own chef here? His reluctance to consume any food over the centuries certainly makes more sense now. Why in the world would his stranger have eaten at The White Horse when he got to come home to a chef ready to prepare his meals however he liked.
"Are there… other fruits here?" he questions, unsure as to whether or not he wants the answer given what it might confirm for him, but certain that he has to know regardless.
"Yep," she supplies. "Oranges and plums and some other kinds I don't like very much."
"Pomegranates and pears, I'd imagine."
"How'd you… know that, Mr Hob?"
"A guess is all." His heart is thudding in his chest though, the realization of why he'd likely had that dream so frequently making his stomach twist in emotion.
That awkward, aloof…. tosspot. Hob doesn't have a doubt in his mind that Dream had been aware of his escape to this place. Hell and damnation, there's even the chance that he'd started directing him here in some weird show of affection, despite that the plonker hadn't seemed to know what affection was back in those days. Stunned, he thinks over Aurora's declaration earlier that Dream was nice, that he tried to be good.
And kind of hates that she might possibly have been… Well, right.
Not that Hob is an idiot about it. He knows that his stranger isn't exactly a teddy bear or anything. His impression of Dream has always been that the otherworldly entity doesn't seem to much care about others, that the problems of humans are just… insignificant to him, probably as uninteresting as ants milling about on a picnic blanket while they march towards a basket in hopes of plunder. However, to think Dream might have done something so… considerate for Hob, no matter how clueless his stranger can be, makes him feel heavy and light all at the same time, as if he's both touched and overwhelmed by the sentiment inherent in Dream's actions.
He hasn't the time to think very long on it, however. Aurora, seemingly energetic in a way that Hob has never seen from her father Dream, takes his hand again to lead him further into this odd world. She's quite clearly a tactile child, brushing those fingers of hers not tucked against his palm over blades of grass and flowers along the path while they walk. She hums a tune under her breath like she's talking to the flora they pass, and it's almost as if they're answering, their petals unfurling at her touch, the tightly budded blooms blossoming when she gets near. Still, for as tactile as she surely is, she's also very, very chatty, managing to pepper him with a multitude of questions even as she lavishes attention on the greenery.
"Do you have a cat?" is her first one, given when she glances expectantly up at him. "Dadda likes cats best, I think."
"No."
"A dog? Like Archibald?" A smile lights up her face. "Does yours turn into a dragon too?"
Not bloody likely, Hob wants to say. It's not that he's a coward, per se, but more that he still has enough of a sense of self preservation to make the idea of even getting near another dragon a properly terrifying one. "No dogs either."
She scrunches her face up like she's trying to think of what other nonhuman companion Hob might have. "A… turtle?" she tries, looking dubious at her own suggestion.
"I don't have any pets, lambkin." He freezes suddenly, sorrow fogging up his mind for a moment. Lambkin. That endearment. It's what he had called his son when he was a little lad, and Hob hadn't meant to say it just then. It had been an unthinking term of affection, one that had rolled off his tongue by sheer instinct.
When he chances a glance at Aurora, he's alarmed to see that the stars in her eyes have dimmed slightly. "I'm sorry, Mr. Hob."
He can't help his frown. This child doesn't know that the loss of his son still hurts him, that sometimes he remembers Robyn's smiling face and his heart clenches tight in grief. "For what?"
"For making you sad," she offers quietly, and that sense of panic washes over him for only a few seconds before he finds himself feeling… warm and comforted, like someone's given his mind a hug. It's disconcerting but also… pleasant?
Could this girl… be seeing his thoughts? It seems as if she asks far too many questions for that to be a possibility, but… Hob is well aware that Dream is capable of something similar, that he seems to know everyone. And yet he still doesn't hesitate to verbally inquire after the events of Hob's latest century whenever they speak.
Aurora appears crestfallen, like she's worried that she's misstepped or said something she ought not have, and Hob forces himself to focus on that instead of the turbulent what if's banging about in his head.
"You didn't make me sad," he rushes to reassure her. "I made myself sad."
"But… why?" Her expression is one of such confusion that Hob could almost laugh if he didn't fear it might hurt her feelings.
"Well, I didn't mean to. It was an accident."
"I'm still sorry you feel that way." And she seems so… genuine, so sweet in that way of innocent children, that Hob finds himself grinning at her for it.
He wants to say something funny, something charming that'll draw a giggle out of her, but they step out of the orchard then, and the sight before him is too staggering in its wonder for Hob to really concentrate on anything else.
It's… beautiful. Magnificent. So incredibly astounding that he… he feels almost as if he cannot breathe from the sheer splendor of it, like the transcendence of it has bypassed his brain and wormed its way into his body instead.
There's lush grass almost as far as the eye can see, a riotous multitude of fragrant, vibrant flowers dotting it. Their colors, deep crimsons and violets, oranges and yellows, are lovely, almost unreal in how crisp they are, in how heady their scents are. The entirety of the greenery ends just on the banks of a great body of water. A river, maybe? He can make out the blue of it from here, a perfect cerulean that glimmers sporadically with light when the sun's rays hit it just so, making it almost appear like it’s sparkling.
A ship bobs gently in place, rocking to and fro where it floats. And he thinks he spots a… wooly mammoth on its deck? But that would be utterly ridiculous, right? Then again, given what he's came across already in this topsy turvy world of Dream's, Hob tells himself that on further consideration, it very likely is a wooly mammoth there that's strolling the planks, barking out orders at its helm as if it's the vessel's fluffy captain. Which, weird as this is to witness, Hob’s just grateful that it’s not another bloody dragon so near to him.
He continues his perusal, taking his fascinated gaze from the ship and its crew. Stretching over the river is a giant bridge, one of several it seems, but this one is unique in that he's pretty sure he recognizes it. Just like the Golden Bridge in Vietnam, massive sculpted hands seem to cradle the structure itself, the tips of the carved fingers resting near the railings like they're holding it aloft in midair.
But all of this, as lovely as it is, doesn't even begin to compare to the castle, his stranger's castle. And yeah, Hob's never seen such a prideful symbol of status in all his long life, so he knows that it must be where the most prideful bastard he's ever had the pleasure of meeting has to live.
It stands tall across the water's edge, looming imposingly on what appears to be a verdant island, the shimmer in the stone it's built of causing it to look like a glittering diamond nestled atop rich green velvet. When they walk closer, Hob can make out more details in the architecture. The designs of this castle are ornate, meticulously done, and Hob is reminded of Grecian temples and Renaissance cathedrals.
There are huge sculptures, finely wrought despite their size, and Hob takes note of a large Buddha statue flanking a giant portion of the structure's left side. The wider towers are capped with onion domes like the kind seen on Russian churches or Islamic mosques, their metal roofs gleaming in the sun, but the thinner towers have spires atop them. The overall style is Gothic, from the pointed arches to the peek of a flying buttress off to the right. In truth, however, Hob doesn't think he could pin down a main influence if he tried, except to say that opulence seems to be what his stranger had been going for. It makes sense in the grand scheme of things, given that Dream himself had told Hob that he'd existed for longer than humans had. How does a being like that relate to just one time? One place? Instead, this show of status reminds him of nothing so much as a collection, like it's just been made of all the things Dream simply… enjoys, as if he'd wandered through the market of humanity's history, snatching the bits and bobbles he found pleasing to bring them back here and cobble them all together, creating a fantastical marvel in the process.
Then again, Hob has the feeling that he could probably say that about this entire world of Dream's.
"I assume that's yours," he drawls, finally shifting his gaze from the castle to Aurora.
"Indeed it is, Hob Gadling."
Hob feels himself go still at the sound of his stranger speaking, and he turns back to say something, to greet him, to respond with anything more eloquent than the highly embarrassing dadda he'd uttered when last he'd addressed Dream.
Not that he really gets the chance, however, since Aurora chooses that moment to let go of his hand and make a beeline to where her father's standing.
"Dadda!" she yells, excitement like a living thing in her tone as Dream readily sweeps her up into his arms. Aurora settles into his hold, perching on his slim hip while she leans forward to plant a kiss on his angular cheek, and the whole scene kind of…. softens him a bit in Hob's eyes. For centuries, this pale, powerful entity has been so untouchable to Hob, so unrelatable, but watching Aurora giggle and press yet another kiss to his stranger's cheekbone is almost humanizing to see.
Hob would never actually say it aloud, but here Dream is almost like any other bloke, just some simple (albeit gloomily dressed) chap with a family of his own and a child that he obviously adores.
"Hello, my starshine. Why ever are you out here alone? Given that Archibald is confined to the palace and you need not chase him in an effort to keep him from trouble, I assumed you'd be with your mother."
"Mommy said it was okay. She said we're going to have tea today!"
Dream raises an eyebrow, blatantly studying the girl. "I see. And was this to be before or after she sent you to collect Hob Gadling?"
Now, Hob knows that Aurora was, in fact, sent to collect him, but he also knows enough to keep his mouth firmly shut about it, especially since Dream looks like he's sniffing out some plot against him like it's a truffle and he's a prized truffle hog. Furthermore, Hob has yet to meet Mrs. Stranger, and he thinks it would be a poor first introduction to bring tidings that he had been the one to tip her ornery husband off about her plan, even if he doesn't actually understand what said plan is.
"Er… hi?" Hob offers instead, immediately fighting the urge to groan at his apparent inability to speak plainly in Dream's presence these days. He hasn't really been nervous around his stranger since that second meeting in 1489 when he'd been afraid that he'd made a deal with a devil, and he doesn't quite comprehend why he should feel so tongue tied at present. Maybe because he's learning that he didn't know his oldest friend as well as he thought? Maybe because Dream seems so… different now that he's nearly unrecognizable? Maybe even because he's peeled back a layer of the mopey onion that is Dream's personality and found it might actually be… somewhat soft in the middle?
Dream is still a repressed wanker, granted, but Hob considers the possibility that Dream could be a kind, repressed wanker at the end of the day. And the realization of that is more than a bit shocking.
"Greetings, Hob Gadling," his stranger says, taking a moment to spare Hob a glance. "Am I to assume my wife invited you for tea?"
"Um…" Hob trails off, wondering how in the ever loving hell he's supposed to answer that.
"No Dadda," Aurora cuts in, giggling again. Hob lets out a slow breath in relief. Twice over now he owes his savior for her rescue of him. "I invited him for tea. It was my first real invitation."
"And your mother assisted you, no doubt?"
"Nope. I wanted you to have a playdate."
Oof. She used the word, which is exactly what Hob had been fearing since he'd heard her utter it that initial time. To Hob's surprise, though, Dream doesn't correct her. Instead, he appears as if he's attempting to suss out whether or not his daughter is telling the truth. Which… she likely isn't, if Hob had to guess.
"Aurora, are you being dishonest?"
She wilts slightly, her eyes going downcast. "No?"
Hob decides then and there that he's going to have to teach this girl the fine art of dishonesty at some point in the future, because her skills in it are sadly lacking. She is, simply put, abysmal at lying.
"Perhaps it would be best for you to try that anew," is Dream's command, though it's gentle enough that Hob is almost proud of his stranger for it. Has having a child changed Dream that much? Has it allowed him such empathy and love that he is tempering his response to avoid shaming his daughter?
And Hob is certain that it would indeed shame this girl to be caught. It's plain to see that this child loves her father tremendously, and she's a sweet thing, likely not given to untruths. He opens his mouth to intervene, to have the focus turned on him, only to find out rather quickly that he's not going to have to bother with doing that after all.
"I love you, Dadda," Aurora tells Dream sweetly, and by the softening in his stranger's features, Hob can see that it's… working? What? How? Never in a million years would he have thought to witness this pouting, emotionally constipated entity felled so completely by an adorable little girl. Granted, she's an adorable little girl who seems to know how to play her father like a Stradivarius, but Hob thinks it's fair to find himself stunned by it nonetheless.
"As I do you, my starshine." Dream drops a kiss atop her head where she's snuggling against him, her tiny face buried in his neck, and they appear comfortable in this embrace, as if they cuddle like this frequently. Almost in a daze, Hob thinks that if he had his phone with him, he'd take a picture of what he's seeing. They're just so precious together that it puts a lump in his throat, one that he swallows down with great difficulty.
Dream is apparently not as fooled by this cute distraction as Hob had assumed, though, which is evidenced by his next words. "I will, however, have the truth in this matter, daughter mine."
"Dadda, I'm tired," she murmurs. "And you're being rude to your friend. Mommy would call this a bad example."
Hob almost chokes while he tries to smother his laugh at that, especially when his pale stranger merely sighs heavily, his parental exasperation so ordinary and relatable that Hob thinks the mirth threatening to burst out of him on witnessing it is entirely understandable.
"Of course. I should hate if your ability to socialize were jeopardized by any behavior of mine." And… is it Hob's imagination, or is that comment as dry as the Sahara? He doesn't think he's ever heard so much sarcasm laced in a single sentence before. "Hob Gadling, will you join us for tea? I am certain my wife is expecting you."
He doesn't seem angry upon offering this, which surprises Hob. It's quite obvious that this little girl and her mum had absolutely been conspiring together, and despite Aurora's cuteness, Hob had thought there'd be more…. of a temper tantrum? Maybe a bit of storming off into the rain while both Aurora and Hob yelled after him about the virtues of friendship? He can't help but to think that, though. Unbidden, he remembers chasing his stranger when he'd left (i.e. fled) their meeting in 1889, insisting that they were friends, cursing himself the whole while for startling the obstinate, irritable entity by offering him companionship. Which is all to say that Dream assuredly has priors, doesn't he? And who better than Hob knows how ornery his stranger gets when faced with such terrible things as affection and feelings.
"Come on, Mr Hob," Aurora pipes up, sounding mysteriously no longer tired, which is just further proof that she had been pretending in front of her father only minutes earlier. "You're my very first guest, and it would make me sad if you didn't accept my invitation."
Not that Hob had even been considering not going, but that just cinches the deal for him. After all, it's never been in his nature to say no to a child, especially when that child is as kind and seemingly goodhearted as this one.
And if a shudder goes through him at that realization, if he suddenly feels like that portends some kind of hilarious doom for him, then Hob brushes the feeling aside. It's just a spot of tea with a wildly charming, powerful little girl and her dramatically less charming but probably more powerful father. What, Hob wonders, could really go wrong?
It isn't until two hours later that Hob finds out the answer to that question. And it's… not great. Because as it turns out, a whole lot can (and does) go wrong during Hob and Dream's playdate.
*IMPORTANT NOTE: I'm copying everything over from AO3 to here because this series has a sequel coming out in the Fall, and I'd rather be prepared just in case AO3 goes down again. This is an old, complete story. So if you recognize it, you're not imagining things. 😂
Chapter Publication Date: 10/21/22 | Word Count: 5,291
All the Precious and Fragile Things (so easily do they break): Chapter 1
Part I: All of This Past
After banishing his lover to the waking world for her deception, Morpheus learns she’s been captured by a revenge-seeking Alexander Burgess.
And that she’s also very pregnant with his child.
Unknown to the both of them, this will set in motion a cascade of events that threatens the whole of existence itself.
AO3 here, Masterlist here
ONE HUNDRED AND THREE YEARS PAST...
Time, like many things in the Dreaming, is only a fluid concept. As opposed to the Waking, in which its beat is as steady as the constant tick of a metronome to a song, time in the Dreaming has a wholly wilder nature. With no rhyme or reason, it will settle down and rush forward only to stagnate flat for a while before it seemingly tires of the resting and rises up in a great swell of movement.
It is for this reason that Lucienne is unsure of precisely how many years Lord Morpheus has been absent from the Dreaming when she is taken.
Outside the gates of the realm earlier, there had been a spike of energy (pulsing starlight bright) that she had thought was the Dream Lord returned at last to his home. Worried for him and what could have kept him away for so long, she'd rushed out to reach the Endless, to assist him in whatever way she could.
When she gets to where the light was, though, he’s not there. Nothing is, and she barely has a moment to confusedly consider the emptiness before something is grabbing her tightly from behind. So surreal is the occurrence that she cannot process the cold jut of armor against her back, cannot brace herself for the blow as she's hit across the head with something hard, cannot make sense of her attack even as her vision blurs and then goes dark.
When she awakens, she's no longer near her home, instead confined to the darkness of a dungeon where her tormentors try and wring information from her through pain and hurt and atrocity that she doesn't think she will ever heal from. Not really. She'd grown used to the gentle peace of the Dreaming, where none of its denizens within knew injury or hunger or need under the meticulous care of Lord Morpheus, and so the razor sharp survival of her imprisonment here is like nothing she's known. It makes her miss home with a sorrow that pits inside of her belly like the hunger from the starvation she endures regularly now.
Time in this realm, wherever hell this is, has a much more steady cadence. Its beat is reliable, fast for all that her captors and the pain they inflict makes it feel as if it thrums agonizingly slowly here.
And then one day, everything abruptly changes.That they've dragged her out of her small cell is strange, a variance to the pattern of their usual violent treatment that puts her on instant alert. Trepidation curls viciously in her stomach as her captors start their long journey with her, forcing her to stumble along beside them despite that her legs seem ill suited to carrying her. While they make their bawdy, threatening jokes at her expense, the time around them crawls, going far more slowly than the furious staccato of her heart. She is a creature of the Dreaming, and yet she feels as if she is being carried further and further into a hellish horror that makes the nightmares of her own realm seem but child's play.
The room she ends up in has tall, gold columns, light filtering through the high windows on either side of it, and a dangerous looking male sitting on a throne of iron. Lucienne can only catch a furtive glance, but she sees a crown atop his head of crackling power, crimson and snapping violently where it hums with energy. He's glaring at the figure on the bottom of the steps as they fling Lucienne down before them, and Lucienne chances the minute to lift her gaze and sneak a longer look at this newcomer, only to be caught off guard by the strange blue she can see shining from this woman's eyes, something in them glowing as if it should not exist, a cerulean manifestation of great magic shimmering amongst the dreariness of this reality. There's a gentle power that emanates from her as well that's peculiar to feel here of all places, but it strangely soothes some part of the librarian that she didn't even know needed soothing.
The woman seems to notice her inquisitive stare but she does not smile at Lucienne. Instead, she simply tilts her head in a nod that speaks of acknowledgement.
"I thank you, Hadrius of the Adirae." Her voice is like the sweetest song despite the words twisting Lucienne's gut in apprehension. She doesn't know this female, can't fathom what she might want of Lucienne, but she's suddenly very worried that it's not for anything good. She knows well enough how the beauty of immortals tends to mask the darkness festering inside of them. And for a moment, she balances the dichotomy of relief at being away from this place and its torture against the very real fear of the raw power she senses coming from this unknown entity. What will this woman do to her? What could she want from her? Is Lucienne exchanging one nightmarish existence for another? Possibly one even worse? Though, in truth she doesn’t believe she can imagine anything more horrible than what she's already been subjected to, anything that might... damage her as this ordeal surely has.
"Follow me," she tells Lucienne, and the librarian scrambles to her feet to do just that. The woman does not say anything else to her then, but she does walk a little slower as if to allow Lucienne to catch up, and that sliver of possible consideration sparks something like hope within her. Perhaps this new terror of Lucienne's is simply panic, a completely understandable malady to be suffering from in her opinion. This could all be fine, she thinks, despite that there's a voice in her head telling her otherwise. When they're outside the castle and settled squarely in the desolate, eerily empty town that Lucienne is quite certain must be deserted, the woman lightly rests a hand on the librarian's arm, seemingly taking care to avoid the worst of the bruises there, before she summons her magic to shift them from the realm.
When they arrive, Lucienne expects a grand entrance, a palace, a fantastical place the likes that magic wielders tend to keep, but they absurdly enough land before a rather ordinary looking house. It strikes her as something that might appear the Waking, with its white siding and large front porch. Trees sprawl around it lazily, leafed limbs drooping to the ground, colorful flowers blooming vibrant on the bushes around the perimeter of the house and fence. Lucienne glances around confusedly as the woman leads her up the stairs, inside the home, and to a kitchen. An exceedingly normal kitchen, she thinks. Light here filters in through the windows where shelves of herbs and plants soak up the sun. Another whole wall of the space is crammed with books, their leather spines carefully organized and obviously kept free of dust. Mouth-watering soup boils on the stove, and the scent of fresh bread pleasantly permeates the air, making her stomach twist in want for food.
"You can call me May," the woman supplies while she carefully helps Lucienne to a chair to sit, and even in the whirl of thoughts and emotions rushing through her mind, Lucienne has the distinct impression that May isn't this entity's true name. She recognizes, however, that she's really in no position to argue anyone over lying about such a thing at the moment, especially not this creature of power before her. "You're safe now."
Safe. That word. She wonders if she'll ever feel safe again, if she's even capable of doing so anymore. Having information might help her, given that there's a sort of protection in understanding the details of what exactly is happening around her, a protection that she sorely needs in this present situation to anchor her amidst the roiling storm of her own fear. Lucienne has a million questions on the tip of her tongue, waiting for her to voice them, and yet she doesn't speak. She's honestly not even sure if she can right now.
"Apologies it took so long. I didn't realize that they had you at first. When I was finally made aware, I had to wait overly long for an audience with that broveshne ."
Lucienne, despite all her knowledge, doesn't know what that word broveshne means, but May says it as if she would like to stab Hadrius with it, and it makes the librarian irrationally pleased.
The woman- May- goes on, "I thought we could change into something more comfortable, maybe wash up, and then eat? It's been a while since I was held captive, but I definitely recall the starving as being one of the worst parts."
Lucienne still doesn't speak, and her silence seems to trouble May, who crouches before her as one might a skittish animal, like she’s trying to make herself look as non threatening as possible. "You're really safe, sweetling. This isn’t a trick. We'll get you healed up, and then we'll go and fix the Dreaming until we can find the Dream King."
"The Dreaming?" Lucienne finally croaks a response out as if she's repeating a deity's name, reverent despite that her throat burns with the words, and May frowns at this.
May stands at once to pour a glass of water and then stoops before Lucienne again to offer it as she cautions, "Drink it slowly."
