Aug 11, 2024
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John Copeland, Copenhagen, 2016
V1 Gallery in Copenhagen is currently hosting a two men show featuring Barry McGee and Todd James. Ever since they created “Street Market” together with Steve Powers at New York City’s Deitch Projects in 2000, the two have exhibited together several times. Among others, they exhibited at the 2001 Venice Biennale, 2004 “Beautiful Losers” group exhibition, and the L.A. MOCA “Art in the Streets” in 2011. V1 Gallery has been supporting both artists through that entire time, and “FUD” is their second double-show with the gallery.
Barry McGee and Todd James Collaborate on New Works in “FUD”
April 11 at V1 Gallery w Jam City (UK) My first show in Denmark in 18 months
Carl Krull’s drawings have a visceral appeal. Each of his works is composed of horizontal lines that start out parallel and wrinkle somewhere in the middle, yielding figures as if out of some primordial mass. Sometimes the forms he draws are hardly distinguishable from one other. The eye attempts to untangle his orgiastic cacophony of limbs and biomorphic shapes as if they were some strange riddle. On September 27, Krull debuted his solo show “Seismic” at V1 Gallery in Copenhagen...
Photos by Henrik Haven. See more work on Hi-Fructose.
Mute Annotations.
A group exhibition Curated by Adam Kremer. Presented by V1 Gallery and Bad News at Black Bear Bar.
Works by Meg T Noe, Harry Gould Harvey IV, Daniel Shea Opening reception Friday September 5th 20.00 - 22.00 Bad News at Black Bear Bar, 70 N6 Street, Brooklyn NY
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Mute Annotations: Marks and lines and circles made within a text or page margin.
Picking and choosing, including and excluding, underlining and circling. Like a pencil's mark singling out and pulling apart particular aspects of a piece of literature, the artists shown here participate in a selective relationship with guided narrative and symbol.
Gestural markings isolate and remove a point of interest from the greater idea of structured narrative, highlighting what might be truthful or, once isolated, perhaps what isn't.
Their image making processes create and destroy order within their narrative focuses, side stepping the tradition of directly representational documentation in favor of a more subjectively controlled direction.
We look forward to seeing you.
Last Flight - An American Anthology by Peter Funch at V1 Gallery