Behind the Veil of Violence
Violence in our world is very predominant. Each year in the United States more than 50,000 people die from acts of violence, including more than 32,000 deaths from suicide and 18,000 deaths from homicide (Sanford). Keep in mind, that’s just the U.S, imagine the number of violent deaths for the rest of the world. It wouldn’t be very hard for me to tell you why all of this violence happens, and honestly, you probably don’t want to read that either. You’ve probably grown up hearing all about violence, seeing it in movies, video games, and the news. You and I could come up with some good answers as to why people are violent: power, money, prestige, gang members want to be “in” so they have to take another life to do so. Violence is all around us. We may not be directly affected by violence, but we aren’t totally ignorant to its role in our world either. A better question is: “What constitutes the complicity of violence in our world?” Why do people join in when violent situations occur? You may have to think about that question a little longer. I feel that it’s a much deeper issue.
Firstly, in case you’re jumping into this column totally unlearned, I’m writing this for class. I’m a student at the University of Kentucky and my class is all about violence. Pretty cool huh? We have been talking about “saturated societies” which are communities that are suffused with something. This “something” is often the cause of violence or conflict, like conflict diamonds in Africa for example. Throughout this reflection I’ll be giving some examples from a book about life as a prisoner in a Nazi work camp by Victor Frankl, a Holocaust survivor who died in 1997, and also the movie Blood Diamond. These two works are great examples of saturated societies that are pervaded by violence. Assuming you have either read my last blog post or posses some small amount of knowledge of these two works I will not be explaining there context or history in great detail.
So back to our question, “What constitutes the complicity of violence in our world?” Why do people join in on violent schemes? I’ve thought about this question and come up with three ideas that could offer good reason. Here they are: people are complicit in violence because they are continually exposed to it, witness unjustness, or they are motivated by personal gain. These theories do not need to be applied together in order to be true, nor does one negate any of the other two, they are independent.
Have you ever been in a fight? I’m assuming if not, you’ve at least watched one. Whether you enjoyed the battering of fists in your middle school’s hallway, (or wherever else you were) or thought it to be the sign of total stupidity you were probably surrounded by a crowd of people standing around shouting. My point is that people love to watch fights. Think of the NFL, or boxing, or hockey, they’re fun to watch because of the competition but also because of the jarring hits you might witness from the comfort of your couch. Take a karate movie for instance, when a child watches a film with a lot of fighting he usually gets up and jumps around putting holes in the walls for the next two hours. In Frankls book, Man’s Search for Meaning, he talks about the affects of observing violence in Nazi work camps: “Since the prisoner continually witnessed scenes of beatings, the impulse towards violence was greatly increased.” (Frankl 63). This description gives the reader a great insight into how prisoners of war camps often felt in captivity, but more so the effects that violence can have on our psychological orientation. We also see violence transform one of our characters in Blood Diamond. Dia, Solomon’s son, is taken away from his family and forced to become a child soldier. Before this, Dia was a sweet boy, only the son of a local farmer. However, when Dia is forced to become a child soldier he becomes violent because of the culture he is exposed to. In this case the expression “like father, like son” doesn’t quite work since Solomon seems to be the most nonviolent character in the film. Although, we do see Solomon’s dark side when he finally meets the Commander that has kidnapped Dia, which bring me to my next point.