The coolness of the water in her mouth feels like the best comfort in the universe. It reminds her of her library, the smell of paper and ink, the creak of leather when she first opens a new tome, the crackle of the library fireplaces on colder days, the light shining in through thick-paned windows, and the plushness of the chairs dotted throughout its sections for reading. She gulps greedily of it until May tilts the glass away from her.
"I'm sorry," she says with a wince, "but you really will get sick if you drink it too quickly."
"I…. understand." Lucienne's voice is still rough, but it feels easier to speak, less painful, and for that she's grateful. How long had it been since she'd had water? Since she'd had anything on her raw throat save for screams? May hands her the glass back, and Lucienne focuses on taking small sips, not wanting this magnificent gift to be taken from her anew.
"I hope you like vegetable soup." May smiles at her and gets back to her feet from where she'd been sitting on her haunches in front of Lucienne. "I didn't know what you'd prefer, but most everyone will eat that, so I thought it the better choice."
"Vegetable soup is... fine."
"I know you have more questions, but lets get the filth of that place off of us, and then we'll eat and talk. I'll answer anything you ask then."
But Lucienne doesn't believe her. Not really. She wishes she could, despite that she's sure there has to be a catch in this exchange. What does this woman want of her? Why is she being so polite? So kind? It makes no sense, and to someone as logic oriented as Lucienne, that is horribly unsettling.
Nonetheless, she does as her rescuer suggests, and an hour later, they're both sitting at this odd woman's simple wood table, steaming bowls of soup and fresh bread and butter before them. Lucienne has to admit, she does feel better to have the stink of that place off of her. May had given her a pair of pants and a loose night shirt that feels as if it's made of the softest cotton lawn, and she smells of the lavender from the soap in her bath, with which she'd scrubbed the blood off of herself until she'd worried she might accidentally remove skin as she did so.
"Eat slowly," May warns, her voice threaded through with what Lucienne thinks is more kindness, a puzzling thing to hear even if May has been nothing but considerate to her so far. "The food will make you sicker than the water if you go too quickly."
The woman sounds not unlike she's giving advice from experience. She had said "since I was held captive" earlier, hadn't she? Lucienne stores that particular curiosity away for later, saving the question since it's not important, and she's expecting to have to wheedle and bargain for what she actually needs to know. When dealing with immortal creatures of magic, it's not unusual to have to barter a bit for answers.
"You know of the Dreaming?" Lucienne asks, preparing herself for a roundabout, useless reply the likes of which the Fates might provide.
May nods, surprisingly direct in her response as she blows at a spoonful of her soup to cool it off. "We came across a group of nightmares that were preying on humans. I couldn't figure out why your ruler was allowing them to roam free. He's usually much stricter with his creations, as I'm sure you're aware."
Ah, yes. Lucienne is aware of that. The Corinthian. Lord Morpheus had left to bring him back from the Waking, and he had not returned. As far as Lucienne knows, he still hasn't done so. "There were stray nightmares? And you... thought to inform him of this?"
"Not... quite. I honestly thought only to tell him to get them back in line, to curb their bloodlust or something." May, rather nonchalantly for an entity that's just admitted she'd wanted to chastise Dream of the Endless like he was no more than an errant, misbehaving child however long ago, takes a bite of her soup and gestures towards Lucienne's own as if she should do the same. "I went to the Dreaming to request an audience, but he wasn't there. It felt... strange, abandoned, as if he hadn't been there for a while. I even tried to summon him in all the old ways, but I couldn't get an answer." She huffs out a sigh. "I went to Destiny of the Endless after that and basically harassed him until he very begrudgingly told me that Dream was imprisoned by mortals and there I discovered your plight."
"How did you secure my release?" Memories flood Lucienne's mind then, recollections of pain, of torture and torment. Hadrius and his interrogation, his joy at seeing her cry, at hearing her scream, runs through her thoughts with all the force of a physical blow. Her fingers unconsciously brush over the branding mark that they'd burned into the back of her other hand, tracing the raised edges of it as she's done for years since being abducted from her home. It had been a soothing gesture then, one of the only things she'd been able to do in her efforts to ground herself in that hell.
Now, however, May narrows her eyes on the injury as if she's only now noticing it, and Lucienne is bewildered to see an expression of pity cross her features.
"I have compromising information on him," May supplies. "I very politely informed him that I was an emissary from the Dreaming, and that if he didn't hand you over I'd tell everyone what I knew." A faint smile turns her lips up. "Believe me, he doesn't want that to happen."
And May says it as if it was the easiest thing in all the worlds, as if decades of torture and pain and fear were as easy to end as a bit of blackmail and the word please.
"I had planned to get you healthy again, and once you're mended, I'll take you back to the Dreaming," she goes on. "I've already got my brother and his contacts looking into where your lord might be."
"He's been imprisoned?" Lucienne queries, her mind working more slowly than it should to parse out all that May is telling her freely, no persuasion or manipulation or cleverness needed. It's a drastic but welcome change from the usual immortals she deals with, and she is oddly grateful for it.
May nods again as she pushes Lucienne's bowl closer to her in what the librarian thinks is a more insistent gesture that she should eat. "By humans at that. I'm sure that's going to put him in a most charming mood when we finally get him out," she adds dryly, and Lucienne can't help the tiny smile she gives in return.
"And then?"
The woman huffs out a faint laugh, like she's amused. "Well, I suppose then he can finally take care of that nightmare problem, can't he? Goodness knows I'm getting tired of listening to my brother complain about having to do it."
Lucienne can't help her relief at this answer, at the effortless trust she seems to have for this entity. It might make her foolish, but for the first time in a long time, she feels hope swell in her heart for some reason, hope for the future, hope that maybe, just maybe, things might eventually be fine after all.
PRESENT DAY...
"My lord…." Lucienne's voice is hesitant, an oddity in and of itself.
Morpheus, Dream of the Endless, glances up at her from the leather-bound register he'd been going through and frowns. The dappled light filtering in from the windows behind him does little to mitigate the gloominess of his throne room, but he can easily see that his librarian is standing rigid in her usual place, her spine stiffened in a way that he thinks reminds him all too much of fear. As he studies her from where he sits, he takes note of her creased forehead, of her furrowed brow, of the vein in her neck that thumps furiously, far faster than it should. It is a strange thing to see her so clearly shaken, and he decides immediately that he does not care for it.
"We must… speak." Her words are halting, as if it takes some great feat of strength to force them from her mouth, and she looks so unsure of herself that he knows she must have something either important or catastrophic to tell him. Perhaps both. Carefully, he closes his book and places it on the pile he had been reading from, gathering from his librarian's apparent apprehension that she might require his full attention for whatever has happened. With an unusual feeling of alarm, he walks slowly down the steps of the tall dais until he's but a few paces from her.
"Very well," he grants, still regarding her curiously.
"Viego has been trying to contact you," is her reply, and he thinks he now understands why exactly she had seemed so reticent to begin this conversation.
Morpheus feels his face darken in warning, his whole body going taut with anger at the mention of this. That Viego, May's brother, has been trying to contact him is not unknown to the Endless. He's felt the pull from the summoning several times and resolutely ignored it. "Do not concern yourself with the makers," he growls out, and what he means is do not speak to me of anything to do with her, with my once betrothed.
Lucienne, however, only draws in a sharp breath, regret written plainly on her face. "I fear I must, my lord."
He's surprised, which seems a paltry descriptor for the magnitude of sheer shock that wells up within him. His librarian has always been unfailingly loyal, even in her early days when she was a wild raven that grappled with leaving her mortal life behind. To see her now disobeying him for that deceiver of a female sets his teeth on edge. Had his betrayer truly infected everything in his realm so thoroughly? Would the damage she wrought ever be completely purged from this place? He knows that Lucienne had been overly attached to her for some reason that he never did and still does not understand, but her first duty remains to him and the Dreaming.
Without waiting for a word from him, she continues on. "When you were first taken and bound by Roderick Burgess, I was captured by Hadrius of the Adirae," Lucienne admits with the slightest tremble in her tone, her eyes downcast as she relays this to him.
Morpheus stiffens in confusion, the words so unexpected that he's momentarily unable to parse what she's just said. How has he never heard of this? That his own librarian was taken by that monster and he had not known is wholly startling.
"Hadrius?" he repeats, almost hoping that perhaps he's misunderstood her. Morpheus will confess that he does not know much of that malevolent being, save that which he imagines everyone else does. Hadrius currently resides in a realm utterly destroyed by his own violent brutality, and he has existed for eons, possibly even longer than the Endless themselves have. But beyond that and the rumors which circulate every now and then, he is an enigma lost to time, a puzzle on the outskirts of reality that few have been brave enough to try and solve.
Lucienne nods and finally looks back up at him, a latent terror present in her expression that Morpheus has never seen from her before. "Some of his men abducted me outside the gates during your absence. They…. questioned me on various aspects of the Dreaming and details regarding its function, seeking secrets and information that I could not give them."
They had sought details of the Dreaming? Whatever for? Surely they could not be fool enough to step foot in his realm? Not with his power returned to him in full as it is now. He decides that he will mull over that later, however, believing it irrelevant to what Lucienne seems to be trying to tell him. He turns his attention to her anew, thinking over her words as he does.
The way she had said questioned tightens his chest in both pity and concern. He's heard gossip of the savagery displayed by that mysterious entity called Hadrius, heard the tales of him torturing his wife to death and burning his own children alive after a cruel imprisonment in the dungeons. He doesn't need her to tell him that her interrogation was likely painful, likely horrendous.
"You were hurt," he breathes out instead of voicing this, a fury rising in him at the thought of one of his own being treated thusly. He has a responsibility to them, he knows, and he fights the sudden urge to seek her captors out and violently rend them with his shadows for their trespass.
Lucienne nods again, and he thinks he sees a shine in her eyes, an uncharacteristic sheen of tears that threaten to collect and fall. "I was treated…. harshly. Over a decade into my captivity, she..."
Decade? While he had languished in Roderick Burgess' binding circle, she had been held and suffered likely unspeakable torment for over a decade? He thinks he should comfort her, should console her in some way. His hand twitches with the unfamiliar, nearly absurd impulse to rest on her shoulder, but she seems as if she's holding herself together by sheer willpower, and he fears that such a gesture, especially coming from him, might shatter the brittleness of her in this moment. "Yes? Go on."
"May... came and rescued me. She helped to heal me."
That name. Her name. It cuts through him with all the bite of a serrated blade.
"Why was I not told?" he demands sharply, fury coursing through him at both the mention of her and the audacity of that rat Hadrius for daring to abscond with, to hurt, his librarian.
"She wanted to, but I was…. uncomfortable with sharing such knowledge. She agreed that she would stay silent, and I could speak about it in my own time, when I was…. ready."
And while he is loathe to admit it, that seems something May would do if he's entirely honest, offering her unassuming help to Lucienne as she'd done for him. In a bittersweet way, he remembers how she had pestered him with her presence after he'd retrieved his tools from their scattered places in the Waking (likely knowing that he had to hate being alone after so much time spent in the complete isolation of that glass sphere). He remembers how she had taken to laying gentle hands on his arm (as if to give him the touch that he craved but didn't have the words to ask for). He remembers how she'd dragged him to the Waking to show him the kindness and goodness of the humans (to remind him not to narrow the entire world of their kind down to the hurt of his imprisonment and the evil of Roderick Burgess). He remembers her listening quietly as he'd told her everything he could one night while she'd pressed naked against him in the afterglow of their lovemaking, her hands stroking his chest, reaching for his hand, pressing kisses against the knuckles as she'd sought to calm him, to let him know that she was there for him. He remembers the way that he'd felt her love and had real hope for the first time in millennia that perhaps there was something more for him outside an existence merely lived for the sake of his function.
How utterly foolish he had been then. To believe he could ever be allowed to keep such happiness for his own when so often his history had demonstrated the exact opposite. Even now, the sting of his past idiocy burns his pride.
"And are you ready?" he questions, gentling his voice as he wills the memories of her away, unwilling to think overly about the taint of her deception on them at present. He focuses instead on Lucienne, his advisor, though he has never called her that to her face, never acknowledged her role in any formal capacity.
Her eyes burn at him, an odd intensity in them. "No, sir, but…. I must."
"You need not, Lucienne. I am quite willing to wait as long as you require until you are comfortable discussing this," he offers, still mindful to keep his tone low and soothing.
"Sir…. when we finally arrived back here, after she had nursed me back to health, the realm was already in decay. She…. put her magic into the Dreaming to keep it alive for the subjects. And then she threw herself into finding you, and finally…. into bringing you back here."
In an instant, his compassionate calm is no more. His jaw clenches so hard he'd break teeth were he a human. He hates being reminded of her rescue of him, no doubt an elaborate plot of one of his siblings. Desire, most likely. "I'm aware of both her efforts in the Dreaming and that she freed me, Lucienne. What point are you trying to make? That I owe her?"
"To remind you of all she has done for this realm. Her brother has been trying to contact you because she is in trouble. It's-"
"None of my concern," Morpheus bites out, finishing for her.
His librarian is clearly taken aback by his refusal. "But we… we have located her, and-" she tries again.
"You have been working with him? Against my express wishes to avoid involvement?" His interruption is one of shock. He had known that she was friendly with May, but to risk his wrath is uncharacteristically reckless of her.
"She is bound, sir, in a perfect copy of the binding circle that you were trapped in," Lucienne finally tells him, the admission spilling from her in a rush.
For a few moments, he's silent as he processes this.
"She is bound with her own spell?" he asks at last, intending the words to come out cruel, but instead his heart twists at the reality of her being bound as he had been, captive to the same nightmare she had saved him from, no matter her actual motives for freeing him.
"I remain convinced that this has little to do with me," he decides, something in him tugging unpleasantly at the thought of her in such danger, "but I will contact her brother immediately and assist however I am able."
He assumes this will assuage Lucienne, but the librarian only seems to grow tenser at his offer of help.
"Sir… she's held in the same binding circle that held you. The binding circle of an Endless," she repeats more slowly, as if there's something that she's trying to relay to him, but she can't quite muster up the words to speak it.
He frowns at her, not understanding what she could possibly be getting at, but the idea of that specific spell holding her is passing strange now that he thinks on it. His once betrothed is many things, but an Endless is assuredly not one of them.
"She's held by it because she carries a part of you inside of her, a part that is subject to the binding of an Endless."
It takes him several long moments to comprehend what she's conceivably telling him, and even then he's sure that he's misunderstood. He has to have misunderstood, because the alternative is nothing less than appalling. "You cannot mean that she is…" he trails off in something like horror.
"With child," Lucienne finishes for him, her words short and simple despite the enormity of their meaning and all the many ramifications inherent in them. "Yes."
Morpheus sits heavily on a step, feeling strangely as if his legs might give out from beneath him. Doubt, shock, dread, rage, and disbelief are but a few of the many emotions roiling through his mind. How could this have came to be? Neither his kind nor hers are given to accidental procreation, and they had taken steps to avoid such a thing. Now, however, he's learning that he'd likely left her with child, that he'd nearly...
His eyes squeeze shut for a moment, unwilling as he is to think on that. They had certainly not parted well, their relationship set aflame by her misdeeds and left as naught but ashes in the end. His love for her had been absolute, fierce, and with it his heart had been thoroughly broken. He’d thought that he had suffered all the pain he could from their fallout, but to know that she is currently trapped, his child growing inside of her, cuts at him in an all new way, something unfamiliar but gut-wrenching all the same.
Outside the palace it darkens. Thunder rolls loudly, and a bolt of lightning splits the sky of the Dreaming before a torrential downpour starts, all of this a sudden manifestation of his turmoil.
"How… long....?" He's unable to organize his thoughts, but his librarian's face softens as she seems to take mercy on him and starts answering the questions he cannot form or give voice to in the wake of this news.
"She's been held for six months at least, and…. we feared her dead for some of that time. Only recently Matthew was able to find her while he searched the Waking, and it... became very clear what had happened to her."
Feared her dead? They had thought her dead and never bothered to tell him? He is unsure as to why the possibility of that twists inside of him so sharply, why the possibility of her lifeless makes him feel almost ill.
"Is he... with her now?"
Lucienne nods in response, hesitation clear in the way she falteringly informs him, "Sir… it is…. You might not wish to witness what... what he is in this... exact moment."
"Matthew," Morpheus calls, never taking his eyes off of Lucienne, something like betrayal churning in his gut alongside his newfound fear for the female he had once offered to make his wife, his queen. Fear for her and... fear for the child she carries. His... His child.
"Hiya boss," the raven greets, his tone sounding unnaturally nervous and the reply delivered far too quickly for Morpheus to think he had not been waiting for this very summons.
"Show me," he commands tersely before he enters Matthew's mind, and he finds that he is wholly unprepared for the image that awaits him there.
(May is in the circle, completely stripped and nude as he had been when he was imprisoned, and he's... alarmed... by her state. She's a gaunt thing, all of her unnaturally bone thin in what he believes to be... starvation? Despite the large swell of her stomach where a child obviously rests, her ribs are plainly visible, the knots of her spine protruding far more than they should where she's curled on her side, and he knows with a sickening dread that withholding sustenance must have indeed been one of the tools of torture that her tormentors used on her. She appears ill, near death he'd even say, and Morpheus feels as if he could tear a world apart from the sheer wrathful anger that rises up in him with this horrific understanding.
Beside her, drawn in that same haunting gold that he'd looked upon for decades, is a duplicate of the binding spell that holds her.
"Call him." Her human captor snarls out his order, but May simply ignores him, staring off into the distance as if she's finally given up, her hopelessness a heartbreaking thing to see. Even through the thin slit of the window where the thick, black covering on it has peeled back very slightly, he thinks he can almost feel her despair as if it is his own. At Morpheus' bidding, his raven moves closer, and he observes with Matthew's eyes the presence of six long, ugly gashes that travel from her neck to the base of her back, all of them still sluggishly weeping blood. Rage, vengeful and all-consuming, takes hold of him then. What had been done to her? What terror had this monster dared to inflict on a woman weakened with child?
"Call him, and we'll let you go." The mortal tries to bargain, but May seems... suddenly animated at this. Sitting up slowly, tentatively as if she's in a great deal of pain, she flicks angry eyes up at him, a fury swirling in their depths that he's never seen from her before, that he didn't even know she was capable of. Her expression almost distracts him from the dark bruising on her cheek, the jagged cut above her left eye.
"It's not happening. No matter how many times you ask," she answers, glaring at her jailer.
"Then you'll die." May flinches when he says this. "You're not as sturdy as he is, are you? He lasted for thirty years and seemed like he could have gone on longer, but you….you're dying now." He grins sadistically at that, leaning closer to her after he brandishes a knife, a very familiar, very cursed knife. Morpheus remembers it being brutally pulled out of her back once, remembers the look on Roderick Burgess' face when he'd yanked it from her flesh while May had been in the process of rescuing Morpheus several decades ago. "I wonder if Dream of the Endless would come for his bastard sooner than you? If I were to cut it out, would that summon him here? If I were to make it cry? Make it scream?"
She draws in a trembling breath at the sight of the cursed blade before seemingly forcing herself steady again.
"He won't come for either of us," she tells him, her voice almost desolate in its quiet. "You've picked very poor bait, Alexander Burgess, and the stain of what you're doing will see you in Hell when Death arrives for you."
Alexander Burgess chuckles, a depraved sound that has her tensing as if waiting for a blow, as if she has received many blows from this mortal and can't help but to instinctively fear more. Instead, her captor brings the knife down hard right outside the circle, plunging it deep into something that Morpheus cannot quite make out, though May jerks away from the threatening gesture. She moves as far away from her abductor as she's seemingly able to, her body near enough to the golden sigils of the binding that she hisses when her hand gets to close. "Very well. I think next time I'll put it in your stomach. That thing's death might not make him come, but it might make you cooperate."
After he's left, the gate of the basement creaking and then slamming loudly behind him, May stares as if she's on alert for him to return and... and hurt her anew. Several minutes pass before shakily, she cradles the swell of her belly where the child grows, brushing trembling fingers there as if she's trying to soothe the baby, as if she's trying to reassure herself that its still there and safe. Her eyes well with tears, and she gives a small, almost silent sob that rends his heart to hear.)
Morpheus breaks off the connection, breathing raggedly. The ground outside trembles turbulently, the shudders of it stretching through the entirety of the realm. His stomach lurches, his panic an unfamiliar beast snapping violently inside of his very being while his shadows, the most nightmarish aspect of his power, chitter excitedly, ready to exact retribution for Alexander Burgess' offense, ready to savagely assist him in the undertaking he is soon to begin. Around him, a tense silence hangs heavy over the throne room as he forcibly gathers himself.
"Where is Viego Westin?" he demands of Lucienne when he finally calms the impossible, too-fast beat of his manifested heart. "I must speak with her brother immediately."
As a general rule, Viego Westin doesn't like to get involved with the Endless.
That's a completely fair stance, he thinks, given that him and his sister have survived for a hell of a long time on Earth by avoiding unnecessary attention, and those Endless bastards always seem to draw tons of that. Not that they can help it, really. They're concepts made flesh, the massive power of that jarring even to those who can't sense the magic behind it as he can.
When it had came to the Dreaming and its ruler, Viego had very much wanted to avoid getting mixed up in that too. After all, what did it have to do with him if some Endless was trapped in a binding circle? It's not like any of them would actually lift so much as an eyebrow to help him or May if the situation were reversed, but his sister, stubborn to a frustrating fault, had overruled him. In the countless millennia they've lived and coexisted and survived together, he's learned well the valuable lesson of choosing what battles to pick with her, and at the time it had honestly seemed harmless enough. Their checklist went: keep realm alive, rescue Emo Endless, and celebrate with something alcoholic.
Of course, now, in hindsight he wishes he had chosen to pick that particular battle.
Because the aftermath of it has… well, gone to absolute shit doesn't seem a strong enough way to describe how sideways it's all gone.
