Tepish, the author of Love, Sin, & Evil, shares his thoughts about Courtney
I was asked in the comments to say something about LS&E. I’ve got something to say about Courtney (without spoiling anything).
She was the most difficult character for me in this story. Her foundation was very simple and cliché, something you just have to use in a slasher.
And when I started working on it, I was confident that would be enough. Especially since I had the twist near the finale in mind, I was gradually leading toward it, and everything seemed fine to me.
Her role was self-evident: almost an antagonist, the girl who flirts with all the guys (to naturally provoke jealousy from the romantic interest), who nags poor Johnny while serving as the voice of skepticism (since the others could be romance routes, this negative role needed to go to a side character). She was the ballast that caused the party to split and get into trouble, diverting their strength (like when Mina has to choose who to help).
And everything was going according to plan until… Until the first delay in releases happened, and players’ opinions could not only be heard but changes could also be made.
And to my shock, it turned out that people really liked Courtney. That was unexpected. I personally didn’t like her (in a good way! I lovingly wrote all her arrogance, uselessness, obnoxiousness, and vanity), and I did that intentionally. I never imagined readers would actually want her around, because I thought the way I wrote her would set the tone.
And here’s where my lousy habit of yielding to my audience came into play. I really do value you all, and I write these stories specifically to bring you joy. But the issue was...I didn’t personally see anything cool in her.
So I had to run polls in Telegram, ask what people thought about her. I ended up having philosophical conversations with my wife; about her, about femininity, about girls, about gender roles.
And eventually I came to understand that what people like about Courtney… is that she’s a girl. A very girly girl in her default settings. She knows she’s weak and delicate, and she’s not ashamed of that. She’s not trying to prove anything or pretend to be someone she’s not. But she has a different kind of strength: a feminine one. She makes the world revolve around her. She insists on being treated like a princess and knows her worth.
So, infused with that "pink" understanding, I started writing her further dialogue and interactions. I began to understand the tragedy of her situation more deeply. She’s not just a crybaby. All her life she made the world revolve around her. But now she’s in a place where none of her skills or charms work. A place where weakness is a sin. Where there’s no one she can lean on. It’s a kind of initiation—being forced to face real adult life.
And since, for a number of reasons (both personal and creative), the finale turned into a cyclopean mastodon where I had to untangle all the chaos I’d spun earlier, this reimagined Courtney found her place in it. The pivotal moment I originally planned, and the ending overall, remained true to the initial idea. But with these additions, they gained much more depth and a lot more lines of dialogue (in general, it turned out that all moments needed way more lines, so a few hundred more here and there didn’t change the overall mass much).
<Here I started to write a couple lines about her scene, but quickly stopped myself because, well, spoilers>
So yeah, that’s how it went.