Elif shafak breaks my heart, pieces it back together and breaks it again.
Alternative title —— this is going to hurt ——
hello vonnie
No title available
Sade Olutola
almost home

Love Begins

titsay

oozey mess

shark vs the universe
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Jules of Nature
will byers stan first human second

PR's Tumblrdome

#extradirty

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Xuebing Du
art blog(derogatory)
🪼
Three Goblin Art
trying on a metaphor

roma★

seen from Germany
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seen from United States

seen from Australia

seen from Germany

seen from Germany

seen from Japan
seen from United Kingdom

seen from United Kingdom

seen from Malaysia
seen from United States

seen from Germany
seen from New Zealand
seen from United Kingdom
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seen from Türkiye
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seen from Singapore
@undervioletlights
Elif shafak breaks my heart, pieces it back together and breaks it again.
Alternative title —— this is going to hurt ——
GERHARD RICHTER (b. 1932) oil on photograph 11.7 x 11.7 cm Executed in 1999
Helen Frankenthaler, Causeway
© 2016 Helen Frankenthaler Foundation,Inc. / Artists Rights Society (ARS), New York.
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Helen Frankenthaler’s Late Works
Today we’re highlighting images collected in Helen Frankenthaler: Late Works, 1988-2009 published in 2022 by Santa Fe’s Radius Books. The book developed alongside a traveling exhibit of Frankenthaler’s later work organized by the Helen Frankenthaler Foundation, and features writing by Elizabeth Smith, Suzanne Boorsch, and Douglas Dreishpoon, the director and editor of the ongoing Frankenthaler Catalogue Raisonné. Our copy comes to us as a gift of Radius Books.
Helen Frankenthaler (1928-2011) was a major post-war abstract expressionist painter. She developed the soak-stain technique and was known for her large-scale paintings, and work that seemed spontaneous and whole – regardless of process. In a lecture at the Palm Springs Art Museum in 1996, Frankenthaler details this process:
I seem to have consistently been involved in two approaches to my work. One is an immediate gesture in which my wrist seems to know exactly where to go, where to place what, when, in which color, when to stop. It is an economical vocabulary, a shorthand. The other is far more labored, worked-into…. In either case, any beautiful picture to me looks as if it’s been born at once, regardless of how many hours, or weeks, or years it took to make it.
Frankenthaler remained dynamic in her work over six decades. She continued to develop mastery of forms. As Boorsch explains in an essay on Frankenthaler’s prints, her late works “surpass” the output of her previous three decades “in size, in complexity, in audacious innovation, and in powerful effect.”
--Amanda, Special Collections Graduate Intern
See more posts about spectacular work from Radius Books!
i feel like i’m cursed forever but other than that i’m doing alright
Maki Na Kamura, fGf XXVIII (2011). Via Fieldnotes; see also, the artist’s website.
Some of y’all don’t know about the joyous Australian state of Tasmania that for 10 days every year turns all their lights red, hangs crosses upside down, and burns their worst fears in the name of “art”
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a favoured past time
Joan Mitchell
Sphaera Ioannis de Sacro Bosco Emendata, 1608
Sandry’s book
in the 1960s 12 sleep deprived guys all saw a hat that definitely wasn’t there, and then in 1962 it was witnessed again
Purgatório Canto 5, O corpo de Buonconte da Montefeltro no Arno - Gustave Doré, 1867.
C// Instagram // Redbubble- Prints //
Thomas Cole - "The Voyage of Life: Old Age" (1839)
horror + glasses
halloween (1978) beetlejuice (1988) jennifer's body (2009) may (2002) re-animator (1985) the tenant (1976) rabid (1977) it chapter one (2017) ghostbusters (1984) from beyond (1986) house of 1000 corpses (2003) murder party (2007) censor (2021) underwater (2022) tetsuo the iron man (1989) the auopsy of jane doe (2016) scream 3 (2000) crimson peak (2015) the hunger (1983) nightmare on elm street 4: the dream master (1988) the inteview with the vampire (1996) thirst (2009) jacob's ladder (1990) american psycho (2000)
who up thinking about 'but the horror... the horror was for love'
// heathcliff u up