Worldbuilding in Layers: The Setting of Senlin Ascends
The tower of Babel is as wide as a city, but no one knows how tall; when airship pilots fly toward the top they are shot out of the sky. Thick clouds cling to its higher levels, hiding them from view. People come from across the world to throw themselves into its lower levels and climb, earning it its nickname “the sink of humanity.” It’s in the nature of humankind to gravitate toward the tower, to be swept up in its chaos, often never to return.
Josiah Bancroft chose a wonderful stage for his novel to play out on. There is inherent gravity to a setting like this, it has a way of drawing people in. The tower is a structure so immense that it becomes the defining feature of its world. It is the hook that will catch a reader’s attention, it’s the centerpiece of the elevator pitch, it’s the main gimmick. It might have ended there, have served as only a gimmick, but in Senlin Ascends, it does more.
The tower makes such a strong first impression because of its scale. Its size makes it unmistakably important, and implies plenty of space for mysteries and wonders within. The tower makes a promise to the reader that the rest of the story, which will take place in and around it, will match that initial sense of awe.
(Image generated using Midjourney AI)