He'd known after her first decade in the Dreaming that May had went and fallen in love with that mopey bastard Dream. Granted, she hadn't actually told him that, not then and not for about seventy years after that, but Viego isn't an idiot. And he'd have to have been not to notice the tender, loving glances that Dream and May would share (okay… fine), or the way that Dream would sneak her away to somewhere hidden just so he could brush a kiss against her hand (which… sickly sweet enough to be nauseating but mostly tolerable), or the fact that Viego could smell the Endless on May sometimes (uncomfortably disgusting at the absolute least) in probably the clearest sign possible that the two of them had been doing the old devil's tango. Viego isn't a prude, not by any stretch of any imagination, but knowing that Dream had been defiling his sister had required a great deal of effort on his part to keep his mouth shut and his magic calmed and his temper firmly suppressed. Honestly, his first thought when May had at last told him they were to bond had been fucking finally.
Then she showed up eight months ago, and he felt all that restraint disappear, gone as an urge grew within him to march straight into the Dreaming and beat Dream bloody, Endless or no. His sister, worn and pale as a corpse at his front door, was hurt and exiled and terribly, terribly broken.
Oh, and pregnant. She was that too. Pregnant and unbonded , a death sentence for their kind, the very death sentence that had ended up destroying their own mother.
("You didn't even bond with him?" Viego breathed out incredulously when she revealed her pregnancy, stunned disbelief in his eyes at her uncharacteristic stupidity. She knew better. "May…. what in the hell were you thinking?"
"I was an idiot," May answered him, self-loathing clear in her tone, her eyes shining with tears as Viego led her to their kitchen table and ushered her into a seat there. "I thought…. I thought he actually loved me."
Fear twisting in his gut, Viego considered this. He'd had his fair share of arguments with sexual partners over the centuries, and May had never really done the serious thing with anyone before. He entertained the idea that perhaps she just didn't understand how such fights worked. "Maybe he does still. Maybe this is just a lover's spat-"
"He's banished me. I can't even get in touch with him to tell him about the baby," she informed him as she ran a shaking hand over the swell of her belly. "He wouldn't even listen… didn't even give me a chance to… I don't even... don't even know if I could have told him, if I could have explained it..."
Viego studied her then, and worry crept over him at how very off she sounded in her distress, how very... fragile she appeared in her grief. "Explain what, sis?"
She was silent for several minutes, her jaw clenching, her eyes watering even more as she stared over at a row of cabinets along the farthest wall, seemingly scrutinizing the knots and divots in the glossy wood grain of them.
And then as if a spell was broken, May snapped. "About the stupid book," she bit out as she got to her feet and began pacing. "About that stupid grimoire and that stupid spell."
Viego frowned in confusion and felt utterly unable to make sense of what exactly she was telling him. "He's mad about that? You were a child. Did you tell him that you were a child?"
"Are you listening? He didn't even let me try. He just banished me because I had lied, because... I couldn't admit to him what I had done, what had been done to me. He didn't even let me say goodbye… to.... oh... Lucienne." At that name, May seemed to realize the totality of her loss, seemed to realize that she would not see her friends again. She sunk to the ground, stricken anew while she held herself tightly, and Viego knew that she was mourning those that she had been forever cut off from. His sister had always gotten too attached, after all, and he was under no delusions that she hadn't went and done the same thing this time as well.
But Viego was a hundred percent sure then that he would do anything, give or take or kill whatever the universe required, to never hear that broken, desperate sobbing come from his sister again. She was a hollowed out thing, her heart fractured before his very eyes, and Viego did not hesitate to wrap his arms around her.
"Shh," he soothed as best he could, keeping silent on her trauma. Comfort wasn't really his thing. In truth, Viego had always been more hard edges than anything else, even before he had been shaped and molded as a killer, as a being who enjoyed the destruction at the end of everything. With his sister in his hold, he struggled to remember real genuine softness, the kind she needed as she broke apart in his arms. The solace of it was the least she deserved from him.
He remembered the innocent, smiling girl she once was, when they were but children and the stain of power (or what some beings would do for said power) hadn't yet caused them any harm. She'd told him then that kindness wasn't weakness, and even as a youth he'd thought her foolish for it. It would be such a short time for him to be proven right, for the both of them to discover that kindness might not be a weakness, but it was definitely a luxury. One that was best left to happy moments and situations where they weren't being beaten and tortured and slowly starved to death in a dank dungeon.
Too much like their mother, May had still tried to be kind anyway even there in that hellhole, even as a mere child suffering brutally under the order of those who should have seen to her safety. There had been other magic users in that place, chained up and drained, hurt severely, and his sister- willful and loving and stubborn to a fault- had tried to keep them as comfortable as she could, whispering stories and humming little tunes and asking about their lives. She'd tried to give them hope enough to make the inevitable dying as peaceful as it could be.
May had comforted him too, more than even she could ever know. She'd treated his wounds as best she was able and held his hands (the only part of him he could bear to have touched) while he almost bled out in the aftermath of one of the guards deciding he had liked the look of an attractive boy, which Viego very much had been. He had found out the next time it happened (guards chatting idly by while that sadistic fuck tore him apart from the inside out again) that they'd been hurting her like that too, that she hadn't said a thing to him about it, and he had wondered why. Had she been protecting him? Sparing him? When they'd finally thrown him back in his cell, bleeding and burning in shame, he had let his little sister hold him and sob against his broken body, giving him all the solace she had left to give because he'd finally understood then that giving peace helped her find her own in some way.
The damage of that time, Viego knew as he held his sobbing sister in the circle of his arms, was carved deep into their very souls, impossible to ever completely ignore. Even sweet, loving May had ended up changed before they'd gotten free of that place, but Viego tried not to think of that for the moment. Instead, he focused on her clinging to him all those thousands of years ago in their mutual pain and fear, used the memory as a guidepost of sorts to remember kindness when all of him thrummed with the need to find Dream of the Endless and unmake him for this offense.
On the tiled floor of his kitchen, he tautened his hold around her, the hard swell of her belly between them as he brought his hand up to the back of her head, stroking her hair carefully as if she were frail enough that he might accidentally turn her to dust with just his embrace.
"Shh, sis. We'll muddle through. We always have," he offered soothingly, "and you'll be a mother. Imagine that. You've always wanted children."
The truth, though he found himself unable to speak it aloud, was that she might not live long enough for that. Makers like her needed a bond to survive bearing. The lack of one had been the very thing that killed their own mother in the end, so Viego knew that May was probably aware of just how much danger she was in, of just how much danger Dream had left her in. His anger rose inside of him, and he quickly squashed it back down, choosing to focus instead on that dim, barely-there love inside of him as he wielded it clumsily to give her… well, hope.
The Endless, he knew, could be handled later. Or so he thought.)
His sister was with him for almost a month, and he'd known her so well before, the countless millennia making every beat of her heart as familiar to him as his own, that the new changes had been… difficult for him, for them both. May had been many things in their many long years of sharing a home but never… pregnant . She slept a ton and vomited almost constantly and cried sometimes for no real reason that he could actually understand. They fussed and bickered as siblings of any age tend to do, worked together to come up with a solution to her bond dilemma, and then with that finished and behind them, they thought to settle in for the little one to arrive.
Until May woke one morning, put off by the lack of decent food in his house. The baby growing inside of her made her equally nauseous and hungry in sporadic turns like a light flickering on and off after a toddler has figured out how fun it can be to flip the wall switch, and Viego learned very quickly that he should keep his mouth shut no matter what horrendous concoction she consumed in an attempt to appease the baby she was busy growing. She told him around lunch time that she was going on a supply run, gave him a quick hug, grabbed her keys, and then….
And then never returned.
Frantically, he searched. Despite his disdain of the Endless fucker who'd shattered his little sister's heart, Viego wasn't too proud to beg. And beg he certainly had. As soon as the pulse of May's life disappeared from the edge of his awareness (an occurrence that hadn't even happened once during her near century in the Dreaming), Viego swallowed whatever pride he might have had left and started summoning the King of Dreams. He tried with blood and fire and burning his damn name in the old ways, but the bastard refused to answer. It was the librarian who finally reached out to him, none other than the Lucienne that May had been so heartbroken over losing, and he wasted no time in telling her what had happened, relieved when she seemed appropriately anxious about the news. She sent him rarer magical texts from the Dreaming library with a multitude of locating rituals that he cast to no avail, and eventually Lucienne, more worried than Viego would have expected given who her boss was, made the call to send a raven out to search for May.
Weeks later, when the raven shows up at his window, Viego feels as if he might weep with relief at the prospect of news. He rushes to undo the latch and let the little guy in, but he doesn’t get the chance before something... changes. A heaviness filters through the air as his senses start to alarmingly burn. The magic of his house seems to swell and twist uncomfortably, bursting with a loud pop in his magic sense that only recedes with the arrival of none other than the Endless he most wants to punch in the face.
"Fucking finally," he bites out at Dream, hiding his astonishment at his appearance. With how callously he had discarded May, Viego hadn't thought the Dream King cared enough to actually get involved in this. "You took your time showing up, didn't you?"
"I know where she is being held," Dream tells him stiffly, an expression of cold impassivity on his pasty face as he blatantly ignores the crude barbs in Viegos' words.
Rage drains from Viego, and determined resolution takes its place. If the brooding bastard is going to provide him information, Viego can stow his own shit until later.
"Where?" Viego demands roughly, grabbing a dirty duffel off of his table as he starts to rummage around and pack it with things they might need. He's never been a boy scout (since they were after his time by thousand upon thousand of years and all), but he knows the value in being prepared, especially given that May could be hurt. Two knives, a regular first aid kit, a magical first aid kit, three waters, and a couple of protein bars all make their way into the bag.
"Fawney Rig."
That damn place? Viego stops from his packing, a blanket still clutched in his hand, and stares at Dream. His gut contorts in apprehension as he asks, "What the hell is she doing there?"
He just knows that he's not going to like any answer that comes out of Dream's mouth.
"Her captors," the Endless supplies tonelessly, "are attempting to lure me into another binding circle."
"Of course," Viego scoffs derisively. "You ever notice that a lot of her suffering these days has to do with you?" There's a caustic spite that's painfully clear in his tone as he finally shoves the blanket into the bag and roughly zips it shut.
Those words get a reaction. Dream's marble countenance tightens as he glares at Viego, but he does not meet the scorn with an actual answer. Viego thinks that him not defending himself is a tell in and of itself. "Will we require subterfuge to enter as you and she did last time?" the Endless questions, his voice even enough despite that Viego can sense he's anything but truly calm.
Viego's own fury, always a carefully tended magical fire, expands and rises to the surface. The heat of it blazes just under his skin, ready and willing to destroy, to kill, to see all of May's captors in flame. His darkness chitters in glee, in anticipation. "No," he growls. "We'll blast our way in."
The Dream King nods in concurrence, his sand already rippling through the reality of where they're at, and there's a low thrum of violence from the Endless. Which is... good, in Viego's humble opinion. They don't really know what they're walking into, either of them, and there's no telling how much rending they'll have to do to secure May's freedom. A pissed off anthropomorphic personification might be just the thing to sway any fight in their favor. Viego slings the bag over his shoulder and grits his teeth before the power swells and bursts, chucking them out before the nightmare that is Fawney Rig.
*IMPORTANT NOTE: I'm copying everything over from AO3 to here because this series has a sequel coming out in the Fall, and I'd rather be prepared just in case AO3 goes down again. This is an old, complete story. So if you recognize it, you're not imagining things. 😂
Chapter Publication Date: 10/26/22 | Word Count: 8,767
All the Precious and Fragile Things (so easily do they break): Chapter 4
Part I: All of This Past
*WARNINGS: 18+ for smut
In a flashback, more of Morpheus and May's history is revealed. Their past selves finally admit and give into their feelings for one another.
In the present, Morpheus discovers Alexander Burgess' fate and faces the reality that the mother of his child might not recover from the wounds left behind by her captivity.
AO3 here, Masterlist here
SEVENTY-ONE YEARS PAST ...
By her fourth year in the Dreaming, Morpheus finds that May has settled in to his realm with a contentment that only bolsters the tranquility and peace of his domain. For some reason that he still doesn't understand, she is especially attached to Lucienne (who claims a large chunk of her time when May's not helping with the realm or spending time with him), but she interacts with all of the inhabitants of the Dreaming with an easy exuberance that endears her to them.
She's worked tirelessly alongside him, using her curious brand of magic to help rebuild from the mess that his imprisonment had caused. And he finds that he's grown used to the gentle cadence of her power swelling in some part of the Dreaming or other, repairing forests or buildings or landforms, remaking from the damage now that she's not funneling so much of her energy into sustaining the realm, a burden he had hastily taken back as his own. It should worry him how easily he allows this, a foreign magic within his domain, but he strangely trusts her as he has not trusted for ages despite the fact that she doesn't openly share much of anything about what she is. He knows only what she allows through conversation and observation. She has a brother (who he thinks might have more shadows in him than the entirety of his nightmare lands) and they're close to one another. He knows that she's kind (sometimes frustratingly so), that her power feels like warmth and sunshine. She's witty and practical when she needs be but harsh and unyielding when the situation calls for it. She enjoys thunderstorms and snow and reading and swimming at her beach on hot days, and she prefers coffee in the morning and tea at night. He's watched her and learned, but the core of her (and that is what her power is to him) is still a bit of a mystery to him.
Given all this, though, it's only when he comes upon her recreating an entire village worth of housing from just the ether of the Dreaming that he suddenly understands exactly what she is.
For the first time in years, he studies her as she works, that same unusual gold magic that she’d used to rescue him shimmering around what she's focusing on, and it comes to him in a revelatory instant. The spark she'd put in the Dreaming, the easy way she communicates with his realm, the cheerful, hopeful glow of her magic that he can only describe as pure creation.
"You're a maker," he breathes out, and the sudden realization of it leaves him... awed. He’s not the type of being who is often rendered so, but the revelation of this is a shock to him.
May, who’d seemingly been unaware of his presence, jerks a little in surprise at the sound of his voice before turning towards him. "What?" she asks with one of her soft smiles, exertion from the wielding she had only just been engaging in making her chest heave slightly.
"You're a maker," he repeats, forcing his voice clearer.
He hadn't thought that makers were real, hadn't thought they could possibly exist. He'd believed them nothing more than a contrivance, a fairytale for the gods and immortals, something to leave them with the impression that there were still secrets to behold even in their jaded, undying existence. And honestly, he can't be blamed for that. World makers? Beings imbued with the magic and ability to create from nothing in any realm, to alter the fabric of entire realities in the Waking? In the soft places? In Hell? In the Silver City? Some even think that it was a maker who first weaved the Great Design, the universe itself, into existence. It sounds farfetched even to someone who walks along the macrocosm of myths and legends every day.
And yet, she takes hold of the nothingness in his realm and spins whole places from it. He's seen it with his own eyes numerous times but had not known what it was. Until now, that is.
The change is sudden. May stiffens and appears as if she’s fighting the urge to back up. She pales at his words, her eyes dimming like she’s scared of his realization and what he might do to her because of it. Loathing twists sharply inside of him to see her so anxious.
"I…..yes," she admits, voice smaller than he's ever heard it, as if she's trying to contract into herself, as if she’s preparing for some betrayal. Morpheus, an entity who has been subject to far too many betrayals, understands that fear all too well.
He frowns as he moves closer, reaching out to take her hand in his, a usual gesture of comfort between them. Since his return from captivity, May has slowly reconditioned him to physical contact: a gentle hand on his arm when she twines beside him on their walks, a stroke against his shoulder in passing when she goes to leave his presence. Once they’d ended up stuck in a veritable deluge of dead leaves when a Dreaming forest had reacted badly to being recrafted and had produced a massive rush of foliage the likes of which he could never have imagined. After they’d extricated themselves, she’d ran those long fingers of hers through his hair to pluck all of the leaves and dirt and detritus from his inky mane, laughing all the same while he'd returned the favor.
That is to say that they’re well accustomed to one another’s touch after all this time, but her hand in his now is trembling, cold. She must be frightened, he thinks, of being captured or killed. He knows that she's long-lived, and something in his chest tightens uncomfortably as he thinks of how she had probably learned treachery and evasion and deception out of necessary defense of her secret.
"Your brother as well?"
She draws in a harsh breath as if she doesn't want to say before she looks down at the ground and admits, "Yes.”
He puts a finger under her chin and uses it to lift her face up so that he can meet her eyes. "May…. You are safe here. You will always be safe here."
Her exhale is shuddering, and he tightens his hold on her hand as if to ground her to him, to anchor her in the flux of her emotions. He feels that she could use this bit of reassurance from him, though he wonders how he could possibly sense such a need from her at all. Is it merely some sort of empathy on his part? Or does it have more to do with that well hidden affection he has for her?
“Do you really mean that?” she asks, careful hope a tangible thing between them despite that she is still studying him with that suspicious air about her, as if she’s searching for signs of dishonesty in his expression.
“Of course. None shall harm you in my realm.” He steps closer, almost indecently near. "Have you been…. harmed before?" he questions, unsure as to if he wants the answer. He knows that his feelings for this woman are evolving beyond what he should permit, but something in him has to know. May's grip tightens.
"Yes…." she breathes out shakily. "There were…. more of us. Once. We were hunted to near extinction by gods and magic users and humans alike. And sometimes even our own… kind," she answers quickly, glancing away again, and he thinks there might be the slightest hint of guilt there before he dismisses the observation. After all, why should she feel such a thing? "I don't actually want to talk about it."
"If that is your wish." He burns to know what or who has put that dread and pain into someone that he cares for, however, no matter his allowance on her silence. Before his own captivity at the hands of Roderick Burgess, he could have only imagined how such unique beings as her and her brother might have fared in a world of mortals. Now, he understands all too well, intimately even, how they must have suffered for their gifts. He softens his words to calm her skittishness. "Would you care to cease your work for a while? I thought we might have lunch."
She nods in acceptance, but her uncertainty causes her to continue casting surreptitious eyes at him as if he might change his mind, as if he might hurt her instead. The sight of her fear and suspicion tug at him in a way that he’s not quite sure he understands, but that he thinks might have something to do with his ever growing feelings for her, for that utterly reckless affection he hides where she's concerned. No good can come of it, he knows, and May seems uninterested in such a thing from him regardless. So it remains unnamed and unrealized, reduced to nothing but a knot in his heart that aches near constantly.
For now, he offers his arm to May, and she takes it as she always does, but there's a distance between them that isn't usually there when he shifts them to the peace of Fiddler's Green. This place, he knows, soothes her, and he thinks given her current apprehension that she might could use that. They stroll the path there to the palace, her barely speaking to him, and his stomach twists the whole while at this worrying change from her.
She's quieter now that he knows about her, reserved even, but he's not expecting the influx of nightmares. And May, stubborn as she is kind, refuses to allow him to stop them. He hears her crying sometimes in her sleep- quiet, broken sounds that cut at him- but he knows not how to address her fear except to reassure her whenever he can that she's safe, that he will keep her so.
Her chamber in the palace is directly beside his (the Queen's chambers, though he suspects nobody has actually informed her of that), so he hears the desperate whimpers coming from her while he makes his way to his own rooms. Three rolled maps are tucked under his arm to look over, a task he usually takes care of in the library or at his desk, but these days past he'd grown weary of the constant interruption from palace staff and Dreamers alike. It had driven him to seek the seclusion (and blessed silence) of this private space. When he walks by her door that night, however, he feels her panic clear as day, as if it’s calling out to him. He brings up his hand to knock when he hears her cry out, and without thinking he twists the knob and barrels in, his heart twisting at the sight of her. She's sitting up in bed, gasping for breath, her face wet with tears. She starts at his entrance, visibly shocked to see him come through the door.
"I had a… nightmare…. I'm sorry…." she rasps out. "Did I wake you?"
He considers for a moment on what to say, what to do. He had not thought beyond ensuring she was well, but now he studies her in the pale glow of the room's lights as he contemplates his next step. She hates for it to be dark while she sleeps, seemingly fearing it for some reason she has never explained to him, and so it is always bright in here no matter the hour, a fact that permits him ease in his scrutiny at present.
His tenseness at her obvious distress pulls the corners of his lips down.
"No, you did not wake me." He makes his mind up then, unwilling to listen to her suffer alone. Carefully, he sets the maps down on a table before taking off his boots and shucking his coat.
"What are you doing?" she asks tightly, seeming more curious than anything but still wary. There are tears rolling down her cheeks, and their appearance does something odd to his stomach, making it clench with grief to see her so upset.
He pads to where she is and sits down so that he's facing her. "We both know that you will not allow me anywhere near your bed with my boots on," he supplies with one of his rare, kind smiles. He takes her hands in his, rubbing his thumbs soothingly over them. “ You are safe here. I am aware that you've been frightened, but I…. you must know how highly I esteem you. I would allow no harm to befall you. Please trust me."
May looks at him, looks though him, as if she is gauging his earnestness, before she finally nods in apparent acceptance. Hesitantly, she leans forward to tilt her forehead against his collarbone, clearly craving the comfort of touch as he’s seen her do these past four years with others. Morpheus, his heart swelling at her faith in him, wastes no time in pulling her more surely into the strength of his embrace, shushing her gently when she begins to silently cry against him, her tears wetting his shirt where her face has ended up buried in his chest. Her sorrow, he thinks, is left over from the nightmare, but he is not certain of this given her anxious brittleness since he had discovered her secret.
They stay that way for a long while, her tucked safely in the shelter of his hold until she grows drowsy. Stroking her hair while she calms, he can sense her tiredness, but he does not speak of it, utterly unwilling to let her go before she is settled, before she is ready to be released. And when she does eventually start to disentangle herself from him, it is with slow, reluctant movements. Her eyes rimmed red, May stares up at him like she’s just realized something, like she's processing whatever new thing she's discovered.
"Would you… stay?" she questions, her voice trembling as if she does not know that he will readily agree. As if she thinks him capable of denying her something so meager as solace when he is painfully aware that he would give her so much more than that, would give her nothing less than everything if either of them would allow it.
"Of course." He tries not to dwell on his foolish affection where she is concerned while he pulls the covers back and crawls beside where she lays on the bed, inhaling that jasmine scent of hers wafting from the sheets before he wraps her up in his arms. He forces himself not to think about how right it seems to be enveloping her in this way, about how the sharp edges of his body fit perfectly against the heated, soft curves of her, about how he would hold her like this forever if she only wished for him to.
"Sleep," Morpheus orders gently. "I shall remain."
