[wherehavealltheflowerssgone]

Materiality in Egoyan’s Family Viewing

[Atom] Egoyan constructs his film images as ‘distinctly Canadian’ because his approach seeks to challenge a North American culture ‘supersaturated’ with imagery that has blurred the line between the real and the created…. The issues of viewing and spectacle reappear in various guises. (Melnyk, 2004, p. 163)             What deepens this awareness of supersaturated imagery is Atom Egoyan’s…

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[wherehavealltheflowerssgone]

Activism in Reichardt’s Night Moves

In her examination of a film by Catharine Chalmers, Karla McManus (2018) describes Safari (2006) as a “visual antidote to the malingering anthropocentric worldview; by aesthetically, technologically, and ethically challenging the viewer to reorient their perspective away from ego to eco” (p 202). This reorientation is presumed to be part of the essence of activism. The activist objective is to…

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by KangHee Kim

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[lipstickonloveletter]

[prettystuff]

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[gloriaphoto]

[equatorjournal]

Native plywood surfing, Barbados, 1984. No quite a barn door, but close. Photo by David Digirolamo.

From “The Book of waves: form and beauty on the ocean”, 1988. https://www.instagram.com/p/Cp-xKw4tIra/?igshid=NGJjMDIxMWI=

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㋡🥀

[lycandrew222]

[all-my-favourite-tunes]

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Whenever I’m alone with you, you make me feel like I am fun again

[pastart]

Luca Armstrong by Lucian Clifforth (2022)

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Untitled #225

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D-Girl - The Sopranos (02x07)

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[hildeeveraert]

Abelardo Morell, Lisa and Brady Behind Glass, 1986