Pictures and details of William Leavitt: Retrospective at Mamco, Geneva, October 11, 2017 - February 4, 2018 - Contemporary art with installation views https://www.pinterest.es/pin/506866133073794581/
seen from United Arab Emirates
seen from Kazakhstan

seen from United Kingdom
seen from United States

seen from United States
seen from United States

seen from Russia

seen from China

seen from United States

seen from United States
seen from United States

seen from United Kingdom

seen from China
seen from Hong Kong SAR China

seen from China
seen from United States
seen from China
seen from China

seen from United Kingdom
seen from Kyrgyzstan
Pictures and details of William Leavitt: Retrospective at Mamco, Geneva, October 11, 2017 - February 4, 2018 - Contemporary art with installation views https://www.pinterest.es/pin/506866133073794581/
William Leavitt at Greene Naftali
Spectral Analysis,1977
William Leavitt
William Leavitt Connects Nature and Structure at White Columns
THE DAILY PIC (#1740): It happens to even the most rigorous of art critics: You see something you like in a show, and (shock, horror) you can’t quite say why. I recently saw – and incoherently liked – this big 1991 drawing by William Leavitt in this year’s Annual at White Columns art space in New York. Its medium and style are more traditional than most of the art that speaks to me. But something feels just right about the way it brings together tamed nature and modernist architecture – and uses an exercycle as the tie that binds them. And Leavitt’s statement only works because it's in the classic medium of the architectural sketch. (Courtesy the artist and Green Naftali, New York)
The Daily Pic also appears at ArtnetNews.com. For a full survey of past Daily Pics visit blakegopnik.com/archive.
WILLIAM LEAVITT - Telemetry Set, 2016, Mixed media, Image courtesy of Simon Lee Gallery
Innuendo, Photo by William Leavitt, 1995.
En otra mañana de estudio, decidí grabar la primera guitarra de éste estudio de W. G. Leavitt, que es uno de los más hermosos y me encanta enseñar a mis alumnos como un Chord Etude. Suena muy bien, tiene ideas para utilizar en acompañamiento e improvisación y ejercicios técnicos muy interesantes para extraer y verlos individualmente.
William Leavitt with Bas Jan Ader, Announcement for Landslide, 1969