The appearance of Victor Trevor in TFP as a little pirate friend from Sherlock’s childhood, who got trapped in a well where he drowned, is intriguing to say the least; it doesn’t seem to connect with anything else we had seen in the show, except for the dog Redbeard. But Victor is not a new element for Sherlockians over the world, and I think this meta by @sagestreet gives an excellent explanation of how Victor fits into the show on a meta level. But what about the textual and subtextual levels? I imagine this has been brought up before, but something just seemed to click into place, so I’ll just throw my thoughts on it out here anyway. There are some pieces of the puzzle that stands out to me, so let’s try to put them together into something - more or less - coherent.
So, for a start: what exactly do we know about Victor Trevor from ACD canon (The Gloria Scott, GLOR)? I’ve highlighted certain facts that caught my attention in this recollection (Sidney Paget’s illustrations are all found here):
Well, basically this:
The story about Victor Trevor was Sherlock Holmes’ first case ever.
Sherlock got to know Victor when they were both at college.
They became friends (Sherlock’s only friend) because Victor’s dog bit Sherlock so he ended up in a sick bed where Victor spent a lot of time with him.
Victor came from a rich family, and Sherlock spent a summer with Victor and his father (Trevor senior; a “squire”) at their large, old-fashioned house with high chimneys.
In what is described as his ‘first case’, Sherlock deduced (parts of) and eventually learned what had happened to Victor’s father, involving a ship with convicts (Trevor senior among them), a mutiny, explosions, killings, shipwreck and Trevor senior ending up hiding under false name for the rest of his life.
Hudson, a surviving criminal from the event, showed up at the mansion, getting drunk and blackmailing Victor’s father with the threat of exposure, which would forever sully his and his family’s name.
Victor’s father's real name was James Armitage, the initials of which Sherlock discovered from his secret tattoo. He got suspicious of Sherlock, who could deduce his criminal past, which led to Sherlock leaving the place.
Victor showed Sherlock a message with a skip code that had meant imminent danger to Trevor senior. It’s a threat of exposure, the fear from which he never recovered; it gave him a stroke that lead to his death.
The skip code read, after deciphering: “The game is up. Hudson has told all. Fly for your life.”
After his father’s death, Victor ended up “heart-broken” in a tea plantation in India. Sherlock and Victor never seemed to have met again after that.
This is Sherlock, many years later, telling John about the message Victor had him decipher:
“Yet the fact remains that the reader, who was a fine, robust old man, was knocked clean down by it as if it had been the butt end of a pistol.”
“You arouse my curiosity,” said I.
Now, this does not bear the slightest similarity to what we learn about Victor in TFP, does it? But what if his story is indeed included in BBC Sherlock, but not (just) in TFP; what if the story about Victor is scattered all over the episodes in the show? And what if this scattered story about Victor is meant to give us clues about the emotional trauma in Sherlock’s past that made him shut down his feelings? Under the cut, let’s take a closer look at some elements of the episodes from this perspective, to see if this idea would make any sense:
ASiP
This is only the first episode of the show, but I think some traces of Victor might be found already here. James Phillimore, 18, who seemed to have some problems with internalised homophobia (judging by how he refused to share an umbrella with his friend in the heavy rain), was found dead near a sports centre, seemingly having committed suicide with a poison. But Sherlock’s investigation makes it clear that Phillimore is one of the victims of serial-killer cabbie Jeff Hope. Phillimore was a student at Roland Kerr’s College for Further Education, an old building with Victorian design (see my recent meta + additions for a more in-depth analysis of the significance of this college).
In canon James Phillimore figures as an unsolved problem in The Problem of Thor Bridge (THOR):
“A problem without a solution may interest the student, but can hardly fail to annoy the casual reader. Among these unfinished tales is that of Mr. James Phillimore, who, stepping back into his own house to get his umbrella, was never more seen in this world.”