He doesn't mean to slumber beside her (or to engage in what amounts to slumber for him since he does not truly sleep), but the sun is filtering in through the windows by the time he opens his eyes again and the rush of his awareness returns to him, having previously been dulled as he rested. May has turned and is curled against his chest, her face buried there, the crown of her head fitted beneath his chin. He brings long fingers up to brush through the silk of her hair, and before he even realizes what he's doing, he presses a reverent kiss to her head. With a little moan, she stirs and clutches his shirt tightly in her hand as she burrows further into his warmth, eliciting a chuckle from him.
"Go back to sleep," she urges drowsily.
"I cannot, be- " He cuts himself off abruptly. Had he just almost called her beloved? With a panicked start, he thinks that he must get a hold of these ill-fated feelings he seems to have for her before he inadvertently does something that risks the easy peace of their relationship. "I cannot, May. I've duties to tend to."
"But you're warm and comfortable and still tired." Her words are a clear attempt to convince him, and she clings tighter to his shirt as if she might keep him at her side by holding to him firmly enough.
"I am not still tired as you say." He doesn't discount the first two, because he is almost obscenely warm and comfortable. "You need not wake."
"It'll be cold without you," she murmurs, her voice muted with the remnants of her exhaustion.
"You're using me as nothing more than a bed warmer?" he queries in faux shock, and her sluggish laugh makes him want to call off the work inherent in his function and spend the rest of the day cocooned in the glow of her presence, but he forces himself to sit up at last.
"Noooo." Chilled, she shivers at his loss.
He cannot help but to look down at where she's bundled under the covers with just her face peeking out. "You are adorable at present."
It makes her features scrunch up in confusion.
"I've never had a man call me that, especially not while I was begging him to come back to bed," she quips with a breathy laugh.
And oh, oh. That image. He's not unaware of his growing lust for her, of the fire he feels burn through him sometimes when he gazes upon her. He swallows thickly against the rising desire to crawl back between the sheets with her for an entirely different reason than comfort.
"You should stay abed longer, perhaps allow yourself more rest," he suggests to her instead of following that train of thought as he summons an extra blanket and lays it over her as well. For a moment, he's struck with the overwhelming urge to lean over and kiss her properly, to run his hand over her hair again, to... to confess to her that he loves her. That realization leaves him reeling, and he quickly dismisses it as nothing but an errant notion. While he gathers his things, he reassures himself that he cannot, in fact, love her. He undeniably cares for her, yes, and he harbors affection for her. He lusts after her as well, but to love...? That would be indescribably cruel of him. It could very well see her hurt, could see her devastated even, and so he knows that he must not permit this particular feeling of his to take root.
"Thanks," she hums out, already drifting back into a peaceful slumber. And as he leaves her room, he finds that his manifested heart thumps so loudly in his chest that he is shocked it does not wake her.
It's a week later that he joins her on her beach (and he had accepted long ago that this part of his realm thoroughly belonged to her) while she watches the waves lap gently against the sand. He sits beside her, closer now than he had when they'd first started this ritual of their easy conversations near the waters edge, close enough that she leans against him, and he can feel the warmth of her all along his side. He means to ask her about her visit with Cain and Abel, about the new poetry volumes that had populated in the library that morning, but instead she turns her head to the side and presses her lips to his.
The kiss is tentative, a soft meeting of their mouths that ends far too quickly before she's pulling back to study him, her eyes watching his expression in rapt inquisitiveness.
As if she doesn't know how he feels. As if she thinks he could ever deny her any single part of himself.
He wants to tell her that she's ridiculous, that he would have bed her ages ago if he'd thought for but a moment that she wanted such a thing from him, but the restraining grip he’s had on his desire for her snaps, leaving him near speechless. A tidal wave of lust rises up in him so quickly that he can't even think as he yanks her into his lap and continues on where she had stopped, deepening this new kiss with a hunger that feels alarmingly like madness. Her breath hitching, she frames his face in her hands and rearranges herself so that she's straddling him, the heat of her core pressing against his already painfully hard cock. A groan tears through him, and by instinct he tightens his hold on her as she rocks once atop him.
"Here?" he asks, inexplicably breathless, an oddity given that he doesn't actually need to breathe at all.
May huffs out a desperate laugh. "Anywhere."
His lips twitch up at that, at the proof of her own fervor, and he feels his affection for her swell within him. With a thought, he uses his power to vanish their clothes, and she inhales sharply, no doubt at the sensation of their bare skin touching, of their bodies twined together so intimately. He twists them so that he can lay her atop a soft, thick blanket that he'd materialized, bearing her onto the ground as he covers her body with his.
For all that he's had other women, she is unlike anything he's ever known. The feel of her against him is revelation, her soft breasts against the firm muscle of his chest as dichotomous as day and night, the welcoming cradle of her thighs too much like coming home, the smell of her arousal the sweetest scent in any plane of existence. He caresses her hair back from her face and tries to calm himself enough to kiss her deeply, meaningfully, because he needs her to know how cherished she is, how much he treasures her, how greatly he cares for her.
As devastatingly hopeless of him as such affection, such sentiment, might be.
Morpheus wants to take his time, to go slow, but they're both so passionately frenzied that he’s not sure he's able. He attempts to rein in more of his thoroughly broken control as he leans down to take a pert nipple in his mouth, flicking his tongue over it in the hot seal of his lips. She arches wildly at this, and he responds by using two of his long fingers to pluck gently at the other one. The sounds she makes, those frantic gasps and exquisite whimpers, seem to go straight to his groin, and when she grabs a hold of his hair and tugs, he finds himself fighting against the urge to give into his rapidly overwhelming lust, pushing back against its demand that he bury himself inside of her in that exact moment.
He groans from where he's lavishing attention on her breast, releasing the budded peak of it before moving to the other to begin his delicious torture of her anew. May keeps her hand tangled in his hair as she shakes in response to his ministrations, writhing beneath him in a mix of impatience and pleasure. And when he finally takes mercy on her, he does so unhurriedly, grazing his way up her body with his lips, pressing open-mouthed kisses from the swell of her breasts to the spot behind her ear, leaving a trail of love bites in his wake.
"Morpheus," she whines, trembling while he tries to ready her, while he strokes her sex with two gentle fingers, while he collects her wetness on their tips before he dips them inside of her. She’s almost unbearably tight, and his cock jumps in anticipation of what's to come. Curling his fingers in her as if he's beckoning, he feels her clench hard around them, and his wavering restraint dwindles a little more. Her back arches again, keening cries forming from her lips at the sensation, and he captures her mouth with his, swallowing her moans as if he will have all of her, as if he will not waste a bit of what she means to give him this day.
"I would worship you, taste you," he tells her, offers her, his voice breaking against her lips.
"Not now. Please," she breathes out, the desperation in her voice fueling his own, and he has a moment to worry about the inferno they might be feeding, about how unnaturally strong their need for one another is. "Later…. we have…. all the time in all the worlds, Morpheus, but I…. I need you now."
Her begging breaks any remaining illusion of control he might have managed to claw out for himself. He kisses her, his tongue sweeping into her mouth as he positions himself between her legs, his cock nudging insistently against her sex before haltingly he sinks into her inch by pleasurably torturous inch, doing so gradually to allow her the chance to painlessly stretch around him. She's warm and impossibly tight, almost unyielding, and he has to lean his forehead against hers to steady himself from the intoxicating rush of desire nearly overcoming him.
His palm cups her face, his thumb stroking her cheek. May holds his wrist and lifts her head to press her lips against his anew, as if to give him reassurance even here in his struggle not to take too roughly of what she's offering, not to hurt her unintentionally with his strength, with his ravenous, all-consuming want of her. And it is indeed all-consuming, so strong that the barriers between his mind and the collective unconscious thin slightly, thoughts of her bleeding through into the dreamscapes of the sleepers. He knows that anyone slumbering at that moment is likely dreaming of eyes that sometimes spark ocean blue with magic and pink, kiss swollen lips, likely experiencing that rush of feeling he has for her, the one that seems dangerously close to love. Carefully, he tries not to think about that word, that singularly ruinous word, as he experimentally rolls his hips a few times before firmly setting the pace of their coupling, a measured out and in that leaves both of them gasping into each other's mouth.
"I... I won't break," she says tremulously as she squeezes his arm. "You won't hurt me."
It’s permission from her for him to take more, and so he nods once in understanding before he speeds up slightly, starting to move in earnest as he drives into her with faster, deeper thrusts. His lips trail fire on her neck, her clavicle, her breasts as she mewls against him, grasping at his hair, clinging to him as if he's the only thing anchoring her in the maelstrom of their mutual hunger for one another.
Time around them goes sluggish, seems to almost stop before it speeds up as they join, as she arches up taut and perfect, as she cries out and shatters around him. Her climax forces his, a ragged groan rumbling from his throat as he comes hard, shuddering and spilling his release inside of her.
Lifting his head to gaze at her afterwards, his chest strangely heaves as he attempts to calm his breathing, as he takes in the sight of her disheveled and flushed under him, her eyes shimmering up at him in tenderness. For a moment, it is as if everything is suspended while they come down from the high of their coupling, while they hold one another in this most intimate of embraces. He tries to move, but she tightens her arms about him, and the action gives him pause.
“Not…. Not yet. Just another minute,” she pleads, and he can’t help but to take her lips in a sweet, loving kiss as he grants her simple request.
After a few minutes he's loath to finally lift himself off of her, thinking that he could stay like this with her for days if he wasn't worried over how uncomfortable his weight must be. He wastes no time, however, in gathering her into the circle of his arms as she instinctively curls half atop him, her head settling where his self-manifested heartbeat still thunders.
"We should really do that more," she murmurs as she presses a kiss to his chest.
"Considerably more," he agrees and means it, his heart turning over pleasantly at the soft laugh she grants his eagerness.
And he thinks then that he's never felt so complete, that he would gladly die this day if this memory could be his last, that he would give even his powers as an Endless to keep her with him forever. He knows in that moment, however foolish it might be, however much he might try and convince himself otherwise, that his love for her had likely taken root long ago and is already blooming before him. He loves her, and he hopes fervently that this time it will not prove a wretched curse as it has in the past. He swears then and there that he will do everything he can to ensure it does not.
PRESENT DAY...
The smell is the first thing Morpheus notices.
The air of Fawney Rig is thick with the iron tang of blood and the sickly sweet scent of sweat, both layered over that of human excrement. With a thought, he mutes that part of his senses, unwilling to bear the stench for any longer than he must.
He follows the sound of music, someone singing he thinks, until he comes to the dining room of the estate. The scene that awaits him there reminds him of something out of his nightmare realm. Bound to the table, the mangled lump of flesh might once have been a man for all that it's been pared down to the red of glistening muscle and bared organs. Intestines spill from the open abdomen, resting half on the wood of the table like some sort of macabre offering to a dark deity of old. Despite himself, Morpheus moves closer and glances down dispassionately at the ruined corpse of Alexander Burgess, studying the state of him, looking over the mutilated face from his one remaining eye, still wide in terror, to his mouth that's fixed in an open scream.
He's inordinately glad to see that he suffered.
Viego emerges from the next room, wiping his hands with a towel as he hums. "Dream King!" he calls out, beaming. "Well met!"
Morpheus is painfully aware in that moment that even with all of his own sinister shadows, he could not create a nightmare as terrifying as Viego Westin, and the realization of that surprises him. He thinks that Viego is…. happy to have done this, comfortable in the gore and violence of this act in a way that Morpheus has rarely seen amongst any monsters, both those of the waking world and those of the beyond.
"I see that you've had a conversation with Alexander Burgess." Morpheus glances coldly down at the body, or what's left of it. "Did he tell you anything of import?"
"Nothing useful," Viego answers, shrugging. "He foolishly mentioned that she screamed a couple of times."
Morpheus closes his eyes for a moment, willing the furious, sorrowful darkness that information summons inside of him to quiet. He had healed May with his power, intimately mended every injury, cut, and abuse that had been done to her, and there had been many. It's not difficult for him to imagine that she had indeed screamed many times.
And all while she carried his child.
All while she should have been safe under his protection.
"He suffered," Viego offers him as if in comfort, blatantly scrutinizing Morpheus' face while he does so. "Very much. Most of his last song was sheer misery."
It doesn't bring him comfort, however, doesn't feel as if even this horrifying death is a fitting enough punishment for all that Alexander Burgess had done. Morpheus nods anyway, aware that his own lust for revenge is moot by this point.
The maker continues on. "How is my sister? And my niece?"
Morpheus stiffens at his questions, unsure as to whether he can tolerate having this particular monster around either of them. His answer, when he gives it, is faltering. "She is… alive. Aurora fares well. She cries often."
"Weeeellll, of course. She's probably picking up on her mother's distress. Our kind do that when we're young." Something in Viego seems to go hard and wrathful at that piece of information, and Morpheus wonders at it. So much of May and Viego’s past is shrouded to him, hidden, but he thinks at times that they might have known something terrible as children. He wonders if that is what's made the two of them so close throughout their many millennia of existence, so apparently inseparable no matter how many times he's personally witnessed them argue. "Anyway…. I have some things to finish up in this realm, and then I plan on visiting them both."
As if he can sense Morpheus' reluctance, Viego adds, "I will see my sister, Dream King. Don't tell me that you're afraid to have me in your land? Really, what's the harm of one more nightmare in the actual nightmare kingdom?" Viego grins at him as if something is particularly humorous about that, as if the vengeance the maker has wrought this day is some small thing that Morpheus is silly to worry over.
Viego doesn't wait for him to respond, though, seemingly preferring instead to continue humming his odd tune as he grabs up a bag and gestures that they should leave through the door by which Morpheus had entered. The Endless follows him as he exits, his shadows pulling close and tightening protectively around his manifested form at the threat of danger he reads from this maker, that he's truthfully always read from this maker. Viego has had an easy charm about him since first they met, but Morpheus has never been fooled by it. His charisma, Morpheus knows, is little more than a mask meant to conceal his bloodthirsty, vicious nature. The gruesome torture with which he'd dispatched of Alexander Burgess only serves to prove Morpheus' suspicions of that as fact.
"Oh. One more thing. Almost forgot," Viego says pleasantly when they're on the lawn some fifty or so feet away. He turns and crouches down, resting one of his blood-stained hands on the ground before he digs it deep into the grass and dirt. His eyes close in focus as the sky above them goes grey, his power blotting out the sun itself here for a few minutes as everything goes... heavy. The air grows cold in an instant, and then before Morpheus can even ask him what he's doing, the entirety of the manse Fawney Rig starts to decompose into the dust from which all things came.
It takes mere seconds.
May had only ever used her magic to create before him, to make, and so Morpheus has never seen one of them unmake prior to this, has never seen the ease with which a maker can apparently tear down whole parts of a reality that they did not craft themselves and condense it to nothingness. The speed of it utterly shocks him.
Morpheus, of course, has been required to deconstruct things and creatures of his realm, but those had been of his own creation. He had well understood their design, rendering such a task as undoing them dramatically simpler for him, and even then he has never been able to perform it with the lightning-fast efficiency that Viego just demonstrated. He wonders for a moment if May can do the same, if she's ever grasped a part of the universe that wasn't hers and demolished it into nothing with her power, if she's ever destroyed like Viego just did. Somehow, he thinks that he might not want an answer to that particular idle curiosity. He knows at the very least that he'll likely never have the right to ask her of it now. Not anymore. Not ever again.
Lucienne, to put it mildly, is worried about her friend.
At first, she visits her every morning, and watches May while she picks nauseously at whatever Minnie has made for her. Despite her frequent attempts, May still struggles to hold down food. The librarian doesn't know if this is what's lending the gaunt, haggard look to her appearance or if she's having trouble sleeping as well, but she makes a note to mention it to Lord Morpheus when they speak next, which will be soon, she's sure. Despite that he has tried to maintain a careful distance from the woman he was once betrothed to, he asks Lucienne about her regularly, too regularly in her opinion for it to be simple curiosity.
The whole thing makes Lucienne want to thump him in the head with one of her books.
She understands that May had kept a secret, that there were parts of her past that she hadn't shared with him, but she thinks that perhaps he might look at the dastardly and dark parts of his own very long past and reflect on how much of it he had willingly laid bare before her. She bites her tongue on sharing this view with him, however, given that his mercy where she's concerned might be dwindling at the moment. Thankfully, he hasn't threatened to throw her into the dungeons for her part in going behind his back to find her friend. Though, if she's being honest, Lucienne has an inkling that that's more to do with the guilt (that he will likely never admit to) he feels at what's happened to May and little Aurora and less to do with any beneficence towards her personally.
When weeks pass and May seems to finally feel well enough to venture out her rooms, she tends to go straight to the library. Lucienne clears out her most comfortable chair and motions for May to rest since she looks as if she might collapse at any moment. Definitely having trouble sleeping too, Lucienne concludes as her friend dozes almost immediately upon sitting. Uncharacteristically, May doesn't speak to Lucienne at first (or anyone really), but she eventually talks a little to Aurora while she cares for her. Sometimes, the librarian thinks she hears her hum while the baby naps, still held in her arms because May seems absolutely terrified to put her down.
The quietness she has, the careful brittle calm that speaks of being broken, scares Lucienne. Her friend seems as if she's loathe to be alone but doesn't have the words to ask for help, doesn't have the words to speak of what's happened to her, of what she's suffered. It makes her think of the months that May had spent sleeping in that chair by Lucienne's bed, lending her the support and comfort and solidarity that she had not the strength to request. And in an effort to help her, she makes sure that there are comfortable chairs with blankets dotting the library so that May can rest during the day in her proximity and not have to be alone as she cares for Aurora while the librarian stacks and organizes books, managing her tasks with one eye kept constantly on her friend. Lucienne makes it a point to stick as close to her as she can, pushing food at her with an almost motherly bend that May sometimes even eats a few bites of, and eventually even managing to pull a little conversation from her.
And it helps. A little. Or that's what Lucienne tells herself at least. That's what Lucienne must tell herself to keep her rising panic at bay.
A few months after her arrival, May is still taking naps in the library chairs, getting the bulk of her scant sleep there, though she's finally agreed to allow a small bassinet beside her for Aurora. Lucienne has promised to keep watch over the girl while May rests, and it warms her heart that her friend actually entrusts her to do so. She realizes, though, in hindsight that she probably should have mentioned this arrangement to Lord Morpheus. When he comes across May and Aurora one day in the library, he frowns as he glances down on them, seemingly perplexed to see May curled up in a chair in the heart of the history section, a blanket lovingly tucked in around her as Aurora dozes peacefully in the bassinet at her mother's side. He looks poised to say something, the shadow of him stretching over his ex-betrothed's slumbering form, and without stopping to consider what she's doing, Lucienne grabs a hold of his coat sleeve and tugs him aside. She just knows that she needs to get him elsewhere before May wakens to see him standing there like some nightmare spectre of lovers past.
"What is the meaning of this?" he demands, scowling though he lets himself be pulled until Lucienne stops a few rows away.
"My lord, please let her sleep," she entreats.
"She should be in her room. The library is no place for either of them to rest."
"I do not mind. I think…." She hesitates, considering for a moment if she should tell him any of this as she remembers May's mindful silence on Lucienne's own trauma, before she eventually settles on honesty. After all, everyone knows what's happened to her, and Lucienne needs all the help she can get to see her friend healed. "I believe she's frightened to be alone."
"How long has she been doing this?" he asks at length, his mouth still pursed as if he's angry or displeased.
"Since she started leaving her rooms," Lucienne tells him, looking up at him from under her glasses rather sternly in warning. There's no place for his careless cruelty in May's current situation.
The scowl finally drops from his face, his features melting into that usual carefully neutral expression of his as he glances back at the mother of his child.
"She is not mending." His voice is rough when he says it, as if the mask he wears over his emotions can't completely hide how he feels at the implications of her not mending .
To have the truth of it laid bare and out in the open wrenches something in her heart. Lucienne shakes her head reluctantly, feeling that admitting it is to make it fact. "She barely speaks, barely eats, and the nightmares… She cries herself awake regularly. Even here." Lucienne exhales. "I've just gotten her to set Aurora down for any length of time. She's terrified and… and traumatized."
Morpheus again looks past her towards where May is sleeping. "I will tend to the nightmares, but I know not how to ameliorate the other issues."
Maybe try to be less of a walking nightmare yourself, she thinks but wisely does not vocalize. "Perhaps you might attempt interacting more with her? I know that before your falling out she took great comfort in-"
"No," he growls, cutting her off.
Lucienne thins her lips in exasperation. "You should be prepared to raise Aurora alone then, because if her mother does not heal, she will pass."
That seems to check him, and she thinks she sees something flicker over his expression, something that looks suspiciously like love afraid. He hesitates. "She will not find comfort in my company. We did not part on favorable terms, she and I."
The two sunken islands and the solid four months of near monsoon rains in the Dreaming after May's banishment had very clearly apprised Lucienne of that, but she does not remind him of this, preferring to keep her feelings on their separation to herself as she knows that voicing them aloud would get her nowhere where the mercurial Endless is concerned. "Be that as it is, there is a child to think of, a child who needs her mother. And surely whatever she's done, May doesn't deserve what's happened to her. Perchance you could simply decide to ignore the issues that the two of you had before Aurora was born. Maybe apologize to settle things, even if you don't quite mean the apology?"
"I will not debase myself before her," he argues sharply, obstinance told in the rigidness of his posture and bearing.
Lucienne feels her temper prick at his stubbornness, but she stays calm and collected. "Really? She would not hesitate to do so for you. Even now with everything that's happened between you both."
Flinty-eyed, he levels a glare at her. "You do not know her as well as you think, Lucienne."
"With respect, sir, I've known her for longer than you have. I was witness to all that she sacrificed for me and for this realm and for you when she knew none of us and owed us nothing." Lucienne glances at May, ensuring that she's still sleeping and so won't have to hear any of this. "I also know that she could have tried to barter you for herself while she was held in that circle, but she did not."
"I would not have answered her call."
"No, but she could easily have instructed her captors on how to perform the ritual, and them you would have answered. You would have been driven to do so, and for it you would have been trapped anew."
