HOLY FUCK (me pls!!!!)
he knows i’ve been a good girl and has rewarded me

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HOLY FUCK (me pls!!!!)
he knows i’ve been a good girl and has rewarded me
I'll handle it.
Homelander x reader
SUMMARY: When Homelander hears Ashley yelling at you, and catches you crying in the bathroom after, he gets attached and possessive of you. With lots of manipulating, he tries turning you into his perfect girl.
MDNI (18+!) dead dove do not eat | c.w: Manipulation, brainwashing, angst, homelander being icky
W.C: almost 4k (this is a long one | NOT PROOFREAD)
Literally hate Homelander but had to write about him...
Rain hammered against the glass walls of Vought Tower hard enough to blur the city lights below into streaks of gold and white, and by the time you stepped out of the elevator onto the thirty-seventh floor, your nerves already felt shredded thin.
It was nearly ten at night.
Most of the office lights were off except for the long strip above your department, flickering faintly over empty desks and abandoned coffee cups, and your heels clicked too loudly against the polished floor as you hurried toward your office clutching the stack of files against your chest.
You shouldn’t have forgotten the quarterly reports.
Ashley had called you twenty minutes ago screaming so hard through the phone that you’d had to hold it away from your ear.
The entire Soldier Boy-Stormfront thing feels so off to me.. I might not be interested in watching Vought Rising if there's potential romance between them, which there might be. But It's just so unexplainably odd.
Soldier Boy is written as this ego-driven, emotionally detached, self-serving alpha who thrives on control and validation.. not someone who forms deep romantic attachments. (Maybe even if he was different before.. how different could he be?) Stormfront, on the other hand, is cold, calculated, and driven by a rigid ideological agenda, not emotional connection.. (even with Homelander, I didn't see any "love" it was a pure agenda) Their dynamic makes sense as manipulation, power alignment, or even mutual exploitation is fine... but actual love? That feels completely off-character and forced.
And it also feels like it's recently planned in S5. Or while developing VR.. Cuz in S3, we clearly saw soldier boy's past love interest was Crimson Countess and he was with her until he was sold to Russians and he stated "I loved you" to countess and he waited for her to save him.
I don't understand where Stormfront might fit in that entire timeline. Maybe during his initial days in Vought?? But in S3, there was no connection to soldier boy or Stormfront whatsoever, he just mentions that he started the whole herogasm thing with liberty and he says "man, she was a firecracker" like she was some fling, no emotion or anything.. and now suddenly he's looking at her picture and pining? and feeling tragic about how he couldn't be what she wanted????
Still… if they try to sell this as some deep romantic pairing, it’s going to feel forced.
Love me a man in uniform 😏😏😏😏😏
Collateral
Homelander x Supe Fem!Reader
(Angst | Moral Collapse | “He Chose You” Horror)
Masterlist
They never show the moment before it happens.
The news cuts straight to smoke, screaming, rubble — a camera shaking violently as someone sobs off-screen. They slow the footage down, circle the destruction in red, zoom in on the damage like it’s a crime scene instead of a tragedy.
They don’t show your hands shaking.
They don’t show you hovering ten feet above the ground, heart pounding so hard you swear it might crack your ribs open, trying to remember your breathing techniques the way Vought drilled them into you during training.
In through the nose.
Out through the mouth.
Focus. Control.
They don’t show the split second where you almost had it.
Almost.
The blast was supposed to be contained — a controlled release, calibrated down to the decimal. You’d done it a hundred times in simulations. You’d done it live before. You’d trusted yourself.
But panic is a wild thing.
One wrong angle.
One surge of adrenaline.
One civilian too close.
The building doesn’t collapse all at once. That’s the part that makes it worse.
It folds in on itself like wet cardboard.
And then — screaming.
—
Vought doesn’t call it a massacre.
They call it an incident.
By the time you’re escorted back into the Tower, the damage control team is already waiting. Ashley’s voice is tight, clipped, like she’s barely holding it together. PR is flipping through tablets, eyes darting between headlines updating in real time.
SUPES OUT OF CONTROL.
WHO HOLDS THEM ACCOUNTABLE?
Vought’s “Hero” Leaves 17 Dead.
Seventeen.
You feel sick.
They tell you not to speak.
Not to post.
Not to cry on camera.
