#sumé

[caipiras]

A Lenda de Sumé

Condo o jesuíta Manuel da Nóbrega isteve im Santos, no ano de 1549, foi relatado u’a lenda indígena arrespeito de Sumé. Discrito como um home arto, branco, cum longos cabêlo i barba grisaio i que frutuava no ar, teria vino do céu, inviado pur Tupã, adonde tchegô à antonce Enguaguaçu p'ra bebê a áua du’a fonte, localizada nas proximidade da isquina da Av. Bernadino de Campos c’a Rua Floriano Peixoto.

Êle trazia um grande saco nas cacunda. Tchamô a dgente da região i, pinchano pelo tchão um delúvio de semente que inchia aquêle saco, mostrô a todos que do tchão brotava pranta que logo produzia cumida i riqueza, fartura p'ra tribo, deixano a êles arguns punhado dela p'ra que prantiasse. Cumeçô a sê visto cum scisma pelos cacique locá, os quá tentô matá cum frechada im certa menhã; tentativa essa fáia, visto que as frecha misteriosamente retornô i matô seus atirador. Era tamem u’a das habilidade do istrangêro: tirá frecha de seu corpo sem sangrá. Teve dois fiio, tchamado de Tamandaré i Ariconte, que se odiava mortámente.

Sumé antonce teria andado de costa inté o mar, suverteno im seguida n'um vôo sobre a Baía de Santos p'ra nunca mai vortá. Não sem antes tê deixado na bica adonde apareceu u’a série de desenho, cum distaque p'ra u’a inorme pegada, fora dos tamanho normá p'ra um ser humano. Relatos posterior dos jesuíta dão conta que o motivo da ispursão dele foi tê proibido a poligamia i o canibalismo, motivano a réiva dos cacique.

A estória pur tráis da lenda

Pesquisas mai recente cunseguiu traçá a estória do misterioso home que, adespois de sua saída da Baixada Santista, teria chegado a Assunção, no Paraguai, i aos inca, no Perú, teno aberto o famoso Caminho do Piabirú, que ligava Santos ao Oceano Pacífico i foi utilizado pelos índio p'ras tróca cumerciá i adespois nargu’as iscursão dos banderante. Os inca da região do Piabiru curtiva lendas im arrespeito da Viracocham que im suas aparição seria munto semeiante à Sumé, levano a crê que seria antonce a merma criatura.

Os colonizador purtuguêis levô a hipótese de Sumé sê o apóstolo São Tomé, que sigundo a tradição católica, adespois de presenciá a assunção de Maria, teria ido à Índia pregá o catolicismo. Sua passage é discrita n'um texto do ano 200 denuminado “Atos de Tomé.” Na Índia, teria participado da fundação de 8 eigreja na região de Paravoor Thaluk, no ano 52. Os purtuguêis aquerdita que, adespois de sua passage na Ásia, rumô p'ra América, adonde insinô as benfeitoria aos índio paulista i da região do Piabirú.

C’o advento do abastecimento de áua amuderno im Santos, a fonte foi caino im desuso, inté caí no abandono i tê sido infelizmente demolida im fins do século XIX p'ra proveitamento de suas pedra im lajes i carçada na cidade. Apesá disto, num cunseguimo incontrá ôtros registro ô maior informação sobre a merma, talequá quarqué risquício hoje no locar. O mito ao redor das figura de Sumé, Viraconcha i São Tomé persiste repleto de mistério i estórias na região pur adonde teria passado, representano um interessante relato da mitologia paulista.