He appears to consider this for several long moments, and with a very reluctant nod, he seems to accept the truth in what she's telling him. "I will attempt to behave less severely in her presence."
"I also think that you should invite her brother to come and see her."
"Must I now?" He narrows his eyes at her and purses his lips in a moue of petulant disapproval, looking less like Dream of the Endless and more like an unruly child that's just been told to clean his room. "Do you truly think it necessary?"
"Yes," Lucienne relays to him firmly. "He might know better how to actually help her."
He casts one more glance at May, obviously weighing how much she might need this concession from him before settling on a very, very peevish consent. "Fine," he agrees tersely, a healthy hint of caustic sarcasm in his voice. "Is there anything else required?"
Many things, she wants to say, because there is much the two of them must do to bridge this damnable divide between them. Ideally, she wants Lord Morpheus to accept that he's being a donkey's hind end and to apologize . She wants the two of them to patch things and be as happy as they once were, but this…. this is a start. It's not quite everything that Lucienne had wished for, but she'll consider herself lucky to have gotten this much from him. "That's all for the moment."
He opens his mouth to say something that's probably waspish, but Aurora starts to fuss and Lucienne, summoned by the girl's cries, moves past him to see to her. Lord Morpheus, however, stops her.
“No need,” he asserts. "I will attend her."
She falters. “Sir….. May will-”
“I will sit at her side. I am aware that she worries for me to take Aurora.”
Lucienne feels her anger with him melt at the bleakness she can read on his face. “She worries about Aurora with anyone. She's even troubled when I hold her, and there is no burdensome history between us.”
Gently, he scoops Aurora up and cradles her against him. He seems much more at ease now than he had the last time Lucienne had seen him hold her those months ago.
“I know not how to change her feelings on this,” he admits, and Lucienne doesn’t know if the quiet of his voice is for Aurora’s sake or because he’s hurt by what May fears him capable of. He places a kiss on Aurora's forehead and rocks her lightly, the movement surprisingly natural from him. His eyes as he gazes down at his daughter are bright with universes and stars, and Lucienne feels her heart twist for the sorry situation he and May are in. Both of them are riven from the other and yet not. And though they each love her fiercely, poor Aurora is left as the last remnant of their once-great love, keeping them unwillingly linked.
"Possibly, my lord, it is like her trauma. It simply needs time and patience," Lucienne offers with a gentle smile and hopes against all hope that she's right.
"Perhaps," he concedes, but she can hear the sliver of desolation in his voice, and she knows that he probably doesn't have the hope left to actually believe that the fragments between him and May will ever be anything but ashes.
*IMPORTANT NOTE: I'm copying everything over from AO3 to here because this series has a sequel coming out in the Fall, and I'd rather be prepared just in case AO3 goes down again. This is an old, complete story. So if you recognize it, you're not imagining things. 😂
Chapter Publication Date: 10/21/22 | Word Count: 4,718
All the Precious and Fragile Things (so easily do they break): Chapter 2
Part I: All of This Past
After banishing his lover to the waking world for her deception, Morpheus learns she's been captured by a revenge-seeking Alexander Burgess.
She's also very pregnant with his child.
Unknown to the both of them, this will set in motion a cascade of events that threatens the whole of existence itself.
AO3 here, Masterlist here
EIGHTY-SEVEN YEARS PAST...
May isn’t unaware of trauma.
She’s immortal, sure, her body made strong and enduring by dint of the magic she wields, but unlike most blessed (or cursed) with eternal life, she understands all the ways that one can be hurt without having a scratch on their actual physical form, those mental wounds that linger inside a mind even when the flesh deep bruises and cuts have long ago healed up. Since their return to the Dreaming, she and Lucienne have both had to throw themselves into preserving this place, and it’s no easy task for either of them. Her new friend seems worn to the bone, worse than she'd looked before coming back here, like all of her healing has been undone by the stress of this mess left behind by the Dream Lord's disappearance. As for May herself, keeping a dynamic, complex creation like a realm or a world alive is a frustratingly tricky thing, a feat she hasn't managed for nearly a millennia.
And poorly then at that. Very, very poorly.
Unfortunately, May knows she has no real choice except to try and do so again now, hopefully with more success than when last she attempted it. Strictly speaking, her particular brand of magic is all about making and less about sustaining, especially in regards to another's carefully crafted design, but this marvelous world will cease to exist if she doesn't. And that, she thinks, cannot be allowed to happen.
She knows she has to start with a center, a sort of seed ground to focus her power and push it out from. The palace serves as such a location for the Dream King, but it feels disrespectful to take it as her own, to put her mark on it when it so clearly belongs to him, and so she begins her search for an alternative. By sheer dumb luck, she stumbles across the beach on the second day she's there, scant hours after Lucienne had settled back in and immediately began relaying orders, all the while pretending at a calm that May had been absolutely sure she didn’t feel. Her friend's hands, now healed of their external damage, still shake in nerves or fear or trauma or some combination of all those things, and May catches herself noticing the tremors with worry. She had resolved before she set out that morning to speak to Lucienne about it when either of them could find a spare moment.
The potential center she finally finds later in the day is lovely, with a beach that has white sparkling sands and shining, crystal blue water. May wanders to the middle of the spot as if entranced, kneeling down and sinking her hand into the furthermost edge of the coast, where the tide is gently lapping at the shoreline, before she pushes past the water and sand there to tap into where the Dreaming is woven together. The magic here is impossibly old and wild, but May calms it as one might a skittish animal, soothing it gently until at last it unfurls and accepts her own spark into its being.
She sleeps on the beach afterwards, unsure of how long she's there while the realm pulls energy from her as a starving man might take in food, and May lets it do so while she drifts in and out of consciousness. When she awakens some indeterminate time later, Lucienne is hovering over her, clearly afraid, her forehead creased and her eyes narrowed.
"I've reinforced it," May breathes out, sitting up very delicately. Every part of her aches now, but the realm, clever thing it is, had left her more than enough to regenerate her magic.
Lucienne takes hold of her arm and hefts her up, keeping a firm grip even as May sways a little. She's wet from the water, and a strange chill settles on her in light of this, but she finds that she can't tear her gaze away from that tremble in Lucienne's hands where they're steadying her.
"What does that mean?" Lucienne questions, an urgency about her that makes May frown, pulled away in an instant from her thoughts.
"I've stopped the decay…. until we can find your lord at least."
Something in the librarian's features soften, a sort of tenderness taking over her expression. "Will you be all right?"
May nods, touched by the concern there. "Of course. It left me enough to make more and to rescue its master. I think it prefers him to me, if I'm honest." The water ripples particularly vigorously, and May smiles down at it. "Don't fuss, you wild, beautiful thing," she tells the realm affectionately. "It doesn't hurt my feelings in the slightest."
But Lucienne is looking at the spot, her brow furrowed in worry as if she thinks May has finally gone insane. And May would laugh if she didn't think it would offend her. After all, she's been insane before, has known the pull of fraying apart until the whole weave of herself was naught but a pile of threads in the violent winds of madness. The calm of this place speaking to her is laughably tame in comparison.
May considers telling her this, considers confessing to her the details of her sordid past. But... she finds that she can’t, which doesn’t truly surprise her. Her inability to speak on those times is so old by now that it’s dug in deeper than her bones. And so instead, knowing that she won’t be admitting to anything today, she changes the subject by casually suggesting, "Let's go back to the palace."
For the next few weeks, May watches the steadfast librarian issue orders and manage the matters in the Dreaming with unwavering composure, and she cannot help but to worry for her despite the brave face Lucienne's wearing. That her physical wounds are gone (right down to the grotesque brand that May had meticulously removed from her scarred hand) doesn't mean that she's healed.
And one night when May cannot sleep, her suspicions are confirmed. She hears crying, and she doesn’t even bother to knock as she twists the handle of Lucienne's door to let herself in to the librarian's room. The sight that awaits her nothing less than pitiful. Her friend thrashes in her small bed, choking out sobs as she battles whatever nightmare monster has gripped her tight and is hurting her.
“Lucienne,” May calls softly, her hand poised over Lucienne's shaking form as she contemplates whether she should actually reach out and shake her awake. May has always been a creature of touch, of physical connection, but she knows that others aren’t so inclined sometimes, especially when they’ve spent the past couple decades being tortured in a dungeon. “Lucienne,” she tries again, this time more urgently.
Glassy dark brown eyes snap open suddenly to regard May with confusion and fear. "What... What is it?"
“You were having a nightmare, sweetling,” May informs her friend gently, scrutinizing her as she does so.
Lucienne sits up, a fine sheen of sweat over her face and body, her nightshirt probably soaked through. “Yes,” she murmurs, sounding still half asleep.
Her drowsiness scares May, making the uncertainty of this situation twist her stomach in an entirely different way. She doesn’t quite know how the subjects of the Dreaming functioned before their master disappeared, but she’s noticed them all sleeping frequently. Perhaps too much, as if they might be decaying like the realm that May is struggling to keep alive.
“Do you want some tea?” May asks the trembling woman before finally, she works up the courage to tentatively stretch out a consoling hand out to her friend's shoulder, resting it lightly there so that Lucienne can easily push it away if it bothers her.
“No…. No, thank you.” Lucienne's voice is as shaky in panic as the rest of her seems.
May glances around the room, finding a plush, comfortable looking chair in one corner. She considers for a moment and then comes to a decision, closing the distance to grab the seat and drag it closer to the bed, all the while resolutely ignoring the horrid scraping noise it makes at the move. When she gets it where she wants, May fluffs the pillow in it before plopping down heavily. “Want to talk about it?” It's both an offer and a question.
Lucienne’s eyes go flinty, closed off in some prey animal instinct that May understands perfectly well. After all, she still does the same herself at times, hiding her wounds as if that might keep her safe, as if that might protect her in some way. “I’m fine now. You…. don’t have to stay.”
May sits forward and plumps the pillow behind her in the chair again. “Nonsense. This is the most comfortable thing I’ve ever sat in, Lucienne. You wouldn’t kick me out of it so soon, would you?”
Lucienne gives an unwilling chuckle, all breathy and broken, and May hates to hear her sound like that. She hasn’t known her new friend for terribly long, but from the reverence that the other denizens of the Dreaming treat her with, she gathers that the librarian had been strong as nails before her capture. “I suppose not.”
“You know... I was held captive for a time,” May admits quietly, falteringly. It's almost impossible for her to talk about it still, even after the thousands upon thousands of years since it had passed, but if it might help settle Lucienne, then May will try and trudge through it without complaint. She's safe here with her, May knows, and feeling safe is necessary for her to speak on this terrible part of her life. “I struggled with it for…. Well, forever I suppose. Something like that gets into the very bones of who you are, and it never really lets go completely.”
“Are you saying this will never pass?” the librarian asks, her voice wavering, and May could kick herself for making this woman feel that way, even if only for a moment.
“No, Lucienne. I’m saying that it does no good to bottle all of that fear and sorrow up. Talk about what happened if you can, free yourself a little bit at a time from the despair of it when you are able. Repressing your emotions will only make your recovery longer.”
“Did you….. talk about it?”
“Yes," she tells her, even as she's actively attempting to will the memories away. They're a poison inside of her, a rot in the core of who she is that May can never rid herself of. "But I was a child when it happened, and I foolishly waited for... a very long time... to try and ease my mind of it, I guess you can say.”
“A child?" Lucienne questions, disgust coloring her tone. "Who would hold a child as prisoner?”
For the first time since she's known the librarian, May feels herself falter in answering. She has so many secrets from her countless millennia of existence, so many parts of who she is that must stay hidden, but May... hates lying. She avoids it when she can, when she has the luxury of honesty. Her falsehoods are like armor, a camouflage that shields her from the worst of her most regretful actions and decisions. In this situation, she is aware that she should not speak the truth, should not let anyone get so near to even a hint of it, but May... is driven by her affection to do it anyway.
“Those same who held you.” Lucienne recoils at that, and May doesn’t have to be capable of reading her mind to know that she’s thinking of her own ordeal, of how that might have translated to someone so much younger. “I am truly sorry it took me so long to get you out of there. I would have came the moment they caught you if I had known.”
“Why?” Lucienne finally queries, her eyes growing clearer with curiosity.
“Guilt,” May supplies after a minute or two of hesitation, the single word a horrible confession. In truth, guilt had prompted her rescue, had prompted all of this. After all, Lucienne never would have been taken if the Dream King hadn't been, and it was her spell in the Magdalene Grimoire that had provided a mortal the means to do so.
“Do you want to try and get some more sleep?” May offers before her inquisitive friend can put more questions to her that May might not be able to answer so easily. She really doesn't want to lie to the librarian if she can help it. “I’m quite comfortable here. I think I’ll stay the night in this chair if that’s acceptable to you.”
“You don’t have to.” Lucienne sounds embarrassed, likely because her fear is so obviously perceived, but May can hear the yearning threaded through her voice regardless. May quite understands how much worse trauma is when one is alone, and while she can’t fix the Dreaming yet or locate Dream or undo any of the mistakes in her history that have led to this catastrophe, she can make sure her friend isn’t afraid and by herself with her demons in the dark. This, May has power over.
“Don’t be ridiculous. I hate sleeping by myself anyway. You’d be doing me a favor.”
May's excuse is poorly delivered, blatantly false, but Lucienne must want to believe enough that she accepts her reasoning.
And in the morning light, May wakes up curled atop that chair and feels more well-rested than she has in ages.
PRESENT DAY...
It’s the pain that wakes May. She’d been dreaming of Morpheus, lost in her memories of their happier times as she so often is these days. She knows that everything between them has burnt to nothing, but she takes up the ashes anyway, crafts them into whole worlds in her mind so that she has some hope, some bright spot in this hellish place. Anything to keep the bitter taste of terror from her mouth.
In her darkest moments, she'd thought of the Kindly Ones and the three boons they'd still owed her for her help millennia ago.They wouldn't have been able to free her of this binding circle, she knows, but if it hadn't been for the life swelling in her stomach, she expects that she could have called them and asked for a kind death at the least.
And there have been many times during this ordeal that a kind death had been… utterly appealing, too tempting for her to put into words. Not that she really puts much into words anymore, if she's being honest, not with her tormentor always nearby, ready and eager to inflict more hurt on her, to shut her up in the most horrific way he can imagine.
She hates herself for how afraid she is, for how thoroughly she's been broken by this mortal monster.
Her stomach roils, and she thinks for a minute that she might get sick, despite that there’s been nothing on her stomach for far too long, such a length of time that the hunger pains had faded to nothing as her body stopped trying to even process what clearly wasn't there. A shot of agony seizes her belly, tightening up the swell where her child rests. It snatches the air from her lungs, and when it finally eases, May has only a moment before it begins anew, stronger and more violent somehow. Beneath her, the floor is tacky with blood, rushing down her thighs in a way that she’s sure is bad. Can she even bleed out anymore? Without her magic, she doesn’t know. The binding she’d performed on herself had locked her powers away, cutting her off from a part of herself forever. It had been necessary, a brutal sacrifice to replace the bond she needed but would never receive from the father of her child. If she had done nothing, her own power would have grown as the babe did, grown until it burst, killing her and her little one, and rupturing at least a part of the realm she was currently in, if not the whole damn thing.
Makers, she knew, always needed a bond to bear. It was how her own mother had met her grisly end.
The pain now grips her tight, causing her to tremble despite her efforts to keep control of herself. She heaves onto her hands and knees, trying desperately to stretch out her back in an effort to relieve the ache there, anything to find some relief. She had thought (mistakenly, she now knows) that bearing a child into the world would be no different than making. After all, she’d assumed, that’s all a baby was, a world made flesh, crafted from her and Morpheus’ love and simply requiring her to bring it into being. She’d made worlds before, made living things from the ether. How much harder, she had thought when she’d realized she was pregnant, could a child be?
She had been an idiot.
Her hands claw atop the cold stone of the floor as she reminds herself to inhale and exhale, though it seems pointless since the urge to bear down renders her breathless. The spasms are cycling quickly now, but she doesn’t quite know what to do beyond the basics, mostly because she's never actually birthed a child prior to this. And she'd been captured before she could research and learn anything about how to do it. Her body guides her as best it can given her weakened state, so when she feels the need to push, she heeds it and follows the instruction. Frightened as she is over what her captor will do if they discover that she is giving birth, May tries to be as silent as she can while she does so, and that somehow makes the terrible, blazing burn of it worse.
Even though it feels like it goes on for forever, like a hellish eternity of her womb trying to tear every organ of hers into a million pieces, it only takes four pushes until her child slithers out of her in a great rush. And May (shaking apart it feels) scoops her up, cleaning her tiny mouth out and rubbing her back.
Finally, her daughter lets loose a cry, and it is the most beautiful song she’s ever heard, wondrous enough that it takes her breath away more thoroughly than the pain had.
Tears leak down her face as May brings the baby closer against her naked body for what little warmth is left there, a pitiful offering that's all she has to give in these circumstances.
“Hello, Aurora,” she soothes gently, so overcome with love that she feels as if she's been shattered and then remade anew with it. She tries to think of something to say, of some way to put all these emotions into words. Their kind remember their birth usually, and she wants her daughter to know that she's loved, that she's precious and important to someone. But all she can manage is another raspy and insufficient, "Hello."
The reality of her situation no longer makes her feel so hopeless, and a swell of determined strength rises in her. She has to get them out of there, has to see her daughter safe no matter the sacrifice that might be required to make it happen. Reluctantly, she lays the girl down, wincing at the iciness from the basement floor she can feel on her hands. Her child cries because of it, and May thinks that her heart is shredding itself at the sound.
Without Aurora inside of her, however, she crosses right over the binding circle.
Her footsteps leave bloody prints as she moves purposely towards the far end of the room where Alexander Burgess had kept the implements of her torture. Her stomach still cramps, and it feels as if all of her is burning, but she goes quickly as this might be her only chance. She grabs a knife and two spare jackets that someone must have left behind before marching back to the binding on the floor, angrily scratching a line through the paint so that she can get her daughter out of there.
With the knife, she cuts the cord on Aurora, separating it finally from the placenta on the ground, and she uses what minuscule amount of her magic remains to heal the stump of it up. The thinnest jacket, she slides on herself, reserving the thicker one to gather Aurora up and wrap her in it. The crying infant makes her leak a little milk, her chest aching, and following the gentle instruction of her own body, May lets her daughter snuffle and latch on to her breast. With her child nestled in her arms, feeding almost voraciously, May moves around the room to try and find some kind of exit that isn’t straight through the main house. Realistically, she can’t fight all of them off with a baby in her arms and her own wavering strength. She’s still bleeding, she realizes in a sort of muted panic, rivulets streaming down her legs to pool at her feet as she sways slightly from dizziness. She determinedly tries to put it from her mind. After all, she doesn’t have the luxury of focusing on it if she's going to get them out of this hell.
They'd indeed had to blast their way into the house.
On the main floor, Viego is presumably still busy restraining Alexander Burgess, who looks far younger than he should, curiously youthful despite that Morpheus knows he should be more visibly aged. Viego had muttered something about an eternity spell and stupid bastards meddling in things they didn't understand, a feral tilt to his behavior as he had set about roughly binding the foul human creature that had dared to imprison and torture his sister. And as Viego had worked on his task, he’d vibrated with violence and vengeance the whole while, both sentiments that Morpheus had understood all too well in that moment.
But Morpheus hadn't stayed to see or partake in whatever retribution Viego might seek, choosing instead to leave him behind, stepping over several still warm corpses to make his way to the door leading into the bowels of the estate before beginning the descent into the basement. The thought of coming back to this place makes his mouth go dry in apprehension, his throat swelling with it, and so he carefully tries not to think of his own time in captivity, of the fear and fury he had felt then. Despite that Morpheus is King of the Nightmares, Roderick Burgess had been the one to shape the nightmare here, crafting it and inflicting it on Morpheus with callous relentlessness. He knows, however, that he can't fixate on that now, even when the squeal of the gate opening makes him flinch in memory. The smell here, that of damp mold, startles him with the panicked aversion he seems to have towards it, but he forces himself calm and thinks of May, emaciated and frightened and hurt and brokenly alone inside the circle. She needs him, and no matter their separation and his anger at her, that need is strangely more than enough to move him forward into the abyss of his own personal hell.
It's relatively easy to locate the two binding circles, both a perfect copy of the same one he had looked on for decades. Blood pools at the center of the first one so thickly that Morpheus cannot understand what it is at first, and then when he finally does, he cannot fathom how any being who bled so profusely might still be alive. There's a break in the paint, though, a perfect line through the outer edge with a trail of crimson crossing it, and he wastes no time in following the path it makes.
A figure is on her knees mere feet away, hiding behind a stack of boxes, clad only in a once white coat that's speckled and colored with the rust of old blood. In her hand she clutches a knife so tight her knuckles bulge white, and a smaller, cleaner bundle is held firmly to her chest. Her hair is dirty and tangled, a fine sheen of sweat on her face, and her eyes burn with pain and fear that quickly turns to shock when she sees him. Unexpectedly, his heart twists viciously at the sight of her rendered so... weakened, so desperate and confused, so clearly injured even as she tries to keep her... their... child safe.
Their child.
His and hers both.
For several moments, they stare at one another, and he lacks the words to address her or this situation. He reaches out a hand for her, tentative in its slowness.
"May," Viego says suddenly from behind him. Startled, Morpheus drops the proffered limb, stepping back while her brother rushes around him. Viego roughly strips his coat off to wrap her up in it, not hesitating to shrug the thick garment from his shoulders in his apparent effort to cover her as best he can.
"V?" she questions breathlessly, relief in the little sob she lets out as she brings one arm around him in the tightest hug she can manage with the infant in her hold. The makeshift blankets against her chest seemingly cry out at being pressed between them, and Viego pulls back to glance down on the babe.
"Hi, sis," he greets, and it is surprising to Morpheus, who has never heard the acerbic magic maker so soft before, has never seen such tenderness from Viego as is present in the way that he studies the child. "And hello, little one,” Viego continues on, letting out a shaky exhale as he scrutinizes the infant more closely. ”Oh, she's beautiful, May."
