
★

if i look back, i am lost
tumblr dot com
I'd rather be in outer space 🛸
d e v o n

❣ Chile in a Photography ❣
Show & Tell

shark vs the universe
No title available
DEAR READER

pixel skylines
dirt enthusiast
he wasn't even looking at me and he found me
No title available
Stranger Things

Kaledo Art
Mike Driver
trying on a metaphor
Today's Document

oozey mess
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from Türkiye
seen from China
seen from United States
seen from Canada
seen from Italy
seen from United States
seen from United States

seen from Malaysia

seen from United States

seen from United Kingdom

seen from T1

seen from United Kingdom
@2healher
Aphrodite
things aren’t bad but I’m sitting in the grey area again. things will be okay.
Ten Magickal Metals and Their Uses in Witchcraft
Hey everyone, it’s been a while. I’m in a better place now, and though my mini-sabbatical was necessary, I hated not updating you all! I can’t wait any longer, so I’m back!
Most people know that certain crystals or stones have associations in Witchcraft, but people seem to forget that this is a relatively new area of Craft. Prior to that, for thousands and thousands of years, Witches and smiths used metals to work their magick and skill, and this shouldn’t be forgotten today!
Alloys have different associations to pure metals, so I’ll do them separately.
Pure Metals:
Iron - Probably the most common metal in Witchcraft, it’s associated with repelling of spirits, demons, Fae, and magick generally. It’s a dousing metal, one that channels magick exceptionally well, and as such will “pull” magick out of the user. Enchantments don’t stick to iron objects, and any spells placed on them will fade almost immediately or simply not stick in the first place.
Copper - An ancient and useful technology, copper is said to be the second metal ever worked by human hands, and the first to be made into tools. It’s primary associations are with craft and manufacture, especially workings done with one’s own hands or skill. Amulets made from copper are said to enhance skill at creative or inventive endeavours, and altar tools made from copper will work very well for constructive magick or rituals. It’s also strongly associated with harmony and balancing, making it an excellent metal to include in altars focused around balance.
Steel - Whilst technically an alloy, it’s an alloy of iron and a non-metal (carbon) so I’m going to put it in this section. Steel is strongly associated with weapons and armour, and for this reason it works well for defensive magick, destructive magick, and for athames. It retains iron’s strong resistance to magickal enchantment, which for an athame is a good thing - you don’t want the magick “sticking” to your tools, so something like iron or steel is kind of like using a non-stick pan to cook your eggs.
Tin - The working of iron is called “blacksmithing”, and conversely the working of tin is called “whitesmithing”, because whilst iron oxidises black under heat, tin remains quite pale. In the ancient world, this metal was highly sought-after, as it is the crucial ingredient in the manufacture of bronze, an alloy of tin, copper, and occasionally some other metals. As a result, it was highly priced and much haggled-over, and so it’s primary associations are with money, trading, prosperity and success. It’s also very strongly associated with British Witchcraft, because Britain had so much tin that the Romans and Greeks called Britain “the Tin Isles”.
Gold - The first metal worked by humans, the purity, rarity and unparalleled lustre of gold have made it one of the most sought-after metals of all time. Regarded as one of the “noble metals” by alchemists, and one of the precious metals by almost everyone else, gold is of course strongly associated with money, fortune and trading. However, it’s also associated with intelligence, because of the alchemical pursuits followed to try to transmute things into it; and with purity, because it is biologically so inert that Victorian doctors used to coat pills for rich people in 24k gold leaf to mask the taste without harming the patients. It’s an excellent channelling substance, though I doubt anyone will have enough of it for a whole wand! Perhaps just a tip, then!
Silver - Although less prized than gold, this highly lustrous and workable material is also regarded as a precious metal. Due to its unique atomic structure, silver is the most conductive element in the universe - this makes it an unparalleled channelling metal, and it’s much lower cost than gold makes this a theoretically possible metal to make wands for energy-workers and for ceremonial wands for covens. It’s also a very pure metal, and is strongly associated with healing, growth, and cleansing of disease and impurity from the body. Amulets suspended on a silver chain will be imbued with healing energies, strengthening any enchantments upon them, and assisting in the boosting of the wearer’s natural immune system.
