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Kiryu Youtube video synopses

From November 2018 - December 2018 These are synopses, not direct translations, despite the fact I began to forget that during the top one, which I wrote last.

【本人解説】己龍最新アルバム「転生輪廻」マル秘トーク！ Kiryu talks about their new album Tenshou Rinne!

Synopsis: The five members gather together and give their thoughts about their new album.

Tsurushi Mitsuki: This is an older song I wrote, back in 2017. I made Mahiro sing in a very low register. Mahiro: I like the distortion effect in doubling my voice. Junji: I was surprised by this song, it has a nice balance between quiet and movement. Muku Mitsuki: This is the song where I began using a seven-string guitar. Hiyorin: The balance is very difficult to achieve, but once you get it, it's incredible. Junji: Between quiet and movement... THIS SONG IS DEFINITELY MOVEMENT. Oborodzukiyo Hiyorin: This kind of sounds like the kind of song we would have written in our early days. Takemasa: I think this song is more popular with our male fans since it's kind of R-rated. Mitsuki: I wanted to make a song that was dark and disturbing. Mahiro: I like this song. Junji: Between sun and shadow, this song is shadow. Ibitsu Mitsuki: This is maybe the prettiest song on the album, and a bonus track. It's a song about pain. Hiyori: The bass solo is very significant. Takemasa: After having written some hundred songs together, we've yet to have made a song like this. I'm glad we put it out now. Junji: Between strength and gentleness, this song is gentle. Hansuu Mitsuki: This is a song Takemasa wrote for us. It has a nice balance and it's really fun to play. Hiyori: It's fast and busy. Takemasa: I wrote it mostly on my iPhone. Mahiro: The speed and rhythm of it really makes it a unique song. Junji: This isn't a normal rhythmic pattern for Takemasa. It's all... (sings the pattern). That's it. That's all it is for me. [Then Junji compares it to some manga thing I'm not familiar with]. Tenshou Rinne Mitsuki: This is the kind of song that people who like Kiryu will enjoy. It's a very Kiryu song. We don't use normal phrases for us, though. Hiyori: It's really nice to hear you singing for us, Mitsuki. Mahiro: That was my idea. I thought it would add a nice kind of unique sparkle to it. Junji: This is a fast song. Watashi ha Kairai, Sarugutsuwa no Ningyou Mitsuki: This is a rather slow song for us. Hiyori: I felt like this song was a sort of turning point for us, that this is the song that shows we're no longer kids. Like we grew beards for this song. Mitsuki: I don't understand what on earth you're talking about. Hiyorin: Don't you feel like you finally grew pubic hair? Mitsuki: What? Like in junior high school, weirdo. How old are you, do you still not have hair there? Mahiro: I really like the balance and sound of this song. Basara Mitsuki: This song is called "Basara," AKA Take-punk. Takemasa: WHAT? WHY?? Mitsuki: Every time you submitted a demo of this song, the feeling of it was very uncertain. But the underlying sound was always kind of punk. Hiyorin: Thank you for all the deep feelings held in this song! Mahiro: I like this. Junji: I hate the rhythm. It's the same thing over and over again. Nopperabou Mitsuki: This song was born out of my want to write a song that had this sort of bass rhythm. For you, Hiyorin, it's all bass slaps. Hiyorin: Oh yeah! This is the most difficult song to play on this album! The rhythm is hard, and when I was recording, you kept asking for more and more. Mitsuki: And the lyrics, I really felt like I was able to write something significant and deep... Hiyorin: It is a sufficiently Micchan song. Junji: When you sent it to me, I couldn't even begin to imagine what the chorus would be like. Takemasa: We had to do so much reamping and such, this was also the most expensive song to make. Mahiro: There were just so many levels to making it. But in the end, it was fun. Mitsuki: How about it, Hiyorin? Can you go more? Hiyorin: ..I'm going to have to say for now, I'd like to stay at this level. Gekkabijin Mitsuki: This is the most Japanese-sounding track on the album. It's like Kiryu-pop. Takemasa: I had absolutely no idea where to insert this song in the album. Mitsuki: Maybe we should have made it a bonus track? Mahiro: Sometimes I forget we have songs like this, too. Junji: It's Mitsu-punk. Basara is Take-punk and Gekkabijin is Mitsu-punk. Harushigure Hiyorin: This song really conveys the feeling of now. This is really Takemasa's song. Kairai is Mitsuki's song of growth, and Harushigure is -- Takemasa: HAIR? HAIR? HAIR? Hiyorin: Your beard. Mitsuki: This is the world's beard. Mahiro: From the start, I knew this would be a good song. Junji: Takemasa wrote the music and Mitsuki wrote the lyrics, so it kind of feels like a thing you both peed on together. (Everyone laughs). No, it's a good song. It's good. I just hate it. I only play TAN-TAN-TA OVER AND OVER. Except at the end, I play DO-DO-DO. Then tan-tan-ta. But it sounds nice and sparkly. Jou no Ka Mitsuki: This is THE single Junji: The song that charmed the world. Mitsuki: We used this song in an anime. The concept came from trying to tackle something we couldn't do before. I wanted to do that. Everyone: Thank you. Hiyorin: I didn't cry, but I felt as though I might. It's a moving song. Junji: But then, seeing your name appear on the opening credits as the writer was kind of a blow. This song... between light and dark, this song is light. Mahiro: I really like this song. Kuroyami ni Madou Esoragoto Mitsuki: This song is "Kuroyami ni Madou Esoragoto," AKA the Take-ballad. Junji: This sounds like something he wrote when he was in school. This is back when it was just us in a Take-band. Prince Take hasn't changed a bit. Mitsuki: This song is just so heavy. Takemasa: I thought about all the things I wanted to say, the messages I wanted to get across. But I wasn't the one singing it, so I knew if Mahiro couldn't feel it, this song wouldn't resonate. Mahiro: It was really difficult to sing. Every line felt like a wound. Hiyorin: Usually songs feel like a journey. You hit this place, then return. Then you hit this place and return. This song starts with an intro that I expect to come back to, but you never come back to it.

