AI and photoshop.
seen from France
seen from Russia

seen from France
seen from China
seen from China
seen from United States

seen from United States
seen from China

seen from Malaysia

seen from Kosovo
seen from United States
seen from United States
seen from United States
seen from United States
seen from South Africa
seen from United States
seen from Italy
seen from China
seen from China
seen from Russia
AI and photoshop.
“In reference to Angelopolous’ staging techniques, [David] Bordwell suggests that by framing characters’ backs and shoulders Angelopolous “marks out human presence but also coaxes our eye to the surroundings”. Denying the spectator access to the character’s face (which Bordwell fairly claims to be “the most informative part of the body”) such staging strategies “oblige [the spectator] to study the body’s relation to the larger field in which it is inserted”... The “doubling” of characters in Mirror and the “decentring” of dialogue in Stalker are two strategies that de-prioritise human characters’ significance within the overall mise-en-scene.”
- Thomas Redwood, Andrei Tarkovsky’s Poetic Cinema, Cambridge Scholars Publishing, 2010
Going their separate ways.
Looking Backward: Images of Rückenfiguren (ca. 1497–1925)