Lead - Contrary to popular belief, lead is not toxic to hold in your hands any more than nickel, antimony, or other metals that are often toxic by ingestion. Whilst it’s not advised to wear it as an amulet (because prolonged rubbing against the acidic oils in the skin will cause them to react with the metal over time and be absorbed into your body), holding a charm in your hands or wearing one for only a day or so is not dangerous to your health. This metal is associated strongly with travel, adventure, and safe voyages across both space and emotion. It’s also a metal associated with intelligence and academia, and with magick of all kinds. Pendulums made using lead weights or pendants will be unparalleled for divination. In fact, my own original divinatory pendant is made using a lead fishing weight and an old key, and whilst I now have a fancy new one made with rose quartz and pure silver, my old lead pendulum is still my absolute favourite!
Alloys:
Bronze - An alloy made from the combining of approximately 85% copper and 15% tin. This alloy has many superior qualities compared to both individual metals, and this has made it a first choice metal for a great many people from artists to cooks to metallurgists throughout the ages. Stronger than both tin and copper, and with a higher melting temperature and toughness rating than either, this metal is associated strongly with grand endeavours, imaginative or ambitious projects, and with collaborative enterprises. Bronze would be an excellent component of any spell intended to enhance your performance at your job, in seeking employment, or in advancing your own social or career goals.
Pewter - This alloy has become rarer in these more modern times, but in the Medieval and Renaissance periods pewter was one of the most commonly used metals available. It’s main component is tin, and whilst most pewter is about 92% tin you can get pewter with as little as 80% tin and as much as 99%! The remaining ~8% is usually copper, antimony, and in old alloys lead is often a component (lead is almost always absent in modern pewter for safety reasons). This alloy is the metal that’s most strongly connected to kitchen witchery, followed by cast iron and copper, because it has been used for over a thousand years to make everything from cutlery to plates to flagons. It’s also associated with “common” magick, the magick of everyday people (as opposed to what were traditionally called the “higher” magicks like alchemy and energy-working). So long as your pewter is free of lead, it’s safe to keep it near your skin, or to eat or drink from it. Potions are more powerful when brewed in cauldrons made of pewter, and your kitchen spells will work more effectively when you use pewter in the working somewhere.
Electrum - One of my favourite metals of all time, electrum is a naturally-occurring alloy of gold and silver, often with trace quantities of copper, platinum and palladium in the alloy too. Natural electrum comes in two common varieties; 10-30% silver, which is found mostly in the regions of Western Anatolia; and 50%-60% silver, which is found in the regions around Ancient Lydia (a large empire stretching across much of Asia Minor). However, most modern electrum is alloyed artificially, allowing finer control over the quality of the alloy and making it easier to work with artistically. Electrum is very much a metal associated with commerce - many regions such as the Lydian empire used electrum as a basis for their coins, as opposed to pure gold or pure silver, and it has always been a highly valued commodity. It’s also a very strongly artistic metal, as electrum has been used to make everything from the capstone of the Great Pyramid of Giza (sadly, this has long since been stolen by looters over the centuries), to wedding bands for pagan marriages. Electrum is a metal of love and emotion, and in its alloying of two precious and beautiful metals to make a product greater than the sum of its parts, it represents the joining of two lives together into a single whole to produce a love that will last across all time. Personally, I’d like my wedding band to be made of electrum!
——
Metals are a much overlooked, but incredibly useful addition to any Witch’s arsenal of magick tools, and I hope most sincerely that this has been useful for all of you wonderful Witches out there looking to expand your collection of Witchery supplies beyond common items like crystals and tarot cards. Remember that Witchcraft isn’t about doing what everyone else does, but rather it’s about doing what only you’ve ever done! As always everyone, Witchcraft is not a thing you do, it’s a thing you ARE - Witchcraft is in the mind, and so be sure to practice your Craft exactly how YOU know it should be practiced.