It seems that no ever stops a fight were the little guy is beating up the big guy. I think this is in part because that hardly ever happens and usually the big guy wasn’t following the rule of “pick on somebody your own size.” Although, when humans see injustice, like the big guy beating up the little guy, it stirs their deepest angers. There is something inside every human that hates injustice. Before we even get out of our diapers we are accustomed to tattle tale on whomever it might be that took our toy or said a naughty word. We want justice! Frankl touches on this issue in his book in a more somber tone:
Beatings occurred on the slightest provocation, sometimes for no reason at all. For example, bread was rationed out at our work site and we had to line up for it. Once, the man behind me stood off a little to one side and that lack of symmetry displeased the S.S. guard. I did not know what was going on in the line behind me, nor in the mind of the S.S. guard, but suddenly I received two sharp blows on my head. Only then did I spot the guard at my side who was using his stick. At such a moment it is not the physical pain which hurts the most (and this applies to adults as much as to punished children); it is the mental agony caused by the injustice, the unreasonableness of it all. (Frankl 63)
I think Frankl gives us a clear picture of the injustice that takes place in Nazi war camps as well as some saturated societies. Though there was no violent rebuttal from the victim, there was undoubtedly pain, and probably anger. I think when injustice is witnessed in an environment, good or bad, it stirs a deep anger inside of its viewers. We also catch a glimpse of redemption from injustice in the film Blood Diamond. There is a clip towards the end of the movie where Solomon comes face to face with Dia’s kidnapper. They engage in some hand-to-hand combat and Dia’s father beats the kidnapper’s head in with a shovel. That’s pretty graphic right? However, I’m confident that many of the viewers in the theater were out of their seat screaming, “Hit him again!” "Why?", you might ask? Because he deserved it. It was justified. The man had taken Solomon’s son and was teaching him evil and violence. One could say it was Solomon's turn to crack some skulls...cricket...cricket. Anyways, I’m not condoning Solomon’s actions but I do think there was a purpose in them. When the most stable, calm, and peaceful figure in a film goes crazy because of injustice, there’s a reason behind it. Solomon was simply looking out for what was best for Dia.
The last and maybe most common reason people participate in violence is because of personal gain or motivation. Frankl elaborates on this by writing of his experience as a doctor in the typhus block of the Nazi work camp. Not only was he responsible for the health of his patients, but also the cleanliness of the hut. If the hut were disordered, it often resulted in a beating. Here he tells us about the difficulties of keeping the hut clean because of the sick prisoners.
Apathy was particularly increased among the feverish patients, so that they did not react at all unless they were shouted at. Even this failed at times, and then it took tremendous self-control no to strike them. For one’s own irritability took on enormous proportions in the face of the others apathy and especially in the face of danger (i.e., the approaching inspection) which was caused by it. (Frankl 64)
In Frankl’s attempts to save his own skin he admits the struggle to not become violent. I can understand why it is that communities at war with one another, countries that are politically depressed, or people who are trying to make a living in saturated societies resort to violence. I think they feel powerless, there’s nothing else to do. I personally believe that violence shouldn’t be used unless in self-defense, and even then there are times to remain passive. But what about people whom day in and day out live in corruption, aren’t their personal beliefs compromised to the point of asking themselves “do wrong and live, do right and die?” We also see this in Leonardo DiCaprio’s character "Archer" in Blood Diamond. There is a scene in the film where he says he would do anything to get out of Africa. His lifestyle gives testament to those words as well. There isn’t much that Danny won’t do to find Solomon’s diamond. He even threatens to skin Solomon’s face off if he threatens their safety. Chill out Archer! When we examine these two examples I think we are truly just skimming the surface of all the personal reasons people interact in violence. Whether it be, as I mentioned earlier, gang members that want to be “in”, or people in search of money, prestige or something else they want, the reasons for personal violence go deep into the situations they often result from.
Issues of violence are deep in the hearts of people. Being exposed to violence often produces someone who is violent, just like the children of a loud parent will most like be loud or share similar characteristics. The injustice that people witness is also a heart issue, something I explained earlier. There is no toleration for injustice in the hearts of people, especially if it is someone they know and love. And lastly, people resort to violence because they feel powerless. I think there comes a time in the lives of people who live in saturated societies when they have to question their survival, they have to prioritize their needs. “Do I want to do the right thing and die, or do I want to be violent, against my neighbor, and live?” It’s obviously not a great question to have to ask yourself, and thankfully not many people in America have. I hope that someday none of the other countries have to ask themselves that question either.
Sanford C and Hedegaard H (editors). Deaths from Violence: A Look at 17 States -- Data from the National Violent Death Reporting System. December 2008.
Frankl, Victor E. Man’s Search for Meaning. Boston: Beacon Press, 2006. Print.