(The main plot of THOR, however, is a triangle drama where one of the involved parts commits suicide but tries to arrange it so their rival is accused of murder.) Roland Kerr’s college is also where Jeff Hope takes Sherlock to talk to him and make him kill himself at the end of ASiP, and where (supposedly) John shoots Hope. The college is also represented as Sherlock’s Mind Palace in HLV, where he finds comfort and strength to survive a gunshot by mentally summoning his childhood’s dog Redbeard.
TGG
Several people have pointed out, about this last episode of S1, that Moriarty’s five “Greenwich pips” transmitted by a pink telephone (=heart metaphor) in TGG represent the five series in BBC Sherlock. Moriarty’s ‘great game’ with pips in it begins with an explosion close to 221B.
The case of Carl Powers is what comes from the first pip, but it also ties into the fifth and final pip. In the first pip we learn that the death of Carl Powers was Sherlock’s first case, an he has saved a press clip of the boy from this case:
In TFP, however, we’re told that The Musgrave Ritual was his first case. None of them is canon consistent, however, since ACD told us that Holmes first case was The Gloria Scott. According to Sherlock’s discoveries in TGG, Carl was a young swimming athlete who was poisoned by Jim Moriarty, which lead to him drowning in the pool. The official version from the police, however, was that Carl died in the water due to some sort of ‘fit’. The case of the fifth pip takes place at the swimming pool where Carl died.
Strangely enough, Sherlock makes an appointment with Jim exactly there, and this pool is also where Jim tosses the valuable memory stick that Sherlock has recovered. The Carl Powers case was never solved, though, and the Bruce Partington memory stick was never recovered. Which means, that if the fifth pip is foreshadowing S5, the Carl Powers case might come up again in S5.
THoB
This whole episode of S2 is about a guy, Henry Knight, who is haunted by a childhood trauma in which he lost his father. Sherlock seems particularly engaged in this ‘cold case’ with modern times consequences. For the first time we see him shaking with fear after having (supposedly) sighted the same monstrous ‘hound’ that has affected Henry since he was a boy.
But it turns out that “there never was any monster”; Henry’s father was killed by his own friend. (Please read @sagestreet‘s brilliant ‘Follow the dogs’ meta series for subtextual explanations of how the ‘hound’ mythology represents homophobia, and many other very interesting ideas). Another important fact that we learn in this episode, is that Sherlock considers John his only friend.
TRF
In one of Sherlock’s cases in the last episode of S2, he and John visit a boarding school, from which two children have been kidnapped. Sherlock’s sudden rant against Miss MacKenzie is a little bit weird, though, isn’t it?
Moriarty has poisoned the children by luring them to eat toxic chocolate. In this episode Sherlock and John are very much exposed and speculated about in the media. Suddenly Sherlock is accused of the kidnapping and Moriarty blackmails Sherlock by threatening John, which (supposedly) leads to Sherlock killing himself (but he actually disappears by faking his suicide).
TEH
in the first episode of S3, when Sherlock comes back from the dead, he immediately deduces that John’s fiancee ‘Mary’ has a secret tattoo and is a liar:
Later, in HLV, it turns out she has been hiding under a false name and lied about her criminal past and has many deaths on her conscience as an assassin. Sherlock also observes that ‘Mary’ can recognise a skip code; in fact there’s a skip code sent as a warning about an imminent danger to John.
Sherlock deciphers it, and the resulting message is “Save John Watson”, which leads him to where John is trapped in a bonfire.
HLV
At the end of the last episode of S3, John is threatened by the ruthless blackmailer and media magnate CAM, who flicks John’s face in front of Sherlock and threatens them both with exposure in his news paper.
I’ve written about this in The Threat of Exposure and other metas about media’s role in BBC Sherlock (X, X).
TST
In the first episode of S4, young Charlie Welsborough is found dead in his own car outside his rich (and Thatcher-loving) parents’ mansion, when his car is hit by another car and explodes.
Rather than (as is his MO in S1 and S2) investigating the crime scene to find out what really happened, Sherlock quickly concludes merely from police data that Charlie had made himself invisible by disguising as a car seat.