Blessed be~! – Juniper WildWalk
HILMA AF KLINT | Karlberg Palace, Solna 1862 - Danderyd 1944 | TREE OF KNOWLEDGE No. 1 1913-15
How to Overcome Your Fears Based on Your 8th House (Asteroids and Nodes Edition)
Even if a house is empty, it becomes activated when someone’s planets fall into it.
Lilith
You’re dealing with fear rooted in deep emotional loss, betrayal, abandonment, broken trust, and the terror of giving yourself fully only to be devastated. You don’t fear pain itself, you fear irreversible emotional damage and being blindsided by it. Because of this, you often expect disappointment before it happens and emotionally rehearse loss as a form of protection, believing that if you grieve early, it won’t destroy you later. But this habit traps you in a cycle where hope feels unsafe, uncertainty feels unbearable, and intensity feels easier than waiting. At times, this turns into self-sabotage: ending things first, pulling away when vulnerability deepens, or assuming the worst to regain control before someone else can hurt you. You may also struggle with trust in commitment, promises, or long-term bonds, not because you don’t want depth, but because you’ve seen how easily words fail. This can lead you to reject traditional structures or emotional permanence while still craving meaning and loyalty, creating inner conflict. Much of this fear is fueled by unresolved grief that convinces you that disappointment equals finality, when in reality not every hurt is betrayal and not every ending needs to be absolute. Overcoming your fear means learning to pause instead of pre-grieving, allowing vulnerability without assuming ruin, redefining commitment by consistent actions rather than empty words, and accepting uncertainty without destroying what hasn’t yet failed. Your strength lies in letting the story unfold without letting fear decide the ending for you.
Chiron
You’re confronting a wound tied to irreversible choices and the terror of making the wrong decision and having to live with it forever. You don’t fear change itself, you fear choosing and realizing too late that another path is gone. This often shows up as overthinking, hesitation, and endlessly replaying past decisions, because clarity feels linked to regret rather than empowerment. You may feel stuck in repeating cycles, as if life keeps testing you with similar situations, and part of the fear is that your choices will define you permanently. Opportunities can feel especially threatening when they require quick action, since acting means surrendering control to fate, and hesitation later turns into self-blame for missed chances. You may struggle to close chapters fully, keeping things mentally open out of fear of finality, as though ending something erases a former version of you. Healing comes when you stop treating regret as failure and start seeing it as growth, allow closure without needing perfect certainty, and trust that you are not meeting the same situations as the same person each time. Cycles repeat to build mastery, not to punish you, and risk doesn’t demand certainty, only presence. Your fear eases when you realize that even imperfect choices can still lead you where you’re meant to go, and transformation is not undone by choosing “wrong.”
North Node
When you face fear, you’re confronting resistance to growth, not a past wound. You’re being pulled away from emotional self-containment and toward intimacy, shared vulnerability, and transformation, and fear shows up because that path feels unsafe. You may detach emotionally as a way to survive, convincing yourself you don’t care or aren’t impressed, when in truth you’re afraid that connection will cost you control. Part of this fear is tied to maintaining an image of strength, stability, or self-sufficiency, and worrying that vulnerability could damage your reputation, security, or sense of worth. You may also preemptively expect heartbreak, pulling away early so it “hurts less,” which keeps you isolated and blinds you to genuine emotional opportunities. Independence can become a shield against being seen, needing others, or risking visible pain. Growth begins when you realize that detachment is not safety and self-reliance is not the same as strength. Your path forward asks you to allow emotional closeness, accept shared risk, and let connection change you, even when the outcome is uncertain. Fear arises because you are meant to evolve through intimacy, not avoid it, and your transformation depends on choosing presence over withdrawal.
South Node
