#rwby posts

[spectralpixelsredone]

I wonder if these two survived Vale's fall or just went to Mistral

[crybabysatan]

Me: welp the autism had to come from somewhere, somebody check and see if Tai has a train collection

Bf: no but he does have a spouse collection

Me: JDHSHAIFYXHAIHAFAHFKFHJS

[lilyshoujofan101posts]

Damn Jaune.

[strawberryrosemothman]

💕 and 💎 for rwby?

💕- tell us about one of your favourite characters and why you like them

One of my favourite characters is Ruby Rose! She’s based off Little Red Riding Hood and she has a Sniper Rifle Scythe called Cresent Rose which is one of the most iconic things I’ve ever heard of. She can turn herself and other people into rose petals and laser beam monsters with her eyeballs through the power of friendship. I really like her because she’s optimistic, hardworking, and refuses to acknowledge her problems until they crush her. Also the person who got me into rwby pointed her out and said “that’s you” and I never really got over that assessment. I definitely didn’t name myself after her what are you talking about

💎- are there any fun facts or trivia that you would like to share?

Fun fact! Rwby recently had its first official onscreen confirmation of a trans character! It’s May Marigold, who is explicitly confirmed through dialogue to be a trans woman in an absolutely incredibly well-written and well-voiced scene, and her voice actress did an amazing job!

[nurinne]

RWBY Zodiac

Aries: Yang Xiao Long

Taurus: Pyrrha Nikos

Gemini: Militia and Melanie, Emerald

Cancer: Oscar, Velvet

Leo: Roman Torchwick, Sun Wukong, Coco

Virgo: Weiss, Lie Ren, Ozpin

Libra: Neptune, Nora

Scorpio: Cinder, Qrow, Raven

Sagittarius: Ruby, Jaune

Capricorn: Glynda, Adam Taurus

Aquarius: Neopolitan, Ilia

Pisces: Summer Rose

[crybabysatan]

Why did I not know that RWBY made it to urban dictionary, much less that BELLABOOTY WAS THE TERM

[spectralpixelsredone]

Foil Analysis: God of Light (RWBY) vs. The Outsider (Dishonored)

1. Origin: Divine Creator vs. Sacrificial Mortal

The God of Light is a primordial deity, emerging from the Great Tree in the Ever After alongside his brother, the God of Darkness. As a creator god, he shaped the Ever After and Remnant, crafting life and establishing the balance of creation and destruction. His divine origin grants him an inherent authority and detachment, viewing worlds like Remnant as "beautiful experiments." His power is intrinsic, tied to his role as a cosmic force of order and creation.

In contrast, The Outsider is a deity of human origin, born from a 15-year-old outcast ritually sacrificed by the Envisioned cult 4,000 years before Dishonored. Merged with the Void through a brutal ritual, he became its representational figure, trapped in a state of eternal observation. His mortal roots imbue him with human emotions but an alien perspective, making him a reluctant god bound by the Void’s will rather than a creator by choice.

Foil Dynamic: The God of Light’s divine, self-originating nature contrasts with The Outsider’s forced ascension from mortality, highlighting the former’s authoritative control and the latter’s tragic entrapment. The God of Light’s creation of worlds underscores his proactive cosmic role, while The Outsider’s passive existence as the Void’s avatar emphasizes his lack of agency, making his curiosity about human choices more poignant.

2. Personality: Orderly Authority vs. Detached Curiosity

The God of Light is soft-spoken, strict, and temperamental, driven by a commitment to maintaining cosmic balance. His demeanor is diplomatic yet unyielding, as seen when he refuses to revive Ozma to uphold the sanctity of life and death, or when he curses Salem with immortality as poetic justice. His interactions with humanity, such as offering Ozma reincarnation, reveal a blend of empathy and rigid adherence to order, with a willingness to enact cruel punishments to enforce his principles.

The Outsider, however, is defined by a detached, amoral curiosity, described as having “human emotion, but inhuman perception.” His tone is often sarcastic or deadpan, reflecting a boredom born of millennia observing humanity. He engages with mortals like Corvo or Emily not to enforce rules but to see how they wield power, showing amusement at unpredictable choices and disdain for mundane actions. His subtle hostility, as when taunting Daud about his guilt, contrasts with moments of surprising softness, like revealing his tragic origin to Emily.

Foil Dynamic: The God of Light’s rigid, order-driven personality contrasts with The Outsider’s aloof, curious detachment, embodying the “Lawful Authority vs. Chaotic Observer” archetype. The God of Light’s strict enforcement of balance makes The Outsider’s nonjudgmental observation seem more neutral, while The Outsider’s fascination with human agency highlights the God of Light’s controlling nature, revealing the latter’s hypocrisy in bending his own rules.

3. Approach to Empowering Mortals: Structured Mission vs. Chaotic Freedom

The God of Light empowers mortals with a clear, structured purpose. He grants Ozma reincarnation to unify humanity, creating the four Relics (Creation, Destruction, Choice, Knowledge) to aid this mission. His empowerment is conditional, tied to his goal of redeeming humanity, with the threat of global destruction if Ozma fails. Similarly, his creation of the Silver Eyes power is a deliberate gift to specific humans, aligned with his ability to destroy Grimm, reinforcing his control over his creations’ roles.

