The 19th Annual D Show
The D Show returns to Detroit’s historic Gem Theatre on June 11. Get your tickets now!
Read on
seen from Netherlands

seen from United States

seen from United States

seen from Belgium
seen from China
seen from United States

seen from Malaysia

seen from Japan
seen from China
seen from United States
seen from Germany
seen from Singapore
seen from Germany
seen from Malaysia
seen from Ukraine
seen from Netherlands
seen from Canada
seen from Russia
seen from China
seen from China
The 19th Annual D Show
The D Show returns to Detroit’s historic Gem Theatre on June 11. Get your tickets now!
Read on
The 17th Annual D Show: June 26 2024 at the Gem Theatre, Detroit
An awesome night at the Adcraft Detroit D Show last night! Congrats to all the nominees and winners. Love it when the Motor City comes together to celebrate the town’s awesome level of creativity!
Read on
Tim and Kim Horvath among Ford's Warriors Moving Warriors
Read on
Part of what I’m looking for is to be seduced, which involves being immersed, but somewhat paradoxically this means letting us out, affording us continual little glances outside or beyond. The truly immersive work has to point beyond itself, cannot envelope us fully, has to have air holes that allow for the oxygenation of the world beyond the book. The truly immersive work leaves the reader conflicted about whether text or world is ascendant at any given moment. The truly immersive work is one that the reader surfaces from like a whale that spends occasional but crucial time at the waterline.
Tim Horvath
Thanks so much to our rock star guest booksellers, Joe Hill & Tim Horvath!
(Also, Mark stopped by and that was wicked awesome.)
(Also, I didn't get a photo of Katherine Towler, but she was a terrific guest bookseller too.)
NHIA MFA in Creative Writing faculty Tim Horvath featured on NPR.
Librarian Nancy Pearl Maps Out A Plan For Your Summer Reading.
Since I believe that we dwell as much in possibility as actuality, I want to think that reality and unreality are not opposites, but rather there are many possible realities that are vying with one another at all times. What makes some of them more interesting than others—therein lies the rub. Since so-called reality reveals itself to be exceedingly strange when we look at it with any degree of care, then it follows that the precipice is not so much between reality and unreality, the precipice is reality. All it takes is looking hard, which science does, and which, in another fashion, art does. I suppose that’s where the uncanniness comes into play. There is no unreal in art, only uninteresting, and usually that can be remedied with a few pen strokes, a brisk walk, the right coffee, or through leaps of learning and unlearning, along with the shock therapy of redoubled curiosity.
Tim Horvath
“I think that's the most important thing actually—is to be able to delude yourself that the story isn't in trouble long enough to actually arrive at something that other people might recognize as finished work.” - Tim Horvath
More here.