They dress you in neutral colors and sit you down under lights that are too bright, heat crawling under your skin. Someone powders your face while whispering reassurances that sound more like threats the longer they talk.
“Just stick to the script,” they say.
“Empathy, but not guilt.”
“We don’t want liability.”
You nod.
You nod because what else are you supposed to do?
—
Homelander doesn’t come to the first meeting.
That’s when the fear really starts.
He’s always there. Always looming somewhere — a presence like pressure in your chest. His absence is louder than his voice ever is.
When he finally shows up, it’s hours later, after the press conference has already detonated online.
You feel him before you see him.
The room changes — air thickening, the low hum of power settling like static against your skin. Conversations die mid-sentence. Someone drops a pen. No one looks him in the eye.
He doesn’t look angry.
That’s worse.
He walks straight toward you, cape brushing the floor, expression unreadable. His eyes flick over your face, your posture, the way you’re sitting too rigid in your chair like you’re bracing for impact.
“Hey,” he says softly.
Just that.
Hey.
Ashley exhales like she’s been holding her breath for hours.
You stand too fast. “I—I didn’t mean to—”
He raises a hand.
Not at you.
At everyone else.
“Out.”
No one argues.
The door shuts behind them with a final click that echoes too loudly.
You’re alone with him.
—
“You’re bleeding,” he says.
You glance down. There’s a cut along your palm — you must’ve clenched your fist too hard earlier. You hadn’t even noticed.
“It’s nothing.”
He steps closer.
“It’s not nothing,” he corrects, voice calm, almost gentle. “They let you sit here hurt.”
He takes your hand before you can pull away. His thumb brushes over the wound, pressure feather-light. You expect heat, pain — instead there’s warmth, controlled, precise.
The cut seals.
Your breath stutters.
“Thank you,” you whisper.
He watches your face like he’s cataloging every reaction. Then his gaze sharpens.
“They’re blaming you.”
It’s not a question.
You swallow. “The world is.”
He scoffs quietly. “The world doesn’t matter.”
That should comfort you.
It doesn’t.
“They were people,” you say, voice cracking despite your best effort. “They died because I lost control.”
His jaw tightens — not at you.
At the idea.
“No,” he says. “They died because they were where they shouldn’t have been.”
Your stomach drops.
“That’s not—”
“They knew the risks,” he continues smoothly. “Every civilian does. They build their cities around us. They worship us. They profit off us. And then the second something goes wrong, they want blood.”
His eyes flick to the muted TV on the wall, showing your face mid-apology, cropped just right to make you look guilty.
“They want your blood.”
—
The backlash gets worse.
Memorials pop up. Candlelight vigils. Names trending on social media with hashtags demanding justice. Vought pulls your merch. Your face disappears from billboards overnight like you never existed.
You stop leaving your floor.
At night, you dream of collapsing buildings and wake up gasping, sheets twisted around your legs, heart racing.
Homelander starts showing up more.
Sometimes he just sits there, silent, watching you pace. Sometimes he brings food you don’t touch. Sometimes he stands at the window, staring down at the city like it personally offended him.
“They’re turning you into a villain,” he says one night, voice low.
“I don’t want to be a hero,” you whisper. “I just wanted to help.”
He turns then, eyes locking onto yours.
“That’s what makes you dangerous.”
Your breath catches.
“They don’t deserve you,” he continues. “They don’t understand what you are.”
What you are.
Not who.
“They’re scared,” you say. “And maybe they should be.”
His expression softens — something almost fond flickers there.
“That fear?” he says. “That’s respect. They just don’t know it yet.”
—
The dessert shows up the night everything changes.
It’s small. Unassuming. A single plate placed carefully on your counter.
Chocolate lava cake.
Still warm.
You frown. “I didn’t order anything.”
“I did,” Homelander says from behind you.
You flinch — not because he startled you, but because you didn’t hear him arrive.
“Eat,” he says gently.
You hesitate. “I’m not hungry.”
“I know.”
That makes your skin prickle.
“But you need something sweet,” he continues. “When the world turns bitter.”
He watches as you take a tentative bite. The chocolate spills out, rich and heavy, coating your tongue. It tastes indulgent. Comforting.
Too much.
“Good?” he asks.
You nod slowly.
“Good,” he echoes. “Because you deserve good things. Even after mistakes.”
Even after mistakes.
