Deconstructed Eagle (Quadtych)
Trace Yeomans

seen from Malaysia
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Deconstructed Eagle (Quadtych)
Trace Yeomans
Trace Yeomans (Canadian)
In Her Shoes #1
In Her Shoes #3
prints after a series of four 12″x 12″ paintings
Double Orca Blanket
Trace Yeomans (blanket) Don Yeomans (buttons)
Moon Woman #8
Trace Yeomans
from the website: Traditionally, Haida moons were portrayed as female, with labrets to illustrate their gender. I wanted to create a moon with a face that had feminine qualities alone. The original Moon mask was carved from yellow cedar and was my first attempt in carving a mask. I chose to create a mold and cast the mask in white resin because I wanted to give it a modern and clean lined appearance, it also made for a lighter outcome to mount my frame to. I painted my Raven Crest in the background by using parts of the Raven elements to keep the modern feel as well as the traditional aspect intact.
Haidaranian Raven Eggs
Trace Yeomans
Raven Transforming
Trace Yeomans
from the website: “I called this triptych ‘Raven Transforming’ because the design continuously transforms from one medium to another to form a complete Raven design.
This was a fun set to work on – each panel being a completely different medium created a bit of a challenge to keep all of the pieces aligning where they meet. This meant checking several times throughout the process of each panel. I was pleased with the way these came together in the end.” – Trace Yeomans
Phoenix
Trace Yeomans
Ukrainian Hummingbird Paddle
Trace Yeomans
from the website: “For this [paddle], I wanted to do something very unique and original. I decided to combine both my ethnic origins, using a traditional Haida-style design for the Hummingbird, with intertwining flowers on the black background. I borrowed this idea from Ukrainian Easter eggs, which have black backgrounds and brightly coloured designs or flowers.” – Trace Yeomans