https://www.youtube.com/watch?v=S4Rv-pyuEXE

5000万円以上⁉コンビニATMに入金できる額の限界を調査 Over ￥500,000,000!? Let's see how much money a convenience store ATM can take.

Synopsis: Takemasa gathers a TON of money and tries to break the ATM by putting too much in at once. Result: Eventually, the ATM does stop accepting the money after depositing ￥305,000,000. Notable: Holding THAT MUCH money at once is genuinely terrifying. Takemasa tries to make a joke about it, but you can tell he's truly nervous to be holding that much in public.

https://www.youtube.com/watch?v=a4SRtOUadMs

【黒崎眞弥を観察する会】サイン書き Watch Kurosaki Mahiro write his signature

Synopsis: Mahiro announces he will now sign posters. He then begins silently signing posters. Result: Posters have been signed. Notable: That one time he moved a poster. It was magical.

https://www.youtube.com/watch?v=1tmRaTSFRys

己龍九条武政より、今までありがとう。 Thank you for everything up until now. -Kujou Takemasa, Kiryu

Synopsis: Takemasa talks about his past in an overly dramatic way, how he decided that as long as he's in public, he will always wear his mask. As long as he has his mask, he is Kujou Takemasa. Result: In Macau, while bungee jumping, his mask flies off, and he pretends he died the moment the mask came off his face. Notable: OVER THE TOP.

https://www.youtube.com/watch?v=xNb_NqnO9Fs

【初体験】まだ見ぬ仙台の味を求めて【雑談有り】 [First Experience] We found a new flavor of Sendai (chat included)

Synopsis: Mitsuki and Hiyorin go to Sendai and talk about the kinds of food it's famous for: gyuutan, zunda, sasakama... but NO! They will not try these foods today! Instead, they'll try the first hamburger shop that was opened in Japan. Result: The two agree the hamburgers are good. Notable: Mitsuki relays a story. "Sometimes, when I go buy food, an old lady will say, 'please enjoy this with ketchup.' Sometimes the kids will write their names on their food in ketchup, too. And young couples will write each other's names." "That's sweet," Hiyoin comments. "They even draw a heart around it... the little shitheads," Mitsuki laughs. "GROW UP, MITSUKI!" Hiyorin manages through his own laughter.