Autoria

Thales Veiga

[quinncesar69]

Sumé -  Pilerineq-Tikinneq

Outstanding early 70′s track by Greenland’s finest

[calling-out-of-context]

[ernny2013]

El Avestruz, La Polla Récords, Donde se Habla 1988. #lapollarecords #evaristoparamos #abel #fernanditomurua #sumé #txarly #punk #elavestruz #dondesehabla #hardcorepunk #manologarcíasumé Vas, asustao, porque eres un, albardao, siempre estarás, asustao, porque eres un, albardao, Vas lleno de miedo, buscando las esquinas, la gente te mira, tú bajas los ojos, no sales de noche, algo te puede pasar, que te merienden, es tán terrible vivir, Y estás, asustao, porque eres un... https://www.instagram.com/p/BpzXrWSg5RKt7VFDwcYS98hxXu6oUNyh9G-Phc0/?utm_source=ig_tumblr_share&igshid=1vhqx6pf18rxo

[ernny2013]

El Avestruz, La Polla Récords, Donde se Habla 1988. #lapollarecords #evaristo #abel #fernandito #sumé #txarly #punk #elavestruz #dondesehabla #hardcorepunk https://www.instagram.com/p/BpzXrWSg5RKt7VFDwcYS98hxXu6oUNyh9G-Phc0/?utm_source=ig_tumblr_share&igshid=7i2rwrbpgztn

[whydotheheathenrage]

[emily84]

SUMÉ - THE SOUND OF A REVOLUTION

I was dragged there by some other Greenlanders. As it turned out, a concert was on. I didn't know who was playing or anything. When they began to play, I was shocked! They were singing in Greenlandic!

This EXCELLENT documentary on the first (and most important) band to sing in the indigenous language of the kalaallisut. Led by charismatic Malik Høegh, Sumé, meaning "where?" in Greenlandic, are considered the pioneers of Greenlandic rock music. Malik, with his amazing voice, strong political consciousness, and biting yet poetic lyricism, addressed the Greenlandic experience from within, writing for everyone but specifically for fellow Greenlanders, and openly criticizing Danish imperialism and racist oppression with words that ring true to this day. The documentary explores the long-lasting impact of their music and lyrics.

Honestly, just watch this, buy the DVD, by the excellent music OST, buy their CDs if you’re into that 70s rock thing. It’s worth it.

[johnkatsmc5]

Sumé ‎"Sumut" 1973 Greenland/ Danish Prog,Political  Rock first album...recommended..!

full

http://www.dailymotion.com/playlist/x4ml0y_John_Dug_sume-sumut-1973-greenland-prog-rock/1#video=x4nyicu

https://www.youtube.com/watch?v=MXBSD7VpPWw

watch

http://greenlandicpopularmusic.com/en/sume-and-the-greenlandification-of-popular-music/

http://www.ozy.com/performance/greenlands-first-rock-stars/40620

full discography on discogs

https://www.discogs.com/artist/1639192-Sume

Sume the sound of revolution

http://fourthreefilm.com/2015/05/sume-the-sound-of-a-revolution/

https://www.youtube.com/watch?v=BDm2DyPEnLo

Whoever said music couldn’t change the world? In 1973, Sumé, Greenland’s first ever rock band to sing in their native language was formed. Their poetic and politically charged protest songs gave a voice to the frustrations of the indigenous nation and were a catalyst for Greenland’s eventual independence from Danish colonial rule. This spectacular music documentary combines archive footage, interviews and sweeping landscape shots, against an excellent rock soundtrack, to firmly establish the ever-evolving Greenlandic identity......

In the 1970s the Greenlandic rock band Sumé released three albums that changed Greenlandʼs history. They influenced an era, boosted the self-esteem of the Greenlandic people and motivated the political process of establishing Greenlandʼs Home Rule Government and the countryʼs first uprising against the Danish colonial powers. Itʼs a revolution youʼve probably never heard of. Not a shot was fired, not a single drop of blood spilled. Through present-day interviews and unique, previously unseen archival footage, the film brings to life a story of an indigenous peopleʼs fight for their own voice and cultural identity.......