According to Sherlock, instead of surprising his father by coming out of the car, as he (supposedly) had planned, Charlie died instantly from some sort of ‘seizure’, and sat there dead until the car exploded a week later. (Added to this case is also the smashing of a Thatcher bust, which later in TST leads to Sherlock discovering a valuable memory stick).
What bothers me however, apart from the fact that Sherlock’s explanation is quite illogical, is the subtextual implications: a) Charlie is queer-coded,
(the rainbow is just one of the clues) and b) dying inside one’s own car like that is suspiciously similar to a common suicide method. The idea that Charlie (supposedly) died from a “seizure” ties him closely to Carl Powers - his namesake in Sherlock’s first case, who according to the police died from a “fit” in the water. And Sherlock was reminded of Carl’s case directly after an explosion in TGG. Only this time it’s Sherlock who jumps to conclusions about a ‘seizure’, rather than the police. Which makes me believe that this event represents something entirely different inside Sherlock’s Memory Palace/Mind Theatre. Something dwelling in Sherlock’s subconscious, possibly involving a young (boy)friend ‘coming out’ to a conservative, homophobic father in the Thatcher era. And a possible suicide (or at least disappearance?) by said (boy)friend. Victor Trevor travelled to India in canon, while Charlie Welsborough was traveling in Tibet before he died. (Sounds a bit similar to Sherlock traveling in Tibet/Himalaya during the canon hiatus/MHR doesn’t it?).
TFP
In this last episode of S4, theres an explosion at 221B Baker Street, caused by a ‘patience grenade’:
Sherlock and John suddenly appear on a ship as pirates:
They take over the boat and force their way onto Sherrinford Island where Eurus is imprisoned. This is also the only episode where Victor Trevor is mentioned, but he’s not a young man; he’s supposed to be a kid from Sherlock’s childhood - his best (and only) friend. Victor is very much presented as a John mirror; short blond hair, checked shirt and trapped in a well.
Sherlock and Victor were playing pirates outside Sherlock’s childhood home, the mansion Musgrave Hall, which apparently had high chimneys.
Sherlock was called ‘Yellowbeard’ and Victor ‘Redbeard’. In TFP we also see John and Sherlock hijacking a fishing boat and telling the captain that they’re pirates. In spite of both Sherlock’s dog Redbeard and Victor figuring in early snippets of Sherlock’s dreams in S4, Sister Sentiment Eurus later tells him that they never had a dog;
Sherlock was not allowed to have one, since their father was ‘allergic’. We also learn that Eurus (Sherlock’s supposedly forgotten sister) killed Victor by trapping him in a well, because she was jealous that her brother Sherlock had a friend and she was not included in their games. Nothing more is explained about Victor, however (and I feel sure this storyline isn’t over yet).
Victor never came out of the well; he drowned there, but at the end of TFP John seems to be trapped in the same well as Victor, and discovers his bones in it. In the last minute, with a raising water level, Sherlock saves John from the well by solving a puzzle and thereby finding and embracing Eurus.
Conclusion
So, I do believe that we have most of the ingredients of canon’s story about Victor Trevor and the ship The Gloria Scott scattered over the whole show: colleges and boarding schools; a dog; two best friends who were separated; a young man who might have committed suicide, a homophobic father; a mansion; a secret tattoo; a skip code with an important message; someone seemingly innocent with a criminal past; a ship with pirates (= mutinous criminals); dangerous explosions; blackmail and threats of exposure; a trip to Asia. And the back story is merged with the show’s present. What all this might mean for the next series, we can only speculate, but I do think that we have a pattern here.
Thanks to everyone who has had the patience to read all this. :) Tagging some people who might be interested: @sarahthecoat @tjlcisthenewsexy @ebaeschnbliah @fellshish @gosherlocked @loveismyrevolution @sagestreet @sherlockshadow @darlingtonsubstitution @devoursjohnlock @tendergingergirl @kateis-cakeis @csi-baker-street-babes @88thparallel @timilina @dieseldrakilis @sherlock-overflow-error @elldotsee