And also very new. Morpheus thinks that May must have just borne her, but he can't overly ruminate on that, can't even think about the fact that he apparently has a daughter now as May cries freely, choked sorrowful sounds coming from her that wrench something deep inside of him.
"I didn't think you'd come. He told me…. He told me you were dead, and I couldn't hear you. I couldn't hear anything. I was…."
"Shhhh. It's okay." Viego pulls her into the shelter of his arms again, like he is trying to comfort her as best he can in this nightmarish basement.
Their moment is broken when Morpheus moves forward and May, protectiveness told in the tenseness of her body, instinctively brings the infant up closer to her as if he might snatch their daughter away and abscond with her. All he can see is the head of raven black hair peeking out, and his gut churns at the thought that she believes he would do such a thing, that she thinks him capable of something so cruel as stealing their child from her.
That she believes it with enough surety to fear it cuts mercilessly at him.
"We are here to rescue you." He hates how cold his voice sounds, even to his own ears. May seems to consider this, drawing in a shuddering breath while she does so. Despite her clear mistrust of him she gives a very reluctant nod at last, willing to accept his help, he assumes, only out of desperation.
"Can you stand?" Viego asks gently, and May blinks dazedly, seemingly having trouble parsing out what he's asking, as if she must think especially hard to answer him. She trembles as the adrenaline fades from her body, and her eyes go unfocused. The babe in her hold whimpers plaintively, and May appears to momentarily snap back to herself at the noise, glancing down at her daughter before she attempts to soothe the girl as best she can with her magic so obviously depleted. A sense of alarm creeps over Morpheus to see her so disoriented, to see her struggling to heal. Why isn't she mending? Her magic, however reduced, should be working faster than this.
"My head is killing me," she says. "I think I'm…. maybe bleeding out." She shakes her head a little in what Morpheus thinks is an attempt to stay awake, and the action seems to give her enough alertness to finally understand what her brother has asked. A newfound resolution writ on her face, she grasps Viego's arm, and with visibly weak legs she tries to get to her feet. Her body is clearly too worn, though, the strain of delivering the child too much, and she starts to fall almost immediately. As she slips in the blood beneath her, it is only Viego's arm holding onto her that keeps her from landing heavily in the puddle of it.
With a lurch, Morpheus comes to the sudden realization that all of the blood in the room might very well be hers. He shares one look with Viego, the worry and fear there a reflection of his own.
Decisively, he steps closer to her. "I must carry you, May," he tells her, trying to mimic Viego's more tender tone. His stomach swoops violently at the very real sense of emergency she now faces and the fact that she doesn’t seem to be healing at all.
She huffs out a small, out-of-place laugh. "But I'll get you dirty."
She sounds delirious, and he thinks back through his limited knowledge of human medicine. She had said she was bleeding out, hadn't she? He knows that can cause such a symptom, and she has assuredly lost a great quantity of blood. Morpheus strips off his own coat and wraps her up in that as well, certain as he is that her trembling is getting increasingly worse. Crouching down, he puts an arm beneath the bend of her knees and another at her back, utterly uncaring of the mess. "Hold tight to the baby," he instructs before lifting her up, painfully aware that she won't allow anyone, least of all him, to take the child from her just yet.
She weighs nothing, all bones and sickly pale skin stretched tight over them, like a small, broken-winged bird that’s been scooped up into someone’s hand for tending. Her heart beats slowly, and with another lurch of fear, he realizes that he can keenly feel the ebbing away of her life force with her pressed this close against him. Blood has pooled beneath her, and her legs are slick with the crimson ichor, but she curls into him, no doubt seeking his warmth as she's ice cold in his grip even through the layers of fabric she's now bundled in.
"I can better heal her in the Dreaming," he informs Viego, the urgency of his tone brooking no argument.
"I'm coming with you," Viego demands, and Morpheus nods once, pushing his power out to the maker as well. Like he had all those decades ago when she'd rescued him from this place and been injured doing so, Morpheus holds her damaged body in his arms and stretches his power out to his realm.
His sand swirls, and just before they disappear he hears the sound of wings, of his sister's wings, beating slow and steady in the distance.
It's two days by Dreaming time before Lord Morpheus returns, appearing in the throne room with a limp, half-dead May Westin in his arms. Even from this distance, Lucienne can see that she's shivering violently in his hold despite that his coat is wrapped around her and he's clutching her tightly against him.
"She's going into shock," Viego says, panic clear in his voice. "Hold on, sis."
Lucienne hears the other maker murmuring to the shaking woman as she comes running to them all, fear giving her haste that she doesn’t usually have. "Sir, what do you need?"
Lord Morpheus looks a mess too. There's a gash above his left eye, and his clothes are singed, torn in places. Spots of blood cover his arms, and she doesn't think she's ever seen him this disheveled, even when he'd returned from his long captivity with Roderick Burgess. "Warmth to begin with, Lucienne," he answers roughly, urgency in the tone of his words. "I'll take her to her rooms. Gather bandages and cloths to clean her and the wounds."
"Here. Take the baby too. I need my hands free," Viego interjects, handing her a bundle, a mewling infant that makes Lucienne gasp in surprise. She looks down at the very tiny child, who blinks back up at the librarian with eyes that are May's through and through save for the shine of her lord's stars in them. She has no time to marvel over this, however, given that May is obviously in poor shape if Lord Morpheus' alarm is any indication, and there are necessary tasks she's been allotted, ones needed to help heal her friend. For a moment, she holds the little one, unsure of what exactly she's supposed to do with it, and the feeling of being uncertain in this way is utterly strange. It's not as if there's a nanny in the Dreaming, not as if there are any dreamfolk at all who she might summon to mind an infant this young.
It's Minnie she goes to at last, the kitchen cook who seems as if she would perhaps do an acceptable job with this odd request, and Lucienne knows she's chosen correctly when the woman gasps at the sight of the babe.
Minnie takes the infant from Lucienne carefully and pulls it into the warmth of her bosom, doting sweetly on it as if by instinct. "Who's this then?" she asks, curiosity thickening up her usual accent.
"Lord Morpheus and... May's child."
Minnie glances up at Lucienne with wide eyes, shock clear on her ruddy face. "And when did that happen?"
"I've no time now," the librarian relays, putting a stop to that line of questioning before it even begins. She really is in a rush, so worried that she feels as if she might be sick. "May is returned and... injured. I need a bowl for water and cloths."
"Injured?" Minnie's lips thin out into a line, but she nods brusquely. "Go then. We'll keep watch over the wee bairn," she promises solemnly.
Relieved that the child is in suitable hands, Lucienne sets about collecting what she must before shifting to May's room, and the scene that awaits her there is... horrifying. The woman is laying on the bed, unclothed where they've stripped the coat, or coats she now sees, off of her. The librarian can't help her sharp inhale at the sight of all the blood. She's never seen so much in her life, and she thinks that surely this can't all be May's, can't all have came from her. What else could her heart even have left to pump at this point if so? Her friend shakes and wheezes as if she's choking, as if she's struggling to draw air into her lungs. Over her, Viego is casting his magic near furiously, but it doesn't seem to be doing anything to help heal her from where she's quite obviously dying before them all.
Dying. Lucienne can't fathom this, can't even understand the idea that May could be... could be fading.
From the side of the bed, Lord Morpheus watches, his eyes widened in the closest she's ever seen him to panic as he steps closer to May and seems to come to a decision of some sort. Face tensed in resolve, he places one solemn hand on her bare chest, his eyes fluttering shut in concentration as he pushes his power into her, so much of it that Lucienne can feel it swell around them, heavy and charged. The Dreaming itself starts to twist slightly, groaning at the pull from its energy. In the room, the lights flicker erratically, and beneath them the ground rumbles, shuddering for several moments before finally settling. When its finished, the sharp musky scent of ozone thickens the air.
On the bed, May’s tremors start to blessedly lessen, and the librarian holds her breath, wondering if it's because whatever Lord Morpheus is doing is working or because they are simply watching May die more peacefully. Lucienne prays silently to every deity she doesn't actually believe in that her friend survives.
Viego startles her, taking the cloths and water from her jittery hands. "Thanks Lucienne," he offers gently, tone unexpectedly soothing as if he can sense her upset and cares that she is rendered so.
"Is she… all right?"
Lord Morpheus is focused on shifting his power into her, so Viego answers in his stead. "She's alive. That'll have to be good enough for now."
Lucienne seems to come to herself in an instant, her practicality driving her to do something useful as she takes up a cloth and dunks it into the water, intent on helping however she can. "Let's get her cleaned off then. She hates so very much to be untidy." Her voice breaks slightly on this, but she's grief stricken at the sight of her friend in such a state, at the thought of what she’s suffered through to see her this near death.
Viego's look is all tender compassion as if he understands, but instead of addressing it, he simply repeats her actions, and together the two of them begin their work.
Lucienne has to gather cloths and bowls of water a dozen more times to get as much of the blood off of her as they can, and when they've got her mostly clean, they start treating and bandaging any open wounds. She wants to cry at her friend's apparent emaciation, at the clear jut of hip bones and stick thin arms, at the signs of horrid torture that has left visible scars. Her tears will do May no good, though, so instead the librarian focuses on what might. She takes on the task of carefully treating and stitching some of the deeper cuts. Her and Viego labor diligently for hours upon hours until her back aches with the strain of it and her eyesight has gone blurry from tiredness. Lord Morpheus remains focused on silently lending his strength to May, on using his power to mend her. He does not move, does not even seem to notice them, Lucienne thinks, so consumed is he by this undertaking. When the sun rises in the Dreaming, he finally opens his eyes, shakily exhaling before he removes his hand from her at last, all of him suddenly weary looking and sickly pale.
"Is she okay?" Viego demands, and the Endless nods once at him.
"She will live," he breathes out, his voice a ravaged rasp. Lucienne has a moment to wonder just how much of himself he's burned away to save her, to keep her breathing. Viego lets out a relieved sigh of his own, scrubbing a hand over his face. In a rare moment of camaraderie, he summons a chair to the Dream Lord that the drained Endless gratefully collapses into.
"Her magic is practically gone," Lord Morpheus tells them at last, the words rough as if he's speaking with broken glass in his throat.
She could be imagining it, but an expression of guilt flashes over Viego's face for a second before he smooths it out. "She's been through a lot. It could come back." He sounds as if he's trying to reassure himself of this, and that's a tell if the librarian has ever seen one. "Where's the baby?"
"With Minnie. The cook," Lucienne supplies, studying the other maker. His eyes, still shining blue with magic, alight on hers for a moment, and something passes between them from his gaze to hers. There's definitely information he's not supplying, but the librarian does not demand it, determined instead to get answers from him later. She knows they have enough on their collective plate now that they might not be able to handle any more revelations.
"Have her prepare a broth for May. She was starved for the entirety of her time in the binding circle." An undercurrent of carefully controlled fury pulses in her lord's order, a near hatred unlike she's ever heard from him before.
"For the whole six months?" Lucienne clarifies in a mix of disgust and disbelief. "But…. she was pregnant?"
Lord Morpheus meets her eyes, and his own burn black, a thousand galaxies incinerated to ash in them. Lucienne almost hopes that May's captors are already dead for the calculated wrath that the Dream King looks like he wishes to visit on them. "Yes. We'll need to get food into her when she wakes or all of this will be for naught."
Lucienne haltingly nods, still unable to process this cruelty done to someone as kind as May. The librarian has met and known quite a few entities in her very long life that might deserve such treatment, but her friend, she is certain, is assuredly not one of them.
Back in the kitchens, she relays Lord Morpheus' command to Minnie and checks on the infant. The little one is sleeping soundly in a new crib, an addition apparently made by an uncharacteristically enthusiastic Mervyn as soon as he heard that May's babe was in the palace. When she wakes she'll appreciate their consideration, the librarian thinks, that they'd all came together to care for her child when she could not.
Like a family does, and May had always treated them all as if they were nothing less than family to her.
"Poor lamb," Minnie tuts when Lucienne conveys the need for broth and why it must be one especially light. "I'll make her something that'll stick. Would you three want a tray for sitting bedside?" She doesn't truly feel as if she can eat, images of her friend's bleeding, damaged body flashing through her mind. It nauseates her, the gnawing worry and grief she feels, but she accepts Minnie's offer anyway. After all, Lord Morpheus and Viego might be hungry, even if she highly doubts they feel any differently than she does where food is concerned right now.
Minnie seems to know everything that Lucienne can't say aloud, though, because she gives her a soothing, comforting smile and says, "Ne'er you mind. I'll send someone in with it in a jiffy. Why don't you go back to her, dear."
And Lucienne does, her gut twisting as she makes her way back to May's room, only to come upon Viego and Lord Morpheus discussing something in hushed tones. She straightens at this, thinking that they're arguing again and that they ought to be ashamed of themselves for doing so in light of what's happened to May.
"What's going on?" she questions in her sternest tone, unwilling to put up with their usual bickering or to allow such a thing at her friend's bedside.
Viego scowls at Lord Morpheus before he directs his attention to her. "We were pulled into the soft places mid travel here and attacked by a rather large pack of hellhounds. We were just talking about how that could be possible."
"It is not possible," Dream of the Endless bites out, all of him still gaunt and haggard from the power he'd expended earlier.
"Yet it very clearly happened. You were there."
"Shall I consult my books?" she asks and then quickly amends, "after she wakes." Lucienne is afraid to leave these two alone for any extended period of time. Now that May's danger has marginally passed, the both of them seem like nothing so much as reckless boys on a schoolyard ready to pummel one another at the first chance they get. She's acutely aware from past experience that someone will have to break up their scuffle if it comes to that, and since May is passed out it will be up to her to do so.
"That would be appreciated," her lord allows, voice still wavering slightly though it seems to be growing stronger.
Lucienne nods, satisfied, before she pulls up a chair and settles in, watching the steady rise and fall of May's chest as together the three of them wait for her to waken.
I’m on chapter ten of All the Precious and Fragile Things and I had to let you know that not only am I crazily invested in this fic, but I also adore what you’ve done with Orchid. I never thought I could care so much about a plant in my life, but I want all the happiest things for this one. Will we see more of Orchid in this?
Thank you for this story. It’s so good. <333
Hi!!! Thank you so soooo much for the ask!!!
Chapter ten is a favorite for a lot of readers (and me 😉) so it makes my day to know that you enjoyed it as well!!! As for your question, there will be more Orchid in the sequel (and possibly an interlude coming between parts one and two). By the time it was suggested to me in the main story, though, I was already writing the battle scenes for part four, so I didn't really have anywhere I could reasonably squish it in. But I usually try to get reader requests into my fics where I can, so there's going to be more Orchid coming up later this year!!!
Again, thank you so much for this! I loved hearing from you, and it makes me so ridiculously happy that you're liking All the Precious and Fragile Things!! And thank you for reading!!! ❤️
*IMPORTANT NOTE: I'm copying everything over from AO3 to here because this series has a sequel coming out in the Fall, and I'd rather be prepared just in case AO3 goes down again. This is an old, complete story. So if you recognize it, you're not imagining things. 😂
Chapter Publication Date: 11/01/22 | Word Count: 3,653
All the Precious and Fragile Things (so easily do they break): Chapter 6
Part I: All of This Past
*Warnings: 18+ for violence, torture scene.
In a flashback, we learn what instigated that final fight between Morpheus and May.
In the present, Thessaly is introduced, and May doesn't handle it well. Lucienne, as usual, is there to try and mitigate the damage. Or at least to talk some sense into her rather aloof (and foolish) ruler.
Chapter One here, AO3 here, Masterlist here
SEVENTEEN MONTHS PAST...
Outside of his brother's castle, Morpheus takes a moment to collect himself before going in, his hands in his coat pockets while he grips the ruby necklace he's almost completed for his beloved between his fingers. He'd started crafting this piece of jewelry as a bonding gift, one to be presented to her upon their union, despite that she has never been the sort to care for shiny objects and trinkets. This particular gem, however, is more than a mere decoration. Woven with his power, thrumming with the energy of his very essence, it will serve as a symbol of her rule and office, a symbol of her importance to both him and their realm. She will be his queen, and this gift from him is intended to mark her as such. Though now he can do naught but to treat it as a talisman of sorts, a reminder of her and their future together that he feels he needs in the face of his reservations on attending this rather cumbersome meeting.
He doesn't want to be here, not really. He's only been away from May and the peace of his realm, the peace of her love, for mere minutes, and he's already desperately yearning to go back to her side, but Destiny had summoned all of the siblings for this family dinner. Morpheus, as Dream of the Endless, has many arduous tasks and duties that he must tend to, these forced family affairs being his most tedious of them all he thinks at times. Determinedly and with great difficulty, he pushes all of those tender sentiments for his love, for his May, aside and carefully hides them beneath the usual mask of cold impassivity that he dons before his siblings. Steadying his emotions one final time, he steps forward to enter his brother’s keep.
When Destiny had called on him earlier that day, he had resolved immediately not to mention his betrothal with May, wholly unwilling to expose both her and their happy news to Desire, his most poisonous viper of a sibling. He had thought at the time that this silence would be easily accomplished, that his tendency to not speak at these gatherings would make his reticence seem more natural than suspicious. He hasn't been in the habit of sharing anything personal with his family for eons. As he had told May when he’d explained the dynamics of the Endless to her, they assuredly don’t all get along, their relationships mostly ranging as they do from apathetically strained to viciously antagonistic. None of which lend to much in the way of open and honest communication.
Within moments of arriving, however, he realizes with an odd sense of apprehension that any kind of discretion on the matter of his upcoming union might well be a lost cause.
"Congratulations Dream!" Death greets him, cheerful while she envelopes him in a hug, the warmth of her joy tugging his lips up into an unbidden smile.
He's cautiously content for a moment before he comes back to himself, remembering all the reasons he had not wanted to speak of this here and now.
"I thank you, my sister," he murmurs against her hair anyway as he stiltedly returns the embrace, tightening his hold for a minute before he takes his arms from around her. Her kind, exuberant grin is one of surprise, which he supposes is fair. He's rarely so accepting of physical touch, even from the only member of his family that he readily gets along with.
His love for May, though, has done something to him, something transformative. He feels made anew in the light of her, in the wonder of their care for one another. For the first time in ages, he feels the tentative blooming of hope for his own life outside of his function. Just the thought of her makes him feel softer somehow, more gracious, as if he is suddenly more dream than nightmare.
"What's this, then?" Desire asks, their gold eyes glowing in something that Morpheus doesn't like, and he finds that in an instant his shadows instinctively stretch back over him, taut in anticipation, his newfound optimism receding in their wake. He sits down at the table, rigidly settling into his usual place there regardless of the low hum of violence already vibrating through him. As surely as he ignores the lavish spread of food before him, he advises himself that he must also ignore this particularly loathsome sibling of his.
"Dream's in love," Delirium chimes in. She's brought butterflies with her, manifested creations from her own realm, and they flutter aimlessly around her where she's sitting on the floor beside the table. She fiddles with one of them, bright purple and shimmering, before it lands atop her head and transforms into a red streak of her hair. "All that bloody bloody light. I see why you like her. She's sooooooo warm."
"In love?" Desire laughs, and the sound of it to anyone outside this room would be delightful in its promise of what's to come. Morpheus only tenses at the noise, thinking it reminds him of nothing so much as nails ceaselessly clawing down a chalkboard. "I don't see what's so fascinating about that. Aren't you always in love?"
Morpheus glares at them. "As it's such a common occurrence, you should not overly concern yourself with it this time, sibling." He glances around the room, both to distract himself and to divert Desire far away from this topic. "Where is Despair?" he asks, though he doesn't think he truly cares. He's not sorry to see that she's apparently missing from this gathering.
"Dream is to bind," Delirium says suddenly and twirls, her butterflies taking flight and haphazardly swirling around her. "The light too. Twined together. He's like a happy, dry cat. Delight would see."
"Bind?" Desire questions, their manner flirtatious. Dream is not fooled in the slightest. "You're betrothed? Why brother, who's the lucky lady? It is a lady, right?"
He must ignore them, he reminds himself. He refuses to speak of May in Desire's presence at the very least, refuses to part with any information that this sibling could use against her. Morpheus tightens his jaw in determination and turns to Death, intent on asking after her and her work.
"Dream of the Endless will bond with the entity who calls herself May Westin," Destiny interjects in his typically unhelpful way, and Morpheus could groan in frustration (if he were given to bouts of such behavior) at his ill-timed mention of her name here of all places. Of course his attempts to keep from exposing his beloved to the rest of the Endless would be for naught. The universe is rarely so kind as to just make things easy for him, and Destiny's meddling is proof positive of that.
Morpheus thinks he should go now, should bid his family farewell and retreat, but he is far too stubborn to demonstrate such cowardice. Instead, his muscles stiffen, coiling like he is preparing for a physical blow while he slides that well-worn impassivity back on his face.
“Westin? May, ” Desire muses, two fingers on their chin as they pretend to consider. “Weeeeeestin.”
“Desire,” Morpheus growls, and his irritating sibling grins at him. Their grin is pointed, nothing more than a threatening baring of their teeth, and he feels his stomach twist in something reminiscent of dread.
“I have heard of someone who calls themselves by that moniker. If we’re thinking of the same entity, that is.”
Desire is far too gleeful, far too pleased, and Morpheus tells himself to get up and leave, to not listen to them, to plug his ears, something. Anything but to hear their manipulation. Their poison is nothing he should pay heed to, nothing he should allow to darken the curious lightness he feels with May.
“I had a fellow not far back, a Roderick Burrrrr- something. He was desirous to seek out a book that she had crafted the spells for. Some grimoire with an incantation in it to capture an Endless…." Desire smirks as they tell him this. "Though why any future member of our family would create such a thing is beyond me.”
Dream has gone rigid, his hands balled up into fists at his side. A feral fury rises in his awareness, struggling to get free of his control, and yet no matter his rage, he's reeling with what he's just been told. She can't have. Not May. “Enough,” he bites out, distantly aware of his sister Death putting a gentle hand on his arm to try and calm him. “You would dare?”
Desire laughs, as if Dream's anger is particularly amusing, which he knows all too well is likely the case for them. “Brother, I only relay the truth to you, I swear. I thought you knew seeing that the two of you are apparently betrothed to be bonded. ” As if suddenly realizing the enormity of what they've revealed, his sibling puts a hand over their mouth in blatantly false shock. "Oh, no, brother. That wasn't the same spell used to bind you, was it?"