Perhaps this is one of the most known 70s Greenlandic band outside of Greenland. However their first album still protects its mystery and in my opinion their first album is their best. Somewhere it says "Sume's LP was an overwhelming success. In a very short time it was sold nearly 10,000 times to Greenland's 50,000 inhabitants. However, while Sume was the face of the old Greenlandic Renaissance, the people's rediscovery of their own culture and the grafting of that culture on to the wild beast of Rock'n'Roll, Nuuk Posse represents the new Greenland. Modern (and hyper-modern) as Nuuk Posse sound, they carry the traditional Inuit culture to a new generation -- for example old Greenlandic drum dance recordings have been sampled on their latest CD. Along with Nuuk Posse, other artists like Ole Kristiansen, Iisaavaraq Petrussen and the rock band Inneeruulat are experimenting to combine tradition with modern music. But from limited knowledge, it would seem that Nuuk Posse is leading the pack at present. Artists such as Issarnerit and Sume sang about Inuit identity and made themselves present at many political gatherings. In 1973 Sume was actually the first Greenlandic band to release an album with Greenlandic songs in Greenland. The title of the album was ‘Sumut’ which translates to “where to” as a reference to what the future of Greenlandic people and language should be. According to an interview done by Karen Mohr Sokkelund with Karsten Sommer, the first person to produce and record Greenlandic music, “One of the goals of the project was to preserve the musical interest and musical life of a small country with a small number of people who speak their language. Sumut’ was in fact a trend-setting album that inspired generations of young people to produce music in their own language in conjunction with a movement towards establishing a government-Home Rule-which is independent and functions primarily in Greenlandic. Now, young people see beyond their local borders and aspire to create music that can also exceed them." .......

Greenlandic band being one of the first Inuit acts creating and performing a modern rock/prog repertoire rather than passing on the tradition. This was their debute album, made as a protest against the Danish colonization of the island and part of a movement to rediscover the Inuit culture and identity. Recorded and issued in Denmark through the independent left-wing Demos label. Lyrics and sleeve notes are in Eskimo-Aleut language. The fact that all are translated to Danish on cover and label helps understanding a little, but not much. The old woodcut reproduced on front cover, picturing an Eskimo hunter dismembering an intruder, shows on a grave cause. Songs and performance are slightly related to contemporary American or Danish rock, but the expression unique due to language and native idioms. Although the subjects are serious the songs comes out surprisingly pleasant and catchy. The instrumental setting is basic rock with some reinforcement on violin, saxophone and flute from supporting musicians. What really gets me going are the guitars. There's riffs and hooks everywhere as leads or fill outs, electric and acoustic, lifting it from just a good protest LP to an excellent rock album. The recording is simple with an almost garage quality and the audio clear and natural. In all very good listening. Exemples - https://www.youtube.com/watch?v=83cNs12MVd8 and https://www.youtube.com/watch?v=6lGJRtyHmJM . The copy shown here is from the only original issue. Most of the cuts can be found on the 1988 CD compilation "Sume 1973-76" (ULO-CD 46). First vinyl had label as shown here and matt fold/out cover with stapled sheets inside, containing band pic, lyrics, credits and additional info........

This album is full of awesome riffs for an unknown Greenland band: From "Nye Tider" (New Times) to "Telegrafen er Død" (The Telegraph is Dead) you'll be attacked with fabulous folky acoustic guitar with electric riffs and keyboards....  

Malik Høegh vocals, 12 string acoustic guitar

Per Berthelsen vocals, acoustic guitar, electric guitar

Hans Fleischer drums

Erik Hammeken bass

Ole Host alto saxophone

Anders Peter Novrman electric guitar

Thor Backhausen organ, flute

Kaj D. Holm violin

Jørgen Lang harmonica

1. Nye Tider (New Tmes) 2. Forår (Spring) 3. Forventning/Ankomst (Expectation/Arrival) 4. Den Første Bid af Sælen (The First Bite of the Seal) 5. Kravle Ind I Mit Indre (Crawling Into My Home) 6. Uro (Turmoil) 7. Bekymring (Concern) 8. Ode til Heimaey (Ode to "Lipica") 9. Ildvand (Firewater) 10. Efterår (Autumn) 11. Telegrafen er Død (The Telegraph is Dead)

Discography

Sumut (1973, Demos)

Inuit Nunnat (1974, Demos)

Sume (1977, U

1973-76 (1988, ULO)কিরনমালার নাটক