JAMES WEBB SPACE TELESCOPE DEEP FIELD IMAGE
HUBBLE SPACE TELESCOPE GALAXY IMAGE
ASTEROID BOMBARDMENT OF THE EARTH MOON SYSTEM
3-D ‘Freeview’ or, ‘relaxed-focus’ technique, galaxy images. The galaxy at left was originally imaged by the Hubble Space Telescope, and the image at right was originally done with the James Webb Space Telescope. Best practice viewing technique (if you are holding…
Concierto de Aranjuez (BURAKASLAN Personal Remastering) STJEPAN HAUSER & PETRIT CEKU http://soundcloud.com/burakaslan/concierto-de-aranjuez-burakaslan-personal-remastering-stjepan-hauser-petrit-ceku 2017
It funny since I was just talking about the pros cons of open ear cueing versus closes ear cueing. It came down to a dynamic relationship between the live sound and your ability to keep your cueing levels constant during the mix. Well, perhaps we should talk about a few more intricate aspects of cueing – and that is the type of monitors you use. One thing we should note here is that even though most mixers will have a separate controlled output for a set of monitors, many do not feel the need to even use them at all. There are good reasons for that and monitors really only make sense when your loudspeakers begin to make the live sound incomprehensible (or they are placed at large distances).
When you actually do begin to use monitors the first thing you need to find is a balance between them and your live sound – this is much harder to do with monitors than it is with headphones. Another issue with nearfield monitors is that they transmit sound differently than speakers, so what you hear in your headphones might be drastically different that what is blasting two feet from your face.
http://www.musicradar.com/news/tech/monitors-vs-headphones-which-is-best-for-mixing-574584
Assigned as stage crew this week to set up for Alan Fuller's classical piano performance. The set up was quick but there was a problem with the broadcast side of getting signal on one of the mic channels.
It was an interesting concert for me as we created an artificial reverb by throwing sound on the top floor of the audience seating area by sending reverb signals on the monitors placed there. We then blend in the sound with the venue and it gives this a nice ambience of the whole performance, making it sound like it's being played in a large concert hall.
Sound Installation Project
My group and I recorded the audio story of our sound installation project this week after the whole structure and set up has been finalised. The picture above shows the set up of our recording technique. Placing two condenser mic in a cardiod polarity side by side,facing the opposite direction to give a perspective of a human ear. This way, we'll be able to give listeners later on a 3D imaging of the whole recorded audio in the final product of a binaural audio story.
Stereo Imaging is really a cool thing if you get your head wrapped around it, It can really help you to understand how to hear your mix and others and most of all help you to mix better.