Morpheus stands, and it's only Death who holds him back from jumping at his sibling across the table and ending them. There have been many such occasions in their eons of bickering where he has wanted to visit violence on this particular family member, but never one quite as profoundly tempting as this moment is proving to be. What Desire has said must be a lie, must be something deviously convoluted to suit their purpose. His beloved is kind, good in a way that cannot be feigned. May would never contribute to something so dark as the grimoire, never lend her time to creating that which she knew would hurt others, that which she knew would eventually hurt him.
Would she?
He doesn't want to even consider it, but there are so many things in her past that she is secretive about, things that she will not speak of even in the safety he offers her, and he's alarmed at the wariness that creeps over him as he thinks more on the possibility. His fists clench tightly at his sides again, and he can feel his eyes start to fade into that nightmare black that his temper brings on.
"Dream, don't," Death orders him, frowning at his anger before she turns her displeasure to Desire. "Leave him be, Desire. He's happy. Let's all be happy for him, yeah?"
"Absolutely, sister. Of course I'm happy for him. I only wonder why he would bond with a female who was responsible for decades of his imprisonment? Maybe I'm also a little worried for him. That sort of relationship just doesn't seem…. healthy." The faux concern in their expression is the final straw, infuriating Morpheus beyond his breaking point as he tips into a wrathful rage.
His shadows swell, and he lunges then, a snarl on his face when he gets his hands around Desire's throat to squeeze, intent on finally murdering them. He hates them for their many misdeeds in the past, hates them for their pettiness, but he hates them most of all for doing this, for infecting the wondrous beauty of his hope with their malevolence. It takes much of Death's strength to pull him back from the suicidal act of throttling Desire, to stop him from bringing the Kindly Ones down on him for this attempt at fratricide, and all while his loathsome sibling laughs gleefully at their own triumph.
And triumph it is.
The destructive seed has been planted, the damage ready to grow from the doubt that Desire has given to him this day. They are not lying, despite their many games. The truth, Morpheus knows, is often far sharper of a blade than a lie, and his sibling would pierce him with nothing but their most lethal dagger if presented the chance.
Breathing heavily, a wrathful storm building under his skin, he excuses himself hastily before shifting from his brother's realm.
PRESENT DAY...
In the low light of May's room, Morpheus sits in a plush chair and endeavors to wrangle his little girl to settle against his chest.
No longer content to stay sweetly cradled in his arms, she attempts to stand by putting weight on her feet where they rest on his lap. Of course, she is still far too young to master such a skill, but she nonetheless tries like this almost every time he holds her now, and he has grown used to having to brace her with his hands while she does so. Though, it's not as if he truly has much of a choice in the matter, really, given that she seems determined to carry on in her efforts without a single thought for her safety, without a single thought for what might happen were she to fall. And as much as this recklessness worries him, he is glad of her fearlessness, glad to see her so unafraid of what might happen that she doesn't even consider it when she sets her mind to something. He is painfully aware, as all parents are, that when she is grown she will learn to be frightened, will learn that there are things that can hurt her. And while he would not hesitate to protect her with his very life, he knows that gaining such knowledge is simply an unfortunate aspect of maturing, one that he is loathe to ever allow her to experience.
But for now, she is his baby, safe and unburdened by such alarming truths, and so he focuses on enjoying her innocent childishness in the moment. Usually when she has tired herself out from the exhausting task of trying to stand, she collapses on him in weariness and he speaks to her in low, quiet tones, rubbing her back while he soothes her into sleep.
He gathers very quickly that this will not be the case tonight.
Aurora is much too energetic for as late as it is, so he knows she will be dramatically more difficult to ease into drowsiness. She grabs a hank of his raven hair in her perfect little hands, pulling it into her mouth and gumming at it from where she leans her face closer to his, near enough so that her own mess of wild, midnight black curls tickle his nose.
Unbothered, Dream of the Endless, Ruler of the Nightmare Realms, continues on patiently with his story.
She holds her head up very well on her own, his little girl, and babbles near constantly at him during these visits. It occurs to him that she is growing far too quickly for his liking, maturing at a rapid pace that he rather wishes he could slow down. As that is not possible, he wishes instead that he could devote every last second of his time to her care, basking in her presence for as long as she would tolerate such a thing, but that will never be either. He has duties to attend, and... and there is the issue of May, the issue of everything gone wrong between them, the issue of their quiet avoidance of one another.
Sometimes, he thinks of how different things might be as her father if he didn't feel compelled to only sneak in to see her, if he weren't so lost as to how to improve things with May that he might broach the subject with her of allowing him to come whenever he would like. He tries to never let himself think of how different things might be if May had not been banished and they could be happy together, a loving family without all these unfamiliar, thorny pathways to navigate. And there are some thoughts, the most mournful of them, that he absolutely forbids himself to wistfully dwell on, beautifully sad things such as how he should have liked to feel his babe when she kicked in May's belly and how he might have spoken to Aurora while she had formed, nestled safely in his once betrothed's womb. He refuses to imagine how wonderful it would have been to hear his starshine's first cry when she finally greeted the world, refuses to imagine himself giving his love and strength and support to the mother of his child while she delivered their daughter.
He tries to never think of it, but sometimes the fantasy of it plays in his mind unbidden, and he's left bitter and sorrowful at what might have been, left grieving a possibility that can never be.
Giving an adorable growl, his starshine leans over on to his cheek with an open mouth and gums at the high bone of it, getting his face noticeably wet as she does so. Once, such a thing might have bothered him, might have incited his temper, but now he can do nothing other but to chuckle softly at her infantile antics.
"I assume you've eaten, little one. You need not attempt to consume me." Aurora stills at what he's said, almost as if she's considering it with an uncommon seriousness. And then mere seconds later a brilliant smile lights up her face while she giggles at him, her blue eyes sparkling like she's understood the joke and judged it hilarious before she reaches out to tug at the neck of his coat and pull that into her mouth as well.
"Starshine," he reprimands ever so lightly, fond exasperation on his features as she sucks on the fabric. She squirms back against his chest with a grunt, curling into him as she finally, finally lets out the sleepy yawn that's nearly an hour overdue. It is to his great relief that she begins to settle at last, to calm enough to possibly rest. However, she can't seem to resist smacking him in the chin once more while she does this, utterly startling him with her unexpected assault. Even with such an attack, albeit an adorable one, he can do naught but smile tenderly at her while he rocks her gently, soothing her into peaceful slumber. It does not take long for her to start dozing, and when she is firmly asleep he holds her for a bit longer still, taking his stolen opportunity to relish in the warm weight of her as he thinks over the past few weeks.
Lucienne, though he hates to concede it, had been right about bringing Viego to the Dreaming for a visit. He's not oblivious to the way that the subjects of his realm have been trying to help May, trying to coax her into decent health, despite how obtuse Matthew might think him on the matter. And still, regardless of all their cosseting, he has watched her weaken and known in the pit of his belly that she was fading from them all in spite of their attempts. He's seen her grow paler, seen her so fragile that he cannot understand how she will ever survive without his own power sustaining her.
There are days that he thinks it is the only reason she still breathes.
It was not surprising, then, that he hadn't wanted to let them leave, hadn't wanted either of them out of his sight. In truth, he still does not. The pang of fear that had grabbed hold of him as he'd thought of May and Aurora trapped in another binding circle, as he'd thought of being too late to get to them should they be taken, had been nothing less than staggering. His family, and they are both family now whether May wishes to accept such a label or not, is worth every universe in existence to him. He does not want to imagine what sort of terrible violence he might summon to keep them safe, what lengths he would go to to see them alive and well. Letting them go, even for a matter of hours, had been near panic inducing, but he had felt he had no real choice.
Though he is loath to admit to it, he is willing to try anything that May might improve. Anything.
It is not love, this desperation of his. How could it be love between them? She'd admitted to her feelings concerning him when she spoke with her brother, admitted that she forgave him for not bonding with her but hated him for banishing her. Though the inferno of Morpheus' own anger towards her has cooled, he's sure he doesn't love her either, but he does owe her. He owes her more than he believes he can ever repay. She is…. broken now, but he recalls when he'd emerged from Roderick Burgess' cage, after she'd saved him, and she'd helped heal him then when he too was broken, even before they knew love between them. She'd helped rebuild his realm, helped give him hope again, helped make him comfortable with touch anew. No matter her betrayal, she had indeed given him that assistance, had offered her time and power freely for him and his need.
Most importantly, she'd given him the beautiful miracle in his arms, his precious starshine, the biggest debt he knows he can never repay, not with anything in this realm or that is in his power to give. And so he swears to himself that he will do all that he can for her, which is to protect her, to keep her safe, to try everything he is capable of to see her whole and hale again, even if that means sustaining her with his power for the rest of her life.
He carefully tries not to remember those decades ago, before they'd known each other's all-consuming love, when he'd held her in his arms and promised her protection, when he'd asked for her trust and she'd given it so willingly.
She doesn't trust him now, maybe never will again. Viego had not spoken a lie when he'd said that she was terrified of him. Morpheus had known that to some extent, but he hadn't realized just how deep it went, how evident her fear was to everyone else. He reflects on how much he must have hurt her that she believes such terrible things of him. Sometimes, when he's feeling particularly morose, he wonders if she is right to expect the worst where he's concerned.
He keeps getting pulled back to her conversation with her brother during their trip to the Waking. Morpheus had listened through Matthew as the siblings had dined outside that eatery together, blatantly eavesdropping to try and get a better understanding of what May was struggling with. It was the most he had heard her speak in so long, since before he'd discovered her betrayal at least, and what she had said had been nearly... devastating to him. He hadn't realized why she was having such trouble taking sustenance, had thought that maybe he had healed her incorrectly, and when he heard her tearfully admit to the ramifications that the starvation from her imprisonment had caused, he had wished for one selfish minute that he had just healed her incorrectly. That, something as simple as shoddy mending, he could fix. Trauma…. Trauma wasn't anything that his power could undo.
And it is assuredly trauma. Lucienne had not been wrong concerning that either, though Morpheus wonders if it is all to do with her ordeal at Alexander Burgess' hands. When they were kids, she had said while she talked with her brother, and Morpheus had instantly been on alert. He's thought for a long time that something terrible must have happened to May and Viego as children, that they'd went through something horrific together as youths. What that horrific something is, though, he does not know, and it is no longer his place to ask. He'd given up the right to any of her secrets when he gave her up, and he's all too aware of it. It doesn't stay his curiosity, however, especially since he believes it might be affecting her even now, that it might be making what she'd endured in the binding circle somehow worse. But he won't question her on it, as doing so is no longer his place in the aftermath of their separation. Regardless of how much information he is or is not privy to, he simply resigns himself to continue with his own determined attempts to see her mended.
He sighs in an odd weariness, knowing as he does that the peace of his time with Aurora will end soon. He has work that he must finish this night, duties of his function that must be seen to. Tomorrow Thessaly will arrive, the witch that Joanna Constantine had located who she'd sworn might be able to help him in his search for that cursed grimoire. It will be the second time Thessaly has visited this realm, the first having been during May's banishment when he merely sought the acquisition of that cursed tome for his own safety. And while the book and its spells remain a threat to him, knowing that it is still in the waking world when it could be used against his daughter strikes a somehow worse terror in his heart. He had resolved months ago that he would find it and burn it to ashes, that he would make certain his little one was protected from another binding circle for the rest of her life.
He stands carefully, trying to stay as quiet as he can since both May and Aurora are resting, while he moves his daughter into her crib. He brushes a hand over her silken hair, smoothing it back from her face as he takes a moment to study the perfection of her, smiling at the sight of her tiny pursed mouth and her rosy cherubic cheeks. His love for his daughter, as always, tightens its already taut hold on his heart.
"Goodnight, my starshine," he murmurs before he leaves. "Sleep well."
After the door clicks near silently behind him, May finally dozes off from where she'd been only half asleep, and when she dreams at last, it is of him. It's a common enough occurrence that she's been dealing with since her nightmares had ceased, something she's grown bitterly used to. Most nights she sees snatches of memories of them from the beginning of their relationship when they had been happy and in love, and the dreams are so vivid and beautiful that she often wakes with tears on her cheeks, often greets the morning sunlight of the Dreaming in grief for what she had and what she had lost. Where Morpheus is concerned, May has too many conflicting emotions, more than she thinks she will ever be able to successfully untangle. She had loved him (at first when they’d sworn themselves to one another), and then she was frightened of him (when she had lost him and he’d nearly killed her), and then she yearned for him (his child growing in her belly and she’d thought of course he would come for her), and then she hated him (because he hadn’t, because his own stubbornness had left her practically dead and powerless, causing her to make sacrifices that hollowed out the very core of her), and now she just….
Now she just does all of those things at once.
She's crying when next she lurches in consciousness, her dream still fresh in her mind. It had been one of sweet remembrance, so much love in it that her heart hurts in its aftermath, aching with a distinctly physical pain as she begins her morning rituals. She feeds, changes, and dresses her daughter, all the while trying to ignore the knot in her stomach and the tightness in her chest that is nothing more than her sense of mourning, of grief.
When they get to the library, Aurora is as happy as ever to see Lucienne, babbling and laughing as the librarian hefts her up into her arms. Her little girl stretches tiny hands out, grabbing for Lucienne's glasses as her friend chuckles at the child's antics.
"Can I help?" May asks softly while her daughter yanks on the collar of Lucienne's shirt to pull it into her mouth and chew on it, leaving a wet spot blooming on the fabric.
"I have new arrivals you could sort through," Lucienne offers with a careful smile. "How are you today?"
"I'm fine." She's wearing her mask of brittle calm that she thinks, that she hopes, might fool her friend. "Are the new arrivals in their usual place?"
Lucienne frowns. Not fooled, then, May surmises nervously. She really doesn't want them all to worry about her so much. It's as if Lucienne can hear her thoughts, though, as if she knows everything May is incapable of speaking aloud, because she doesn't say anything else. Instead, she simply nods, a sad resignation shining out from her rich ebony eyes while she follows May to where the new books are, carrying Aurora in her arms as she does.
And for a few hours, May is granted the bliss of mindlessness, of being able to ignore her many emotions as she loses herself in caring for Aurora and handling the tasks that her friend puts to her.
A person named Thessaly apparently shows up that morning while May is still in the library with Lucienne, and she knows by Matthew's hushed tones three rows over that this is an unwelcome thing. May hovers near Aurora's small crib while she sleeps, a few books in her hands that need sorting, and she can't help but to freeze as their conversation reaches her, can't help but to go still as their words filter through to her hearing.
"The witch is here. She turned up at the gates," Matthew starts.
"Wonderful," Lucienne responds, the bite of sarcasm in her voice clear to any listening. "What does he think he's doing?"
"She's supposed to be helping him with the book, but everyone says-"
"I'm aware of what the gossips are saying, Matthew," Lucienne cuts in flatly, her tone sharp in that way it gets when she's angry about something.
"Oh, man. Is May gonna find out? I don't want her to… to get hurt any more," Matthew croaks out sympathetically, and alarm rises up in May so quickly that she feels as if she might retch. Hurt? Why would she be hurt? She can't... She doesn't... think she's strong enough to withstand any more pain at the moment, either physical or mental.
"There's nothing to be done. You know how he is."
He? Morpheus then. Lucienne must be talking about Morpheus, and that makes May go stiff with apprehension. If Morpheus wants to hurt her, if he wants to withdraw his protection of her, there's nothing she or anyone else can do about it. He's always been more powerful than she has but especially now, especially while she lacks her magic.
"Maybe one of us should talk to him?" the raven suggests, sounding hopeful even as May turns over the idea in her mind of grabbing her daughter up and running with her. Where would she go, though? How would she leave this place without Morpheus or Viego to shift her from it? Not for the first time, she curses her lack of magic, curses her own binding of it even though rationally she knows she'd had no other choice.
Lucienne snorts derisively. "Good luck with that undertaking, Matthew. You and I both know he won't listen."
"Maybe we should just try and keep them away from each other?"
A few moments of silence pass before Lucienne finally answers, her tone troubled. "We will try."
Despite her fear that she will be tossed out of the realm, it becomes abundantly clear what's going on not an hour later when Morpheus introduces May to the witch as Matthew had called her. Thessaly is pretty enough really, May observes detachedly as she sizes the woman up, lingering overlong on her cat-like features and emerald green eyes. The woman has her arm entwined with his, and she's leaning rather intimately against the Endless like they're ready to walk to his room for an afternoon tryst.
This is what her friends had been trying to protect her from. This is the hurt they'd been trying to avoid. Not for the first time, May wishes she hadn't even gotten out of bed that morning, that she hadn't even survived birthing Aurora, because this... this feels like her belly has been ran through with a jagged edged knife, like her insides are so knotted up with heartbreak that no power in any world could untangle them.
"Oh, the baby's beautiful," the witch- Thessaly- croons, and it's only Lucienne stepping in front of Aurora that prevents the woman from touching the girl. For some reason, it's irrationally nice to think that Lucienne dislikes this stranger too, that she might disapprove of this special friend of Morpheus', and it takes a great feat of mental strength for May to finally find her voice again in the midst of her own shock.
"Thank you," she returns at last, forcing herself steady as she can.
Morpheus seems surprised to hear her speak. "It is good to see you, May Westin." The formal tone he's using towards her cuts deeper than she thought possible with such a simple greeting, the fact that he'd used one of her many false surnames, Westin, somehow making it worse.
"Of course, Lord Morpheus."
Perplexed, he studies her, his forehead creasing. "It is only Morpheus, May. As you are well aware."
"Then it's only May, Morpheus. As you are well aware also."
He frowns, seemingly unsure as to how exactly he's offended her, but May can't help it. Not really. The appearance of the other woman has set her teeth on edge. She tells herself that she doesn't like her song, that the sharp, harsh notes in its chords are crowded too close together, breaking off in places, the discordance jarring to her. This woman has done terrible things, and her melody, if one could call it that, gives it away.
But…. she can't completely lie to herself and pretend that her dislike of the woman doesn't also have something to do with her flirtatious behavior towards Morpheus, the male who until not long ago at all had been May's. It hurts to see them so close together, very obviously involved in some manner. It hurts to know that he's moved on so quickly while she is so clearly still struggling from the loss of him and what they'd had.
Of the whirlwind of feelings she always has now where he’s concerned, hatred and pain peak above the rest for the moment.
Lucienne, the clever, wonderful friend she is, politely excuses the both of them as she gathers up Aurora to take her and May to the kitchens (and away from the library) so that they can visit with Minnie, leaving Thessaly behind to assist Lord Morpheus in his task, which May is sure is nothing more than a considerate lie on Lucienne's part. She doesn't elaborate what that task is to May, and May doesn't ask. She tells herself that she doesn't care, that whatever they're doing is nothing to her, but... she knows better. Curiously, her chest hurts as if her heart is breaking further, and that should surprise her.
Honestly, she didn't know there was any part of it left for Morpheus to shatter.
When they get to the kitchen, the girls working in there all stop their hushed whispering, and May knows that they'd been gossiping, most likely about the visitor. It's only Minnie that comes forward to greet her, making an obvious face over her wan appearance before she ushers her to a seat at the large island counter in the middle of the room.
She tsks at her. "Lamb, you look a ghost. Did you eat this mornin'?" May's smile is faint but polite. They are good to her, and no matter what she's going through, she'll return that. She loves them all so much.
"Of course."
Minnie studies her like a mother might study an errant, intractable child while lies spill from their lips. "Hmmm."
Aurora shrieks for attention, a relief, since May knows that her daughter has just saved her from a lecture or a force-feeding, which mostly consists of Minnie putting all manner of food before May and guilt-tripping her into picking at it.
"You've brought the wee one," Minnie exclaims excitedly, and Aurora makes little noises in response to her. The woman grabs her from Lucienne and cuddles her against her own ample bosom, speaking to May's daughter in her sweetest tone. It warms her heart, that, listening to Minnie tell the girl about the issues with the carrots from the garden in an enthusiastic baby voice. She smiles and lets the comfort of it wash over her.
This. This is what she wants for her child, what she sometimes dared to dream of for her while she was trapped in that circle. Unlike May herself, Aurora will grow up with love and peace and people who care for her. She wants her daughter to never know the horrors she had faced as a child, wants her to never know what it means to feel the darkness stain her very soul and to know it won't come off no matter how much good one tries to do. She wants her little love to never know the harsh bite of suffering or hunger or pain.
"Would you like somethin' to nibble on, dear?" Minnie asks, her usual affection clear in her tone as she tries to cajole May to eat, but May only shakes her head.
"No, thank you," she declines, before moving sluggishly to a large window in the kitchen, one facing out to the courtyard. With a start, she realizes that they’re both there walking in the gardens, Morpheus and Thessaly, the sight of them turning her stomach. Morpheus stops their stroll, pointing out the delicate dream orchids to the woman, drawing attention to the beautiful blossoms that May and Mervyn had planted over a decade ago.
The flowers themselves had been a pain. They'd struggled for nearly a year to keep the damned things from dying, their fragility making it difficult for them to take root. They'd had to take shifts day and night for constant watering (despite a disgruntled Morpheus pouting at her like an angry cat when he'd made the decision to sit outside with her on her nights instead of being away from her), and she'd kept the cold away from them with her magic for months until at last Mervyn had declared them firmly rooted and sturdy enough to keep. And both he and May had shared a celebratory cigar afterwards that she hadn't really liked the taste of, but she'd smoked anyway, enjoying the custodian's boisterous company, enjoying the change of his usual heavy, slow song to a rare one of jaunty, quick-paced happiness.
Something in her snaps (loud enough that she thinks she can hear a crack inside of herself) to see Thessaly reach down and pluck a deep lavender orchid to place over her ear, to adorn her hair.
