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Sweet Seals For You, Always
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One Nice Bug Per Day
EXPECTATIONS
Today's Document
d e v o n
KIROKAZE
Xuebing Du
cherry valley forever
$LAYYYTER
đ©” avery cochrane đ©”
Misplaced Lens Cap
Claire Keane
macklin celebrini has autism
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
TVSTRANGERTHINGS
official daine visual archive

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Snapped
Your memory probably isnât as bad as you think.
âYou can get impoverished memories for past events because you were never really there in the first place,â Ranganath says.
(via Reddit - Dive into anything)
Plus HBO's many Harpers.
"These EOY lists emphasize cultural consumption as a form of production"
Although British media worry about robots taking everybodyâs jobs, the reality is closer to the opposite. âBetween 2003 and 2018, the number of automatic-roller car washes (that is, robots washing your car) declined by 50 percent, while the number of hand car washes (that is, men with buckets) increased by 50 percent,â the economist commentator Duncan Weldon told me in an interview for my podcast, Plain English. âItâs more like the people are taking the robotsâ jobs.â
How the U.K. Became One of the Poorest Countries in Western Europe - The Atlantic
Reading about historic plagues helped me embrace hyperbole: itâs valid to feel like the world is ending when your world is ending.
Pioneer Works | 159 Pioneer Street, Red Hook, Brooklyn
âthe machine refused to recognize my humanity until i professed to believe that a sign painted to look like a traffic light is indeed a traffic light.â
The way the world is constructed today is no longer legible, politically or technically. Objects come and go under mysterious circumstances. Cars and trains either run or someone else fixes them. The objects in our lives are shipped to us from faraway lands, and they work until they donât. Discarded, they get hauled away in the early morning by stinky trucks.
Maintenance Is Sorely Needed In The Fight Against Global Warming
A cure for what ails you
Robert Doisneau   Self-portrait with Rolleiflex, Paris   1947
âI never wondered why I took pictures. In reality, mine is a desperate battle against the idea that we are all destined to disappear⊠I am determined to stop time from passing. It is pure madness.â Robert Doisneau
Robert Doisneau
La récréation, rue Buffon, Paris, 1959.
Leon Bridges for The New Yorker by Bryan SchutmaatÂ
Amazon drivers rebel against unrealistic A.I. delivery routes that donât account for rivers, train tracks, or narrow roads
Amazon drivers rebel against unrealistic A.I. delivery routes as they unionize in Japan | Fortune
#nomates
Good Neighbours Live Performance from affect lab on Vimeo.
h/t to u/El_Pichi808
A day later, an artistâslashâart director saw the post and noticed that I credited âAI art by Midjourneyâ in the captions. In a series of tweets, they wrote that they were frustrated and a little shocked that a national magazine like The Atlantic was using a computer program to illustrate stories instead of paying an artist to do that work. They were also concerned about this particular use case potentially giving other publications an excuse, or at least an idea, to cut corners on an art budget.
https://newsletters.theatlantic.com/galaxy-brain/62fc502abcbd490021afea1e/twitter-viral-outrage-ai-art/