How do you feel about Ikomikidomoe and hikone? I personally think they’re nice additions to the world but I’ve barely seen anyone else talk about them 
I think I did a post on that at some point actually, but I'm not in a position to go digging thru my archive on mobile. (found it, but it's mostly just poking at kanji in names rather than really commenting on the characters themselves, so I guess I can do more of that here.)
Broadly speaking I'm not really big on the LNs, least of all Narita Ryogo's. I know he is kind of the most beloved of the ancillary creators for actually addressing many of Kubo's obnoxious loose ends, my main beef with him is that even though he ties a lot of them off he never ties them off satisfactorily, and seemingly just for the sake of saying he did it; there's generally no thematic meat to any of it, all his hooksjust kinda amount to shuffling around Kubo's left overs. And granted, maybe that's a little harsh or unfair of an assessment, but I'm also not a big fan of light novels as a gimmicky genre/format to begin with, so take all that with a grain of salt.
Anyway. Of all the things he did over course of three books in Can't Fear Your Own World, I do think Hikone was a really neat idea. I like the general idea of exploring artificial souls and synthetic life forms and the hybrid spirits and how that all relates to the nature of the soulking as a lynchpin of reality, I'm just not super about the specific plot he built around it all.
I'm not especially in love with Ikomikidomoe specifically, I feel like it either needed more or just different lore or that it could have been done without entirely. I really think Hikone being an artificial god candidate and the nature of what that means and as an excuse to explore how the other canonical attempts to replace god could/would have gone was enough to center a story around. In particular I was already not super fond of some of the late throw away lore additions about zanpakutou that exist independent of a singular individual. (ala Nanao's family sword, and Oh-etsu's harem). I feel like it raised a lot of questions that got immediately swept under the rug and added nothing of value to the lore at large. I don't implicitly hate the idea of a zanpakutou that embodies a different kind of identity apart from that of an individual wielder, but that idea feels like it requires a LOT of additional explaining that we never got. So the fact that Tsunayashiro has an ancestral sword for no particularly meaningful reason, and that Ikomikidomoe has its whole convoluted backstory always kind of annoyed me.
It's a shame too because Narita seems to ever so slightly brush up against an idea that Kubo himself danced around in world building --that the identity manifested in one's inner world as a sword spirit, and the mask a hollow forms from its heart are the same thing, and thus a Menos accumulating myriad hollows within itself to consolidate into one uniform identity is basically the same process as what Oh-etsu describes is behind creating an Asauchi. So the idea of a powerful hollow becoming a zanpakutou or something similar has precedent, but the weird convoluted choice to make Ikomikidomoe specifically a product of Ichibee and Oh-etsu's intervention, rather than a natural consequence of a Menos ascending toward Vastolorde doesn't sit well with me.
On a side note, it bugs me that Kubo just casually threw in the idea that Asauchi are made of, what, hundreds if not thousands of shinigami souls(?) and then just NEVER addressed this weird implication that Soul Society, and Oh-etsu personally, have just, like, institutionally and systematically been committing mass genocides on the regular for all of recorded history? Huge huge mess of a world building flub. Not that it "couldn't" be answered, but that it wasn't, and that the effort it would take to patch up the apparent plot holes it introduces would just be so much effort for the sake of nothing but maintaining the status quo of the story.
Since you've got me in this rant, it's almost the same with the Ouken thing. I'm already not fond of the awkward retcon(ish) thing Kubo did with making the keys the bones of the Royal Guard as if that somehow answered any questions, when the bigger issue had been the idea that, literal key or not, each of the royal guard members was implicitly baptized in the fire of an apparent Sodom & Gomorrah catastrophes with whole cities or other swathes of land, densely packed with living, spiritually aware people being scraped off the face of the earth, ala Aizen's unfulfilled (and frankly Kubo's seemingly half forgotten) plans for Karakura.
And in the face of that weirdness there was a fun unaddressed parallel in the Royal Guard's private "cities" floating up in the royal realm with the king's palace looking like the perfect inversion of the hypothetical hole in the ground we were shown during the Ouken explanation. Were those cities populated? By whom?? Or were they empty? I don't know which possibility is more interesting to explore; that the royal guard each had a whole cult of ascended spirits living with them, each under the domain of one guard, or that the guard just lived in the hollow shells of the sacrifice it took for them to ascend alone to nigh demi-god status.