He steps closer, hand resting on the counter beside yours, caging you in without touching.
“They’re calling for your arrest now,” he says casually. “Did you know that?”
Your fork clatters against the plate.
“What?”
“Protests. Demands for accountability.” His lips curl. “They think locking you up will make them feel safe.”
You shake your head. “Vought won’t let that happen.”
He smiles.
That’s when you realize something is very, very wrong.
—
The next morning, the news breaks.
A whistleblower. Leaked footage. Evidence that the evacuation zone had been compromised — rerouted at the last minute due to a “clerical error.”
Not yours.
Vought’s.
The narrative flips overnight.
You’re no longer the villain.
You’re the victim.
Ashley calls you sobbing. PR scrambles. Your merch quietly returns. The hashtags change tone.
But something feels… off.
“Homelander,” you say later, standing in his penthouse, city lights glowing behind him. “Did you—”
He doesn’t deny it.
“They were never going to protect you,” he says calmly. “So I did.”
“How?” your voice trembles.
He tilts his head. “Does it matter?”
“Yes,” you snap. “People could’ve gotten hurt.”
His expression hardens — not angry. Disappointed.
“I hurt people every day,” he says. “So you don’t have to.”
The room feels smaller.
“I didn’t ask for that.”
He steps closer.
“I know,” he says softly. “That’s why I chose you.”
Your chest tightens. “Chose me for what?”
His hand cups your cheek, thumb brushing just beneath your eye.
“To stand with me,” he says. “Against them.”
The truth settles like a weight in your stomach.
The world didn’t turn on you.
He turned it for you.
And now, there’s no one left who will.
Homelander was never really the problem itself, he was a consequence of the problem. A product of it. The real problem is Vought International’s ultra-capitalist structure and its criminal neoliberalism. The problem is treating people as products. The problem is conceiving human beings as objects. The problem is that they decided to play god.
Killing Homelander at the end changes absolutely nothing if they don’t dismantle Vought, because Homelander is ultimately just an experiment that went wrong. And honestly, Butcher is right about one thing: eventually there will be another Homelander. Where he’s wrong is in believing that Supes themselves are the problem. They aren’t. The machinery that created them —the establishment itself— is the problem.
The solution was never “kill Homelander” or “kill all Supes”. The solution was to destroy Vought. That’s why the ending feels so morally questionable and ultimately unsatisfying. Like okay, great, they beat up the bad guy and kill him after he’s committed countless atrocities. Fine. But then what? Marie was simply lucky that her powers manifested later in life. That’s the only reason she avoided ending up in a laboratory like Homelander. Otherwise they would’ve done exactly the same thing to her. And knowing that Odessa succeeded, they could easily continue experimenting, continue testing, continue manufacturing more Homelanders. So in reality they solved nothing. They just slapped a bandage over the problem.
And honestly, it feels incredibly USAmerican in the worst possible way, because the United States has this recurring inability to understand that the issue isn’t just individual megalomaniacal narcissists with god complexes, it’s the system that allows those people to rise to power in the first place. A system rooted in neoliberal capitalist individualism, in the destruction of collective consciousness, and in the commodification of absolutely everything, including human beings.
If this series had been written from almost any other political perspective or national context, it would’ve been obvious that the real target should’ve been Vought itself first and foremost. Kill Homelander too if you want, sure, but the actual enemy is the machine. Instead what we get is: the bad guy is dead, but the machinery of evil is still completely intact, just rebranding itself and continuing to exploit people. And somehow that’s supposed to feel like a happy ending?
Vought won. The house won. Nothing actually changed. The world is still the same, the state machinery is still the same, the establishment is still the same.
So the ending just feels deeply hollow.
Imagine being an intern at Vought and Working for the Seven
You weren’t supposed to last more than a week. That’s what everyone said about Vought Tower interns. Bright-eyed college grads came in thinking it’d be glamorous brushing elbows with gods only to quit after Homelander barked at them or The Deep tried something “weirdly spiritual.”
But you didn’t quit.
But somehow, you were different.
You didn’t flatter, you didn’t fawn. You just worked. When The Deep forgot his media talking points before a live interview, you calmly repeated them while adjusting his mic. When Starlight’s PR team was late sending her cue cards, you made new ones yourself. You even got Black Noir’s smoothie order right on the first try no nuts, no dairy, two shots of espresso.
