Reflections on Memory and Distance
As I continue working on this project, I’m beginning to see how powerful visual storytelling can be for processing displacement. Being away from Guangzhou has given me more than just longing—it’s offered clarity on what I value about the place. The shrines, alleyways, riverbanks—these weren’t just backdrops. They were part of how I understood home.
By working through family archives and layering them over images from today, I’ve realised how much of identity is tied to visual memory. What we see and remember often defines what we feel connected to. This project is, ultimately, not just about Guangzhou—it’s about memory, belonging, and the effort to hold onto disappearing places.
This process has also made me rethink the role of the artist—not just as a documentarian, but as a translator of emotion. I hope the finished photo-book will speak to anyone who’s ever felt far from home and still deeply tied to it.