Was it that the ouken itself was the condensed souls of thousands of people, just like the later reveal about both the asauchi and White, and they died or were otherwise sacrificed to make this object(or i guess imbue the object that is living bones into becoming it(?) god the bone keys thing was dumb...), or did the souls serve some other purpose? Could it have been that rather than melting down living souls to make the key, as was kind of implied, that to create or imbue a key with the power required to function as the ouken it simply needed the presence of those souls? Did access to the god realm require being actively worshipped as a god, by thousands of people, a united spiritual power of a singleminded cult, a city of followers united in ascending the key holder into the realm of god? Who the hell knows ¯\_(ツ)_/¯
But on that level, you'd think that's the same as the idea of a family zanpakutou, right? If the zanpkautou imprints or a person to reflect their true inner self which then grows stronger and gains power in the material world thru acknowledging and reconciling with, then implicitly the idea of a zanpakutou shared by a family would imply that its spirit is not a reflection of one person's singular traits, but those shared consistently across generations and in exchange for the lack of personal identity it confers the strength of literally multiple people's worth of power, just all reflected in a single persona.(or maybe not, i dunno, maybe the inner world of a family zanpakutou has some atlab avatar state stuff going on, who knows? Probably not Kubo.) What was the Soukyoku's giant execution blade, its destructive power conspicuously described in a measure of zanpakutou, if not a massive communal zanpakutou?(complete with its own spirit manifest as a phoenix) And what is Ichigo's inner spirit of a younger Yhwach if not the communal spirit of the Quincy bloodline? Andi n the context of these sorts of escalations of scale and power, is then the soul king actually a "human soul" in the way the cycle of human/quincy and shinigami and hollow all traffic in the same base elemental "stuff"? Or was the Soul King not that type of a "person" at all, and just a giant collective zanpakutou, a singular spirit reflecting the inner truth of humanity as a whole, and his "bankai" the wheel of reincarnation itself. Anyway that's veering too far off into speculation and potential headcanon.
Getting back to Hikone, though... I like the idea of there being various different approaches to achieving the hybrid spirit form seemingly central to god status. Ichigo was naturally synthesized that way by the circumstances of his birth, Aizen used the hougyoku and "science" to forcibly and unnaturally synthetize himself, Yhwach was seemingly born not by actively joining disparate elements together but by simply being an offshoot of something that was already a hybrid... And then there's Hikone... and while I feel like plot wise there are a lot of issues to there just having been the means to synthesize artificial life just floating around in the background, while characters like Mayuri and Urahara and even Aizen are out there actively struggling with the process, but I like the idea of a kind of middle ground where, ignoring the stupid contrivance of the Gremmy brain thing, Hikone's fundamental contraction isn't quite artificial "life" in the spiritual sense that Bleach deals in so much as it is a "body" without a brain.
But I like the implicit idea of having to draw a line around that. If you can make a thing that fulfills most of the requirements of life, then which things reserved for living personhood can it do and which can it not? If you elevate that to the level of godhood, then it's a fun question that in the grand scheme of things where apparently someone needs to be stripped of their autonomy and sit in the crystal for forever to hold the world together, then can it just be a fake person with no autonomy to lose in the first place? Where as Aizen thought being god would be cool(and was very probably wrong), and Yhwach doesn't seem to want to be god so much as remove him and replace him with ???(unconfirmed: in which it seemed like(ironically) plan A was originally Juugram, and plan B was Uryuu), Hikone is the Indiana Jones rock and the golden idol solution to the problem: Can I just swap god out for this god-shaped bag of rocks and get away with it?
I'm sorry between being at work, and googling images, and then making this silly edit now, I've totally lost my train of thought... Uh... to summarize:
I like Hikone as an idea: I like "synthetic god" as a plot hook.
I like their name having associations with silk and, like, silk worms, as if they were spun and woven like a fiber but also with cocoon imagery attached.
I also think they're a super cute design.
I'd have liked the artificial souls to have more of plot behind them: like what are Urahara and Mayrui's actual goals in making them in the first place, other than just mad science for mad science's sake
I'd have liked for Ichigo's(and Aizen's for that matter; like how was it different and/or insufficient by comparison to Ichgio, or Yhwach or Hikone) hybrid theme to have a better actual conclusion.
I'd have liked better exploration of the nature of god souls and what that requires/means
germansingergirl
turnnoffyourmind
prguitarman
janainaart
titsay
snowghoul