No one ever got it right the first time.They noticed.
Homelander was the first to test you. He’d appear behind you while you worked, smiling with that shark grin."Hello, sweetheart,” he’d say. “You’re still here? Most interns burn out fast.”
You’d look up from your clipboard, deadpan. “Maybe they weren’t getting paid enough.”
That earned a sharp laugh. He liked your nerve liked it enough to stop trying to break it. Over time, he’d watch you from a distance, puzzled when you didn’t swoon or stumble around him. You were polite, respectful, but not impressed. That, somehow, made him… protective. Possessive, in a weirdly domestic way. He’d start intercepting any other supe who talked down to you.
You never asked why.
Queen Maeve grew to like you the most. You didn’t look at her like a fallen goddess, you treated her like a actual person. Once, when she came into PR half-drunk, you handed her black coffee and said quietly, “I’ll stall Ashley for ten minutes.”
Maeve blinked at you. No judgment. No pity. Just understanding.After that, she’d sometimes find you in the break room and sit in silence beside you, scrolling through her phone. No words needed.
A-Train liked that you didn’t kiss his ass. When he tried to flirt, you just raised an eyebrow. “Save it for TMZ, superstar.”
He laughed, a little embarrassed, and started treating you like a friend. He’d even toss you a water bottle when he passed by.“Stay hydrated, girl, you look like you actually work around here.”
The Deep was easy. You helped him rehearse interviews without mocking him something no one else bothered to do. He started calling you his “career coach,” even though you mostly just sighed and said, “Don’t talk about dolphins.”
Starlight adored you. You reminded her that not everyone at Vought was corrupt. You shared snacks, rolled your eyes at Ashley together, and sometimes she’d ask, half-joking, “You sure you’re not secretly a supe? No one survives this place with a soul intact.”
Even Noir liked you. You once left a sticky note on his locker: Thanks for scaring away that reporter who tried to follow me to my car. The next morning, there was a small wrapped candy bar on your desk. No note.
You didn’t think you’d last this long. But somehow, amidst all the chaos, backstabbing, and explosions of ego, you became part of the Seven’s rhythm a quiet, grounding constant.
Not a hero. Not a fan.Just the last intern standing.Also weirdly, that made you the most respected human in the Tower.
Note: For more content, follow me on https://www.tumblr.com/sammyquarius
Exposure 𝄞⨾𓍢ִ໋ Black Noir x f!journalist reader
main masterlist
contents: sad noir :(, comfort, happyish ending
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You sink into the couch, fingers diving into a bowl of warm popcorn as Vought’s advertisements abruptly interrupt your show. You wouldn’t complain though—especially not with him on the screen. Black Noir crouched to clasp the small hands of a mute boy, the child’s broad grin mirroring his joy as they lock eyes through the mask. A smile spreads across your face—you’ve stared at Noir just like that, every time you stood beside your cameraman during interviews with him, that moment his gentle hand brushed your wrist at the A-Train vs. Shockwave race, guiding you away from a drunken attendee.
It made you even happier knowing you were special—not only because Black Noir hated all interviewers but you. Having his number in your phone after dressing up specially for the Dawn of the Seven premiere, despite being behind the camera with a microphone the whole time, felt like a secret victory. Then, later his hand found you, settling low on your waist as you walked toward the theater, your fingers tracing the solid muscle of his bicep. Then being invited to The Seven’s meeting room felt like a dream. But the real highlight? Noir’s silent, watchful presence when The Deep tried to flirt—his masked gaze sharp, a quiet warning that made you smile.
The TV screen flickers to life, and the news anchor’s voice cuts through the room like a knife. “We have some major breaking news,” he says, brows furrowed, eyes locked on the camera. “Superheroes are not born—they’re made. In fact, created by a chemical serum, Compound V, produced and administered by Vought International…”
Your breath hitches. No, no, this can’t be true. You shake your head violently, as if that could erase the words. Their powers are a gift from a higher being, a divine spark. How dare they reduce something so sacred to a chemical?
You sit up straighter, fists clenched, but the anchor’s voice continues, relentless. “This revelation shakes the foundation of everything we thought we knew about these so-called heroes.”
A cold knot forms in your stomach. Black Noir. The thought hits you like a punch to the gut. You can’t imagine how he’s feeling right now—betrayed, discarded, a mere tool in Vought’s game. Your heart aches for him, and for yourself.