https://www.youtube.com/watch?v=6CEiLBSyab8

メントスコーラリベンジ Mentos-Cola Revenge

Synopsis: Mitsuki analyzes what went wrong in the first mentos and cola video and decides to try again. Result: A huge mess explosion. Notable: Mitsuki isn't sure about trying by himself, and wonders if someone very special will hear him call out for help, no matter where they are... he calls out, "HIYOOOORIIIIIIINNN!" and surely enough, Hiyorin sweeps in to save the day. Notable 2: It's rather humanizing to see Mitsuki and Hiyorin cleaning up their own mess.

https://www.youtube.com/watch?v=an_JFW6ck3o

【企画会議】みんなでネタ考えよう！ [Meeting Regarding Future Plans] Let's all think of ideas for videos!

Synopsis: Chamu (Codomo Dragon) and Mitsuki ask for help thinking of Youtube videos people would like to see. Mitsuki claims he's only good at thinking of food-related things. Later, Mitsuki recruits Zero Hertz's Gaga and Rio to help him try different toast toppings while Chamu films them. Result: Nori tsukudani (seaweed simmered in soy sauce) Mitsuki: Too salty, but otherwise good. Rio: It's like jelly. Gaga: Salty, but good. Ume gonomi (pickled plum) Mitsuki: Too sour. Rio: Too sour. Gaga: (feigns vomiting) Ika shiokara (salted and fermented squid) Mitsuki: SALTY!! Rio: (makes a face and groans while Mitsuki asks "is it that bad?") Gaga: Yum! Delicious! The best one we've tried so far. Salmon flakes Mitsuki: It tastes like margarine. Rio: (no comment) Gaga: It tastes like normal bread. Tarako flakes Mitsuki: Where did the tarako go? Rio: It's bread! Gaga: It's like eating sand. The ensuing laughter sounds like agreement from everyone. Minorusaki menma (fermented bamboo shoots) Mitsuki: It's good! Rio: Good! Gaga: Yum. Tastes like something sold at a ramen shop. Nametake (enoki mushroom) Mitsuki: I don't taste it. It's good, but it doesn't taste like nametake. Rio: (makes a face) Gaga: (nods) Natto (slimy fermented soybeans) Mitsuki: DELICIOUS! Rio: Yum! Gaga: It's good! Mitsuki's conclusion: Everything needs more mayonnaise.

https://www.youtube.com/watch?v=29Z1sMuQQxM

【武道館ドラマーが】ドンキーコングトロピカルフリーズをまったりプレイ Part.2 A Drummer Who Has Performed at Budoukan plays Donkey Kong Tropical Breeze part 2

Synopsis: Junji plays Donkey Kong. Result: Junji plays Donkey Kong. Notable: Nothing.

https://www.youtube.com/watch?v=cNUb1GWaEg8

おまえは誰だ "Who are you?"

Synopsis: Hiyorin tests the urban legend about going insane from asking your reflection in the mirror "Who are you?" repeatedly. Result: Nothing happens. Notable: A weird tapping around the 64th time Hiyorin asks his reflection "Who are you?" Hiyorin says that this must be the spirits coming after him.

https://www.youtube.com/watch?v=iWNJvrJO2V8

【悶絶】辛味の奥に眠る旨味は見つけ出せるのか！？ [Watch as we pass out in pain] Can we bring out a dormant, delicious new flavor from spicy foods?

Premise: Mitsuki and Hiyorin try mixing a number of spicy soups together, despite both hating spicy food, in their quest to find something new and delicious. Result: Mitsuki decides, after getting over the initial pain, that it really does taste kind of good. Hiyorin dies from agony and says he can't tell if it tastes good or not because it's too painful to eat. Notable: Mitsuki flailing in pain.

https://www.youtube.com/watch?v=1E6vfta-eF8

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