Feb 5, 2024
Peggy Shaw, You're Just Like My Father (x)
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seen from United States
Peggy Shaw, You're Just Like My Father (x)
the video of my performance at EVOLVE is up now! please enjoy💜💜💜
My heart is racing day and night. For you. Dont hold back, enjoy the ride. Let it loose. The sirens keep on screaming, That's a warning. Were staring at the ticket, That says one trip. No turning back. Hold tight onto the railings. It's only us but something's saying... MORE PLEASE.
Yeah, this train never sleeps. Brace yourself. Take a seat. Don't you care about the casualties, casualties. Cuz it's safe when it's just you and me, you and me. Baby, I feel the heartbeats. Shaking. Trembling. That's why, hold on tight. Yeah, this train never sleeps.
—Need no brake. No breaks. Go straight. The engines go insane. Howling. They race.
As long as we hit the ground. Feel resent, no doubt. Baby, trust me now. The sirens keep on screaming, That's no fun, yeah. Were staring at the ticket that says one trip. No turning back, hold on onto the railings. It's only us, but something's saying, MORE PLEASE.
Yeah, this train never sleeps. Brace yourself, take a seat. Don't you care about the casualties, casualties. Cuz it's safe when it's just you and me, you and me. Baby, I feel the heartbeats. Shaking. Trembling. That's why, hold on tight.
"Yeah, this train never sleeps."
— BANGCHAN [STRAYKIDS] via "Dominate in Seoul" Tour: 08.2024
How I didn't find this legendary solo version of Replay until now is a mystery and a crime because HOLY SHIT, TAEMIN!
Absolutely slaying
If you're a Desi Dark Academic or a (Desi)Dark Academia enthusiast, let me introduce you to this masterpiece in Bengali.
Poster for the "MeghnadhBodh Kavya" performed by Gautam Haldar
Meghnad Badh Kavya is a Bengali epic poem by Michael Madhusudan Dutta. Regarded as a central work in Bengali literature and Dutta's greatest literary work, Meghnad Badh Kavya is based on the demise of Meghnad, son of Ravana, the king of Lanka in the classic Sanskrit epic Ramayana.(Source:wikipedia)
Nikita Chabatar as "Richard", photo courtesy of Elizaveta Mashkovich
The form of a chamber solo performance highlights Shakespeare’s focus on the central villain-genius character...
...Instead of the gloomy vaults of medieval castles, the political playground was transferred to a desk that was turned by the play’s set designer Alexander Adamov into a place for Richard’s manipulations. The victims of his intrigues are literally made as toys in Duke of Gloucester’s hands. The props and most of the characters are replaced by ready-made objects and silent puppets, dialogues’ sound recordings, and the screen to which live images from Richard’s phone are transmitted. Faceless and voiceless victims, enemies, and even Gloucester’s allies create a background for the single hero (antihero to be correct) performed by Nikita Chabatar, whose figure dominates in the play’s space.