You glance at your phone, already anticipating the notification. Of course. Your boss will want you to cover this story. Anything but this. You could make up an excuse, or go on holiday. Anything other than facing the truth head-on.
Three sharp knocks jolt through the quiet. You freeze, the news broadcast’s static still buzzing in your ears. Shoulders tight with residual stress, you stride to the window—each step echoing the weight in your chest. When you pull back the curtain, Black Noir crouches on the sill. His shoulders gleam with raindrops and his posture screams avoidance: head bowed, gaze locked on some invisible flaw in the wood below.
You slide the window open, and he steps inside like a ghost. The air thickens with unspoken words as he shifts, fingers twitching at his sides. “Noir,” you murmur, voice softer than the rain outside. He doesn’t look up.
Then—a choked sniffle. Raw. Human. Your heart lurches.
“Hey,” you say, closing the distance. “It’s okay.”
His arms snap around your waist before you even touch him, fingers digging in like anchors. The sniffles fracture into quiet sobs, muffled by the mask but so audible in the silence. You press your palm to the back of his neck, guiding his masked face into your shoulder.
“Shhh,” you whisper, lips brushing the cold metal of his temple. “I’ve got you.”
The rain hammers the roof as his breath hitches. For the first time, you see the cracks in his armor—not just in the mask, but in the way he leans into you, trembling.
Black Noir’s sobs gradually subside, leaving only the occasional quiet sniffle that echoes in the dimly lit room. Your hands glide slowly up and down his back, carefully avoiding the throwing knives embedded into his suit—each one a silent reminder of the violence he’s dished out, and endured. You pull away gently, taking his gloved hand in yours, and turn off the news broadcast still flickering on the screen. The sterile voices of Vought’s PR team feel like a cruel mockery now.
You guide him to your bedroom, the soft carpet muffling your steps. Sitting beside him on the edge of the bed, you rest your hand over his, feeling the tremor beneath the leather. “I’m so sorry, Noir,” you whisper, your voice thick with empathy. “This is just… awful. Vought acting like they weren’t making superheroes, then letting it all leak? It’s so cruel.” You shake your head, unable to fathom how they could exploit his pain for profit.
He shifts slightly, his gaze darting toward the bedside table. You understand without words. Reaching over, you pull out a notebook and pen, placing them in his lap. His fingers clutch the pen tightly as he begins to scribble, the shaky lines forming the words: ‘Not your fault.’ The raw vulnerability in his handwriting cuts deeper than any scream ever could.
You squeeze his hand, letting the silence speak for what words cannot. In this moment, the weight of his world feels lighter, just for a breath.
You nod slowly, your voice barely above a whisper, "I know, but I feel terrible. You’ve spent your whole life believing you’re a gift from God…" His sniffles deepen instantly, a raw, broken sound that claws at your heart. You freeze, regret slamming into you like a physical blow. "I’m so sorry," you rush out, shuffling closer until your thighs brush against his. He collapses into your arms, his head finding its way to your chest, and his arms wrap around you with desperate intensity. You close your eyes, pressing your face gently against the cool surface of his mask. A soft, shuddering sob escapes him, his shoulders trembling against you. "It’s okay, baby," you murmur, your nails tracing soothing circles up and down his forearm. At the nickname, he buries his face deeper into your neck, a silent plea for comfort that resonates through every nerve in your body.
"Whether those powers are natural or not, you’re still incredible—a true hero. And after everything you’ve done for Vought, I can’t believe they’d let you get hurt like this," you say softly, your voice laced with concern.
Black Noir lets out a choked sob, his shoulders shaking. You frown, reaching out to gently tilt his head up so he meets your gaze. "Look at me," you whisper. He hesitates, then nods, his eyes searching yours for reassurance.
You brush a thumb against his cheek. He looks away and scratches the pen into paper. He tilts the notebook towards you, and you frown at the words. ‘Do you see me differently now?’
You shake your head firmly. "Never. Powers, natural or not—even if you had none at all—I’d still be here for you. Always."
He nods reluctantly, clutching the notebook like a lifeline. "I’m always here for you, Noir. Whatever you need."
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never wrote for him before but I absolutely love n adore him 𐔌՞ ܸ.ˬ.ܸ՞𐦯