When you look through your fear, you’re seeing patterns that feel familiar and protective but now quietly keep you stuck. You’re used to emotional endurance, being strong, supportive, and compassionate for others, often at your own expense, and over time vulnerability became linked to responsibility rather than safety. Fear grows not because you lack courage, but because you learned that emotional openness could threaten stability, security, or everything you’ve worked to build. You may hold back your truth, curiosity, or desires because you worry that speaking honestly or changing course could cause irreversible loss, whether financial, relational, or reputational. This keeps you in survival mode, maintaining structures through silence and emotional labor even when they drain you. Letting go feels terrifying because endurance has been mistaken for success and stability has been built on suppression. Your healing begins when you recognize that sensitivity is not weakness, honesty is not destruction, and security that depends on silence is not real safety. What once helped you survive now feeds your fear, and growth comes from releasing the belief that you must carry everything alone or suffer quietly to remain safe.
Juno
When you face fear, you’re confronting deep wounds around commitment, loyalty, and emotional entanglement. You don’t fear being alone, you fear committing and slowly losing yourself in something that becomes consuming or imbalanced. You may stay in relationships or emotional roles because you’ve already invested so much, confusing familiarity and endurance with devotion. This can turn commitment into obligation, where leaving feels like failure and staying feels like duty. Fear often shows up as over-functioning, trying to fix, rescue, or emotionally carry situations to keep the bond alive, especially when empathy and caretaking become proof of loyalty. Slowing down feels dangerous because it might reveal that the connection no longer truly meets your needs. Over time, this creates burnout, restlessness, or emotional numbing, as intimacy becomes tied to effort and urgency rather than mutual presence. Healing begins when you release the belief that commitment means staying at all costs or sacrificing yourself indefinitely. Your fear eases when you allow commitment to be a conscious choice, value reciprocity over obligation, and trust that true devotion supports transformation without requiring you to disappear.
Part of Fortune
Your deepest fear isn’t change itself but losing control over timing, fate, and outcomes, especially in emotional bonds, shared commitments, and long-term security. You tend to anchor yourself to the past because it feels proven, safe, and emotionally loyal, old connections, familiar patterns, and earlier versions of yourself give you the sense that nothing can suddenly disappear if it has already survived once. At the same time, you crave permanence and stability, wanting reassurance that what you invest in will last and grow, which makes the idea of life rerouting things without your consent especially threatening. This creates an internal conflict: part of you knows that growth sometimes requires walking away from what once felt meaningful, yet another part fears that doing so would betray your past or invalidate everything you built. Overcoming this fear means redefining security, not as controlling outcomes or preserving the past unchanged, but as trusting yourself to adapt when cycles shift. You’re being asked to understand that emotional loyalty doesn’t require staying stuck, and that letting go doesn’t erase what mattered, it honors it while making room for something more aligned. When life turns unexpectedly, it isn’t punishing you, it’s repositioning you, and your strength lies in trusting that you can find stability within yourself even as the wheel keeps moving.
Vertex
Your fear is tied to fated moments that push you into transformation before you feel ready. You’re not afraid of change itself, you’re afraid of being pulled into situations that expose your shadow, your vulnerabilities, and your survival instincts without giving you time to prepare or choose how you show up. New beginnings feel risky when they seem unavoidable, because you worry they’ll drag old toxic patterns, power struggles, or self-betrayal back into your life. Over time, you’ve learned to rely on strategy, vigilance, and staying three steps ahead as a way to stay safe, even if that means isolating yourself or compromising your values. What you fear most isn’t failure, but powerlessness. Healing begins when you recognize that not every turning point is a threat and not every door fate opens is a trap. Growth doesn’t ask you to abandon caution entirely, it asks you to notice when protection has become a prison. Real freedom comes from choosing presence over constant defense, stepping forward without assuming betrayal, and trusting that you no longer need to outsmart life in order to survive it.
Grimoire - Hellenic Polytheism