The dream orchids are strictly off limits. They have been since they'd cultivated and nurtured them and toiled so long on their planting. Even the garden fairies avoid them. Morpheus knows this, had been charmed by them at the time so long ago, but currently he doesn't even seem to care when the witch ravages one of them, cutting its long life short to decorate her hair, as if the tiny sentient beings are no more than a bauble or jewel that she can callously murder for her own beautification. May can feel the other orchids titter in shock before a few of them scream, shrieking in terror and despair. In a panic, almost dazed by it, she watches the Endless and his new paramour as they tread the garden path, unsure of what she's supposed to do until finally coming to her senses. She steels herself to intervene if Thessaly dares reach for another one, but she quickly discovers that she needn't have bothered because Morpheus and his new mistress soon resume their walk.
When the two of them have continued on, casually strolling away from where they've inflicted so much damage, so much destruction, May wastes no time in marching out to where the remaining ones are crying, awash in their grief. With a gentle hand, she reaches out to stroke the others, unsurprised when they flinch away as if they're scared of hands now, even the ones that had lovingly tended them for so long.
"Shhhh, sweetlings," she murmurs, sinking to her knees before them, her magic sense rising up inside of her, the only part of her power that wasn't dulled by the binding spell she'd performed on herself. Their anguish curdles in her belly, and she fights the urge to throw up the few bites of food she'd managed to choke down that morning.
The broken stem flutters in the breeze, nectar leaking out of the jagged end of it like blood.
She sobs then. She's too far gone to care that anyone sees, to care what anyone might think as she breaks down amongst the pitiful song her lovely flowers are trilling out. They’re broken now too. Forever. Irreparably. One more loss in a sea of loss that she's drowning in. It's as if that last drop of misery is all she needs for the sorrow to overflow inside of her.
"May?" He's behind her. Morpheus. "Where is Aurora? Why are you-"
She cuts a glare at him, suddenly indescribably angry. He's taken aback at the vehemence he can surely see in her eyes. She stands, resentment giving her strength she doesn't usually have anymore.
"Fix it," she orders, her voice harsh with her fury. He’s shattered so much in his carelessness, and she irrationally wants him to put it back together.
"Fix what?" he bites out, seemingly on edge. "What is the meaning of this?"
"The orchids." Her vision blurs for a moment, and when she reaches a confused hand up to her face, she feels tears there, still spilling over her cheeks. When had she started crying again? "They're….. screaming. She… She murdered one of them. Right in front of the others, and now…. now they’re…. they’re broken."
Confusedly, he glances at the flowers. They're shivering in their hysteria.
"You gave them sentience?" he breathes in sudden horrified understanding.
"Fix it," she repeats, the sorrow in her melting into something like desperation. "Please." She's not too proud to beg him, not if it will stop their hurt, not if it will stop the hurt, not if it will all stop hurting. She just needs it all to stop. "Please. It's…. It's terrible."
"I… cannot. You gave them life, not I," he tells her earnestly, and May turns away, unable to bear looking at him any longer, hopelessness threatening to overwhelm her further while she sinks to her knees anew, trying to settle the others, trying to soothe them as best she can without her magic. It's all she can do now, this meager bit of comfort. Many times since she'd been required to lock her power away had May felt the loss of it, but this is so acute that she wants to scream in frustration. She's useless now. The sound of them crying is heart wrenching, and May gazes over them forlornly, more tears splashing down her face at the utter woe of her creations' ruin.
Beside her, he crouches down on his haunches.
"May…" His voice is soft, as if he’s speaking to a wild animal that needs calming, but she doesn't care. She hates him now, she thinks. Hates him still. Hates him again. "Allow me to take you inside."
"Go away," she commands firmly in response, despite that she feels as if she’s trembling apart on the inside. She doesn’t want to be alone like this, doesn’t ever want to be alone again, but she’s so very angry at him. For a moment, she sees that terrible night they had fought, a flash of his power aimed at her so long ago and fading to sand at the shield of her magic. What was she doing in his realm now? He'd almost killed her, hadn't he? Shouldn’t she get far away? Why is she still here? Why... is she... in the Dreaming with him? Unless... Had she ever left? Had she ever came back at all?
The gold paint of that damned binding circle flashes through her mind. The fear and the pain almost choking in their intensity. What if she's not here, but instead... instead there? Could she still be trapped in that hopeless hell? Her child dead? Sweet Aurora nothing more than a cold corpse on the floor? Her cruel death meant as another inflicted brutality to make May cooperate?
May squeezes her eyes shut, grounding herself, her fingernails digging into her palm as she makes a fist. It stings, but the pain is welcome now because it... it reminds her that this is real.
"May," Morpheus calls yet again, and she can't bear the gentleness of his tone, not when she's so frightened and furious and... out of sorts.
"I'll make my own way inside."
"I am... sorry for your loss," he offers, and he seems sincere enough for all that she doesn't care.
"It's not my loss. It's theirs. They're the ones screaming in agony."
"I cannot hear it." He holds out his hand, moonlight pale and strong. She had once thought that they were beautiful, his hands, had once admired and stroked his long pianist fingers when she’d had the right to marvel at them. He’s offering something now, but she can’t think what it is, can't fathom what he could be suggesting to her. "But I should like to."
Oh, right. He wants to hear their cries. Flinty-eyed, she glances down at his proffered hand. Should she do it? Will he even give a damn? She bites her tongue on asking him what the point is, on how a cruel bastard like him could ever be bothered about something so insignificant as her orchids when he'd been so callous with her heart. But then she changes her mind, shoving her own palm roughly in his. Even if he doesn’t care, she wants him to see the mess he’s made, wants him to understand what his carelessness has cost someone that isn’t him, what it always seems to cost someone who isn't him. Despite that May never did this while they were in love, it's easy enough to expand her magic sense to him so that he can hear what she does. She watches him while he starts at their shrieks, looking at them as if he's seeing them for the first time. Some of the newer blooms, alarmed at the sorrow from their elders, whimper and shake like small children afraid. May takes her free hand and reaches out anew, willing them to understand that she won't hurt them, that she won't let anyone hurt them again for as long as she breathes. Morpheus can clearly see them jerk away from her, can hear the sobs and the wailing and the keening cries that they make. These flowers have only known peace and gentle care and complete safety, and one careless action has ripped all of that away from them. They will never have it back, no matter what anyone does. He pulls his hand away at last, and May lets it go without struggle. Their eyes meet, his sparkling blue with tears that overflow a little, making a few shining trails on his cheeks.
"I am sorry," he rasps out.
"Sorry doesn't make it better," she tells him as she sluggishly gets to her feet on shaking legs, tears still falling over her face while she does. Her head hurts, and she doesn't quite feel right. She's a little disoriented, but Aurora has started fussing in the kitchen, and May must go to her. "Next time, tell your mistress to stay away from my orchids."
His forehead creases in what might be confusion, though she isn’t sure. "My mistress?"
He calls out for her as she leaves him behind, but May doesn't answer, too hollowed out by anger and melancholy and something unspeakable to even think about interacting with him any longer. When she gets to Aurora, May gathers her up, incredibly relieved to have her daughter’s warm weight in her arms. Holding her tight, she ducks into one of the rarely used small pantries adjacent to the kitchen, sitting on the floor in there with her back against the wall as she soaks in the quiet and tries to just… re-center herself, to settle the fuck down.
She’s not surprised when Matthew swoops in not five minutes later, though, yapping at her about his mom’s garden when he was a kid. She knows that Morpheus has likely sent him in to keep an eye on her, but as she calms a small fraction at a time, she can’t be angry at the raven for that. He really has no choice but to obey the Dream King. After an hour or so of his chatter, she eventually finds herself stretching out a hand to stroke his head absentmindedly.
“Thank you, Matthew,” she offers faintly.
He seems startled. “Sure, May. Are you …. Are you feelin’ all right?”
Unbidden, her eyes water again and she attempts to hold back the flow of yet more tears.
“No! No…. I’m sorry! Please don’t cry. I didn’t mean-.”
“It’s... nothing to do with you. I... I promise.”
“Okay,” the raven says just before Aurora kicks a tiny foot at him. “Ow…. May, I don’t want you to take this the wrong way, but I’m pretty sure your kid is trying to kill me.”
May snorts out a watery laugh, surprising even herself. It doesn't feel hollow when she does this but instead like a comfortable heat on a freezing day, like stepping into the sunshine when one is chilled. ”You waved the wing in front of her face yesterday morning, Matthew. You don’t have anyone to blame for your new bald patch but yourself.”
“I didn’t think she’d yank some of my feathers out. It hurt!” Matthew exclaims in mock protest, and May knows that he's just trying to divert her, to cheer her up in whatever way he can, and she loves him for it.
“She might end up being a terror like her father,” May predicts wryly, looking down at her whole tiny world while she sleeps, letting her gaze rove over the plump cheeks of Aurora's face and her long lashes, focusing on the pout of her rosebud mouth as she purses it in slumber, and Matthew caws out an easy chuckle as May does this. Gratefulness washes over her, and she is suddenly overwhelmingly thankful for her family here (and they are family to her whether they accept such a title or not), for Lucienne and Minnie and Mervyn and sweet Matthew, all the ones who radiate such warmth for her while she shivers with the cold of what she's going through, the iciness of misery that aches all the way down into her bones.
But Morpheus…
A shiver goes through her, the implications of what’s just happened whirling around in her mind. She’d yelled at him, would absolutely yell some more if she weren’t so tired. Could this be the thing that prompts him to banish her again? Is he already planning it? Possibly tired of her disrespect and the strain of keeping her alive?
May shakes her head, trying to remind herself that he won’t do that, but her fear lingers, its icy grip holding tight to her, even as Matthew begins talking again at her side.
And it’s all May can do to keep herself together, to stall the inevitable breakdown until she manages to escape to the safety of her rooms.
"May?" Lucienne calls as she twists the doorknob to May's chamber, giving her friend no chance to actually answer her before she barges in. It's not that Lucienne's being rude, but she knows better than to permit May the opportunity to disallow her entry, to turn her away in the midst of the no-doubt overwhelming emotions her friend is suffering at present.
News of the incident in the garden had reached Lucienne quickly, one of Minnie's assistants rushing into the library to breathlessly relay it to her, and as Lucienne had listened, she'd fought the urge to seek out Lord Morpheus and smack him over the head with a heavy book. Not that it would hurt him, to her great displeasure, but she'd been furious enough that it had been a real possibility for a moment or two until her senses had came back to her.
Now, she finds May lying on the bed, the covers pulled up over her head as if she's hiding from everything around her, and Lucienne cannot blame her for that in the slightest. She'd known as soon as Lord Morpheus had told her of Thessaly's visit that it was going to go sideways. The rumors had abounded on the witch's first sojourn to this realm with sordid gossip of the Dream King having taken another lover so soon, and while Lucienne is almost sure that is not what's really going on between them, even she can admit that it appears … far more factual than Lord Morpheus seems to realize. Lucienne has always been respectful of him, always tempering her responses on his feelings and sometimes questionable behavior, but in this… in this she thinks he is being nothing less than an idiot, a fool showing no consideration for how his actions affect others.
And yes, it makes her angry. Rageful even.
However, she resolves to address Lord Morpheus later. Currently, May is in a state, and Lucienne is fairly certain she's the only one who might get through to her in it. Carefully, she sets the tray she'd brought on the bed before taking hold of the edge of the blanket to yank it up, uncovering her friend.
"Leave me alone," May murmurs, sounding disjointed, her voice clearly rough from crying. "Please, Lucienne. Just…."
"No," is Lucienne's firm answer. She glances towards Aurora's crib, grateful to see that the girl is fast asleep. "I've brought food, and you must eat."
"I'm not hungry."
Lucienne fixes her friend with the sternest stare she's capable of. "You are never hungry anymore, but you will sit up and have a few bites regardless."
"Lucienne-"
"I will not leave until you do so, May." Gentling a bit, Lucienne settles herself on the bed, stretching out a hand to brush her fingers against May's hair, smoothing it back despite how May flinches with the contact. This is another thing that she's noticed since May's return here, since her captivity in Alexander Burgess' basement. Her friend cannot seem to handle touch any longer unless she is the one to initiate it, which is something she almost never does save for tending to Aurora, and it is a pitiful thing to see. May had always been so tactile before, generous with her embraces, and the hesitancy emanating from her now concerning this simple physicality is sorrowful, a clear sign of just how badly May has been hurt. "You should speak to me. It… It might help."
Sniffling, May finally sits up, and Lucienne's heart twists as she studies her friend's appearance. Her eyes are red rimmed and wet, her face gaunt and sickly. She looks a mess, a mournful, grieving shadow of how happy she'd seemed mere years ago. Lucienne is not ever fooled by the brittle calm that May wears like a mask these days, but she knows all too well how daunting a prospect it can be to drop that facade of being mentally well, to permit anyone to bear witness to all the vulnerability beneath. When Lucienne had been struggling through her own ordeal with captivity and its aftermath, May had been the only one Lucienne had let down her guard around, the only one who'd been understanding enough to cajole her into it. And Lucienne, loving May as she does, intends to make sure that May can do the same with her.
"I'm fine," May says, delivering this blatant lie despite that there are tears falling over her cheeks.
Lucienne raises an eyebrow. "I should think you are not fine, and that is… a fair way for you to feel."
She's quiet for a a couple minutes, and Lucienne resigns herself to patiently waiting her out.
"One of the orchids is dead," May supplies tremulously at last, her breath catching like she might begin miserably sobbing anew. "The others are… are terrified."
This, Lucienne had heard as well, and while Minnie's assistant hadn't quite comprehended why this would affect May so greatly, Lucienne herself had. In those long years following Lord Morpheus being freed, she had seen the care that May wove into her creations, the kindness with which she tended them. It is not outlandish to her that May had been attached to something she'd so lovingly made. And as for the orchids being terrified, who better to relate to that lately than May? Lucienne is under no delusions that her friend isn't constantly anxious, that she doesn't struggle with an almost crippling fear at all times.
"If Thessaly makes such a trespass again, there are several nightmares ready to ensure she is set straight. A few of them seem overjoyed at the prospect of undertaking this task."
Lucienne means it to be lighthearted, an attempt at humor to cheer the overwrought woman, but her words have more than a touch of honesty in them. The subjects of this realm like May, respect her for her goodness to them when they had all felt neglected and abandoned. The nightmares, vicious and violent though they can be, are no exception to this.
"Thessaly." Hastily, May wipes at her face. "I didn't know… I didn't…"
"It's only gossip. You know how rampant that is here, especially regarding him."
May's expression is one of incredulity, which is wholly understandable given how the witch had been practically draped over Lord Morpheus for the entirety of her visit here, but Lucienne bites her tongue on telling her friend that she's almost certain he isn't romantically entangled with Thessaly. In all truthfulness, though, Lucienne isn't exactly sure, and she'd rather not end up lying to her friend in case she is wrong.
"You are aware that he's an idiot, are you not?" she settles on instead.
"He's dangerous," May answers, her words hushed even in the near silence of the room. "And he… he could banish me again tomorrow, could keep Aurora for himself, and I… I'd be powerless to stop him."
Lucienne might not know all the details of her lord's personal affairs, but she knows for a fact that such a thing will never come to pass. The fact is that, however difficult this situation is, Lucienne isn't blind to the way he seems so… concerned for May, invested in her health in a way that sometimes even reminds Lucienne a little of love. "He would not do so, May. I can promise that."
It's not enough to stay her friend's fears, and May buries her face in her hands, giving up the fight as she starts to sob silently, her shoulders shaking. She's so afraid, terrified of Lord Morpheus' cruelty, that Lucienne is suddenly painfully cognizant that paltry reassurances won't lessen her apprehension in the slightest. It's instinct for her to lean forward and wrap her arms around May, to try and hold her despite that she jerks a bit at the contact, obviously ill at ease with such a thing as an embrace.
"Shhh," Lucienne soothes nonetheless. "You are well. You are safe. Everything will be better eventually."
She's not sure how long they remain like that, but at some point May finally loses some of her tenseness, melting into Lucienne almost desperately until at last she's clinging as well. Only when her cries have devolved into small sniffles does May pull back, creating distance between them slowly, though she keeps hold of Lucienne's hand as if doing so is tethering her in some way, keeping her focused and centered in the icy storm of her grief.
"I'm… scared of… of him," she confesses hoarsely. "I'm scared of what he… what he might do, but… his power is keeping me alive, and Aurora is… is protected here. I don't want to take her away from that if I… don't have to."
Protected? Why would May fear for Aurora's protection? Viego had killed Alexander Burgess, and Lucienne knows that May has been told of his murder. "May-"
"Would you tell me… if he… if he planned it? So that I could… try and get free? So that I could attempt to get Viego here and escape?"
What she's proposing is treason, the sort that could see Lucienne sent to the Dreaming's dungeons for even considering it, but Lucienne doesn't hesitate to nod, to agree. "Yes. It will not come to that, but… I would not sit idly by while Aurora was stolen from you."
May nods, seeming relieved for a second before that relief fades into weariness, the kind that only being drained by terror and tears can bring about. "Thank you, Lucienne. Thank you…. so much. For… For everything."
"Will you eat now? Please?"
"I… can't. Later, but… I'll just throw it up if I try now. My nerves are too…" she trails off, looking ashamed, as if she's embarrassed of this weakness on her part.
Lucienne frowns, but she tightens her hold of May's hand as she does. "Very well. Would you like for me to… read to you? Perhaps it might take your mind off of less pleasant things for a while."
"No, thank… you. I just… I'm tired. I think I want to… to sleep."
"If you mean to rest, I will find a chair, and-"
"No," May cuts in. "I... I'd like to be alone. If it's okay with you."
Lucienne doesn't want to leave her, doesn't want to go, but… if May is asking her to, then she will honor her friend's request, albeit reluctantly.
"If that is what you wish." Lucienne hates the hopelessness she can still sense from her friend, though, that broken fragility that speaks of feeling defeated. "I will return tonight."
She lets go of her friend's hand, getting to her feet and gathering the tray as May lies down, as she pulls the covers up over her head anew. Lucienne scrutinizes her as she drifts off, and it takes mere minutes until May is seemingly in a deep slumber. She'll likely have a headache when she wakes, Lucienne knows, and she makes a mental note to have May drink a full two glasses of water upon rousing to mitigate any dehydration the crying has assuredly caused. Then Lucienne makes her way to the door, pulling it softly closed behind her on her way out.
And she supposes she shouldn't be at all surprised to see Lord Morpheus on the other side of it, standing in the hallway like a lost puppy who's been barred from coming into the house on a rainy day. He looks… drawn, his face paler than usual, his eyes dull and empty as if the sorrow he feels has crushed their ever-present stars and nebulae into nothing more than dust. She might have pity for him were this any other situation, were he not the one responsible for this mess, but it is impossible for her to dredge up any sympathy given his actions this day.
"How is she?" he demands, his voice rough and haggard.
"Unwell," is Lucienne's tart reply. "She is mourning her orchid."
He seems uncomfortable, which is fitting as far as she's concerned. Let him squirm with guilt over what he's permitted to happen with his own callousness.
"I cannot... mend it as she has requested. It is beyond my power."
She wants to immediately launch into a reprimand, but instead she finds herself studying him, measuring how great his resolve seems to be for actually fixing this catastrophe. That care, his unsettled distress from her upset, is emanating from him, almost tangible in its intensity. "Then let us discuss what you can mend. I believe that I need not tell you how that display with Thessaly earlier appeared."
He frowns, his eyebrows knitting together, his mouth pursing into an expression of confusion. "Of what do you speak?"
Lucienne sighs, loathing his cluelessness in this instance. Obviously she does, in fact, need to tell him as much, to spell it out clearly enough that even he can understand how foolishly he's handled this matter. She glances back at May's door, all too aware that she doesn't want her friend to hear anything that might be said in this soon to be heated exchange with Lord Morpheus. "Not here. We should talk of this elsewhere."
Lord Morpheus does not answer right away, and when she turns her attention back to him, he is gazing down at the tray she still holds, presumably noting that it is untouched. The worry on his face is plain as day. "She… did not take sustenance."
"No," Lucienne answers. "She was unable, sir."
Because she's frightened of you, and hurt beyond measure, and carelessly you broke her heart all over again, she does not say, though she certainly wishes to. The tray disappears from her hands, as if he can no longer bear to see the proof of May's turmoil before him, and it makes Lucienne somehow more angry than she'd been prior, her blood feeling as if it's boiling from the force of her fury. Without another word, she shifts to the library, unwilling to have this conversation right outside May's room, and he follows in an instant, appearing in a rather secluded spot amidst the general fiction section as she readies herself to respectfully lecture her king on his egregious behavior. Even if respect is absolutely the furthest thing from her mind at the moment.
That night, May is lying in bed when he comes in, the gentle click of the door alerting her to his presence. She's gotten used to the steady cadence of him slipping in at night and sitting in the chair by Aurora's crib, murmuring to their daughter in a low voice while he holds her and tells her a story. His tenderness towards their child tends to bring tears to May's eyes if she thinks on it, and so she resolutely tries not to.
She mostly just pretends to be asleep, unsure of what she would actually say were she to speak. She's felt that way often lately, uncertain of what to say, unwilling to open her mouth much. She thinks that if she does, if she starts verbalizing any of her emotions, giving voice to the entire maelstrom of her feelings and pain, that she'll just scream and scream and scream until her lungs collapse in on themselves.
His voice, as wary of him as she is now, is actually nice. Beautifully soothing even, though she'd never admit that to him. Not that she's actually talking to him at the moment anyway. He won't consider it a great loss, she's sure. Not with his new paramour to keep him occupied. It shouldn't bother her, she reasons practically. After all, they are no longer beholden to one another, no longer betrothed for marriage and bonding. They're held together by a child and their common love for that child and nothing else. He doesn't answer to her, and he's free to have sex with whomever takes his fancy.
So today is my friends birthday and she is a huge LOTR fan.
I dragged her all over Maker Faire a few weekends back and the one thing she got really excited about was Middle earth map jewelry. Especially A ring that contained the shire, because she is a hobbit.
But since we are both very poor and they were over $25 we had to leave them be so I've taken it upon myself to make her a necklace by hand.
Found some epoxy dots that are really cool, a google search map of middle earth, some jewelry stuffs from beverly's and a bit of crazy and There You Go!
I wonder if I should sell something like this at my Store