William Buchina (American, b. 1978), Three Thousand Shoes #1, 2021. Ink on paper, 101.6 x 114.3 cm

seen from France
seen from Canada

seen from Croatia
seen from Singapore

seen from Croatia
seen from Chile
seen from Russia
seen from Belarus

seen from Germany

seen from Australia
seen from United Arab Emirates

seen from United States

seen from Poland
seen from Sweden

seen from United States
seen from United Kingdom
seen from China

seen from United States
seen from Germany
seen from Türkiye
William Buchina (American, b. 1978), Three Thousand Shoes #1, 2021. Ink on paper, 101.6 x 114.3 cm
William Buchina (American, b. 1978), Scenery in Red #2, 2019. Ink on paper, 44 x 38 in.
On November 12, Hollis Taggart will open Figure as Form , a group exhibition that explores the ways in which artists,...
“Figure as Form,” a group exhibition that explores the ways in which artists, from the post-war era to the present day, have used the human form as a compositional device. Grounded in the 1909 text, “An Essay in Aesthetics,” written by British art critic Roger Fry, the presentation highlights the ways in which artists use line, gesture, light, and color to convey emotion and sensation, pushing beyond the creation of naturalistic human likeness to achieve broader imaginative effects. By bringing together works by modernists such as Romare Bearden, Richard Pousette-Dart, William Scharf, and Idelle Weber with contemporary artists like Alex Kanevsky, Joshua Hagler, Kenichi Hoshine, and Aubrey Levinthal, the exhibition captures the ongoing relevance of these formal dialogues and considers how formalist interpretations of the body continue to convey narrative and socio-political content and also enhance awareness and engagement with lived experience.
William Buchina
Hollis Taggart is pleased to announce the opening of Hollis Taggart Southport, a temporary gallery location in the heart of...
William Buchina’s disquieting, enigmatic, and prodigiously complex paintings are one artist’s answer to the relentless media barrage that defines our visual culture, counteracting its torrent of images with a seemingly inexhaustible barrage of his own.
Every Picture in the World: William Buchina’s Dream Logic