the voices told me to stay up until 1 AM to finish this animation (lies. There are no “voices” for me. This was all done with my own free will and I enjoyed every second of it)
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the voices told me to stay up until 1 AM to finish this animation (lies. There are no “voices” for me. This was all done with my own free will and I enjoyed every second of it)
Depeche Mode - Shout!
December 9, 1984
The World We Live In and Live in Hamburg
The Isley Brothers - Shout, Pts. 1-2 (1959) Ronald Isley / O’Kelly Isley, Jr. / Rudolph Isley from: "Shout, Part 1" / "Shout, Part 2" (Single) "Shout!" (LP)
Rock and Roll | R&B
Tumblr (left click = play) (256kbps)
Personnel: Ronald Isley: Lead Vocals O’Kelly Isley, Jr.: Backing Vocals Rudolph Isley: Backing Vocals
Herman Stephens: Organ
Produced by Hugo and Luigi (Luigi Creatore and Hugo Peretti)
Recorded: @ RCA Victor Studio A in New York City, New York USA on July 29, 1959
Single Released: in August of 1959 Album Released: on November 1, 1959 RCA Victor Records
Number 118 on Rolling Stone magazine's "The 500 Greatest Songs of All Time". "Shout" was inducted to the Grammy Hall of Fame in 1999.
ME N WIFEEEE (she’s da one with dress)
I had gotten the impression that Stuart grew up in a stable privilleged home, but the more I actually read about it the more it turns out that it wasn't stable at all. I have read before that Charles was physically abusive, is that true?
Hi anon,
Yep, 'instability' and 'anxiety' are two things that come to mind when combing through Stuart's upbringing. This is a very basic summary.
I've read that before as well, though it doesn't appear in most biographies. In Shout!, this is written about it:
I suppose it's up to your interpretation of 'cruelty'. It should be noted that Shout! is one of the earliest biographies that touched on Stuart's history, and the family was interviewed by Norman. Pauline does not mention violence or cruelty of any sort in her recollections of her childhood. But even from Pauline's accounts, it seems like Charles was very impatient and had a short fuse. So although you could say it's either a mistranslation or escalation of Millie and Charles' 'passionate rows' and 'volatile relationship', at the very least, it was unstable and harmful - an awful situation for Millie and her children. The more intense reports of their marriage come from Millie. Pauline always remained adamant that "they always loved each other, often through difficult husband-and-wife times" and seemed rather proud of the kind of man her father was - artsy, worldly, supportive of his wife's ventures outside the house. So.... there's that.
Stuart's father is a bit of a blind spot in Stuart's reported history, he's usually absent or at the very least a ghostly kind of presence on the borders of Stuart's life, only referred to briefly. What is mentioned is either Pauline's very 'Modern Man under a lot of domestic stress', or the heavy-drinking absent father that had explosive fights with his wife that left her shaken and upset. I think everyone is obviously telling their truth, Pauline has just left details out of her account, which is understandable, but does not erase what Millie has discussed in her interviews with biographers.
Shout! set the tone for the Eighties Beatles—everybody read it, since it was the most tough-minded bio yet, with dirt on the early Hamburg days. The premise: “John was three-quarters of the Beatles.” Shout! hasn’t dated well because the author gets childishly emotional on the subject of Paul, like when he accuses him of being an ugly infant or hints he wasn’t that sad when his mom died. In this view, Paul’s continued existence was not just an insult to John’s memory but an affront to all that was sacred. (At the time, Paul was not making the strongest case for his own defense.) In a cruelly fortuitous bit of timing, Shout! came out in April 1981, right after Lennon’s murder. Framing the Fabs as John’s backup group made it easier to see his death as “The Day the Music Died,” as the cover of Time put it. That grief loomed over the Eighties Beatles story.
Rob Sheffield, Dreaming the Beatles – The Love Story of One Band and the Whole World
You know you want to make me wanna
Shout!
Take my finger!
Shout!
Throw my hands back!
Shout!
Kick my heels up!
Shout!
Come on now