The Outsider empowers mortals like Corvo, Daud, or Emily by granting his Mark, which bestows supernatural abilities without specific directives. His motivation is curiosity, selecting “interesting” individuals to see how they use power, whether for good or ill. He provides tools like the Heart or Timepiece but avoids dictating actions, as seen when he lets Corvo choose between lethal and non-lethal paths. His minimal involvement, such as giving Daud Delilah’s name, is rare and driven by a desire to prevent cosmic disruption, not to enforce a grand plan.

Foil Dynamic: The God of Light’s structured, goal-oriented empowerment contrasts with The Outsider’s chaotic, open-ended gifting of power, fitting the “Purposeful Mission vs. Free Will” archetype. The God of Light’s conditional aid underscores his authoritarian control, making The Outsider’s hands-off approach appear liberating, while The Outsider’s unpredictable outcomes highlight the God of Light’s obsession with order, even at the cost of suffering.

4. Moral Framework: Order-Oriented Morality vs. Blue-and-Orange Morality

The God of Light operates within a rigid moral framework centered on maintaining balance between creation and destruction. He views humanity as an experiment, showing empathy (e.g., granting Ozma a chance at redemption) but prioritizing order, as seen when he permits the God of Darkness to wipe out humanity or curses Salem with immortality to teach her the value of life and death. His morality is hypocritical, as he bends his own rules by reincarnating Ozma, revealing a willingness to manipulate for his vision of balance.

The Outsider embodies a blue-and-orange morality, neither good nor evil, driven by curiosity about human choices. He grants powers to individuals like Delilah or Corvo without regard for their moral alignment, finding low-chaos (non-lethal) actions intriguing and high-chaos (violent) ones predictable. His disapproval of Delilah’s godhood ambitions stems from her threat to free will, not a moral stance. His human origins make him sympathetic to the powerless, yet he remains a dispassionate spectator, unmoved by human suffering unless it surprises him, as when Corvo spares Daud.

Foil Dynamic: The God of Light’s order-driven morality contrasts with The Outsider’s amoral curiosity, embodying the “Law vs. Chaos” foil archetype. The God of Light’s punitive justice (e.g., cursing Salem) makes The Outsider’s neutral observation seem less cruel, while The Outsider’s fascination with choice highlights the God of Light’s manipulative control, exposing his moral inconsistencies.

5. Narrative Role: Cosmic Arbiter vs. Enigmatic Catalyst

The God of Light serves as a cosmic arbiter in RWBY, shaping Remnant’s fate through his creation of the Relics and Ozma’s mission. His departure after humanity’s rebellion and his promise to judge humanity upon his return position him as a distant overseer, with his actions driving the central conflict between Ozma and Salem. His role is authoritative, setting the stakes for Remnant’s survival or destruction based on his standards.

The Outsider acts as an enigmatic catalyst in Dishonored, indirectly influencing events by empowering key figures like Corvo, Daud, or Delilah. His presence weaves through the narrative, from narrating outcomes in Dishonored to aiding protagonists against Delilah in Dishonored 2. His role in Death of the Outsider—where he aids Billie despite her mission to kill or free him—underscores his passive yet pivotal influence, destabilizing the world when removed from the Void.

Foil Dynamic: The God of Light’s role as a cosmic arbiter contrasts with The Outsider’s enigmatic catalyst, fitting the “Judge vs. Observer” archetype. The God of Light’s authoritative judgment makes The Outsider’s minimal interference seem more subtle, while The Outsider’s catalytic role highlights the God of Light’s heavy-handed control, emphasizing the latter’s detachment from humanity’s struggles.

6. Physical and Symbolic Representation

The God of Light appears in humanoid and draconic forms, both radiating golden light with silver eyes and branching antlers, symbolizing creation and authority. His Domain of Light, with golden trees and serene lakes, reflects his orderly, radiant nature. His Silver Eyes power, inherited by select humans, symbolizes his controlled influence over Remnant.

The Outsider manifests as a young man with black eyes and a shadowy aura, tied to whales and rats, symbolizing the Void’s chaotic, primal nature. His unchanging appearance reflects his human origin, while his shrines and bone charms, carved from whale bone, embody his connection to the supernatural. His Mark, his lost name in a dead language, symbolizes his fractured identity.

Foil Dynamic: The God of Light’s radiant, orderly imagery contrasts with The Outsider’s dark, chaotic aesthetic, reinforcing their thematic opposition. The God of Light’s golden light and antlers emphasize his divine authority, while The Outsider’s black eyes and Void imagery highlight his alien detachment, making their visual contrast a microcosm of their philosophical differences.

Conclusion

The God of Light and The Outsider serve as foils through their contrasting origins, personalities, empowerment styles, moral frameworks, and narrative roles. The God of Light’s divine authority, rigid morality, and structured mission contrast with The Outsider’s mortal origins, amoral curiosity, and chaotic freedom, highlighting the former’s control and the latter’s detachment. The God of Light’s punitive justice and cosmic judgment underscore The Outsider’s neutral observation and subtle influence, while The Outsider’s fascination with human agency exposes the God of Light’s manipulative hypocrisy. Their visual and symbolic differences—golden light versus shadowy Void—further enhance this dynamic, making each character’s traits more vivid. If they interacted, their opposed philosophies—order versus chaos—would likely spark a clash of divine will versus human curiosity, illuminating the strengths and flaws of both. This foil relationship enriches RWBY’s themes of cosmic balance and Dishonored’s exploration of free will, deepening the narrative impact of both characters.

[crybabysatan]

Adam Taurus doesn’t know where the clit is