#russet lederman

[mon-nid]

Francisco Tario y Lola Alvarez Bravo · Acapulco en el sueño (Fotolibro) · Editorial Nuevo mundo, México · 1951 (Ilustración de sobrecubierta: Carlos Mérida)

[so-books]

Change: Photography by Mikiko Hara with a short story by Stephen Dixon | 原美樹子

[aperture-foundation]

At a seventeenth-century villa in Kyoto, a young photographer merged modernist vision with exquisite design. Thirty years later, he returned for a second look.

New article by Russet Lederman on the Aperture blog.

Image: Yasuhiro Ishimoto, Katsura Villa, 1953–1982. Courtesy Peter Blum Gallery, New York

[frankensteinphotography]

All art forms have their limitations, and photography is no exception. As a captured moment taken from one world into another, a photograph freezes time, asking the viewer to conceptually draw from a stock list of experiences to revive its subject's life force and associated movements. ..Life is never still. Photography, unlike cinema, has no timeline to capture the movement and plurality of an image. It is timeless and relies on a combination of the unconscious and memory to fill in where movement is absent.

Russet Lederman in Time Rediscovered For Foam Magazine

[photolia]

10x10 American Photobooks.

Russet Lederman looks at the books selected for the 10x10 American Photobooks project. Read her article Let’s Pretend! The Contemporary American Photobook.

[thewebergroup]

Read SVA's Russet Lederman's article in ICP about early examples of Japanese photobook experimentation in which “design meets photography meets text”