Hellenic Polytheism In General: HP 101: Where to start Hellenic polytheism - free (and reliable!) resources Megapost: Resources for Hellenic & Roman Polytheism Things Every Baby Hellenic Should Research/Know Adult Home Study for Hellenic and Roman Polytheists Considering the Hellenic Pagan as an Identity 10 Myths About Hellenismos The Thing About Myths A Clash of Tales: How to Reconcile Conflicting Myths The Gods are not their myths! Some points on Orphism The difference between "religion online" and "online religion" Lets have a chat: about research in recon How to determine if a book on mythology is legit? Hellenic Polytheism: Evaluating “How-to” Books Why learning Hellenic Polytheism (or really any other pagan current) on Tumblr aint a good idea
Concepts And Practices: Khernips A follow-up on pollution and purification Miasma vs. Lyma Thoughts on cognitive hygiene and pollution Spiritual protection in the Greco-Roman world The Hellenic Gods Aren’t Malicious Towards You. Deepening your relationship with a deity Why personal devotion matters Things the Gods Get Mad at Mortals For On Household Worship Zeus Ktesios and the Kadiskos Children in Ancient (Athenian) Festivals Basic Prayer Formula Dissecting the Anatomy of Prayer Kharis: The Reciprocal Relationship with the Gods Invoking Kharis Xenia, and why it is our duty as Hellenic polytheists/pagans to be anti-racist and anti-fascist Pillars of Hellenismos "Pillars" of Hellenic Polytheism… A Rant Oaths and Hellenic Polytheism Hellenic polytheism and witchcraft Witchcraft in Hellenismos Magic in Hellenismos: An Introduction Ingredients of Ancient Greek style reconstructed magic Magic idea: using the Iliad (and Odyssey) for magic Popular Divination Methods in Ancient Greece Introduction to The Underworld as Understood in Ancient Hellas Practical tips for Hellenic Khthonic Ritual Things you could put in a devotional journal Moral and Ethical Guidelines food & worship.
Religious Offerings: Extravagant Offerings Are Unnecessary Libations Effects of Libations in the Garden Basic Hellenic Offering Ritual Historical Hellenic Offerings How to Make an Offering as a Hellenic Polytheist (based on historical methods) dolls as votive offerings Traditional Offerings: water, barley, hair, fruits and nuts, Jewelry, salt
Hellenic Pantheon: Pantheon of the Greek Gods Resources for Cult Epithets of the Greek Gods Theogony What Are Epithets? Choose Your Starter Theoi Modern Hellenic Polytheist Household Deity Worship Agathos Daimon Household rituals for the Agathos Daimon The forgotten ones: on honouring obscure gods Nymph Worship Honouring the Nymphai - The maidens of nature. Ourea: The Mountain Gods Potamoi: The River Gods Offerings to local river gods (potamoi) Hero Worship Hero worship 101 - The basics Hero Worship 101 - Which hero should I worship? How do I contact them? Worshipping Zeus: part I, part II, part III
Festivals And Sacred Days: Libation days in Hellenismos The Attic Calendar Hekate's Deipnon Noumenia Noumenia Agathos Daimon Deipnon, Noumenia and Agathos Daimon Prayers Attempting to set up a "holiday decoration" box Example Modernisation of an Ancient Greek Festival Calendar manipulation in Ancient Greece
My personal posts and resources: My Posts Related to My Practices
My Hellenic deities: The Goddesses In My Life
A guide to worship of Aphrodite - cheat sheets
Hellenic cheat sheets
If you like my content consider supporting me on: https://ko-fi.com/screeching0wlet
Aphrodite and her beloved birds.❤️ 🕊🦢
Jane Hirshfield, from a poem titled "Today, When I Could Do Nothing," featured in The Asking: New and Selected Poems
🌱🌿ALL ABOUT MINT🌿🌱
Mint is an easy to source and easy to grow herb, making it amazing for witchcraft! You can use it in foods, drinks, decorations, scent pouches, and it can even be found in personal products like hair and skin care and cosmetics. It comes in many different varieties as well and they're all fairly hardy making them a perfect starting herb for people as well!
Mint brings many properties into workings, most notably a boost in energy. It's very lively and has a strong, uplifting, energetic scent to it. This also makes it great to cleanse the mind and space as well and call forth more positive energies.
Its vigor also makes it great for bringing in healing and protective energies as well. The roots of mint plants are very durable and some even say that it can completely take over an area if you're not careful. When I transplant mint, I am not the most delicate with bound roots because it will flourish regardless.
Being associated with the air element, it also makes it great to include in any workings dealing with communication. It can help stimulate better communication and give strength to your communication. Being associated with air also lends it a helping energy for travel workings and spells as well.
Even for the mundane, mint is very useful when sick or anxious. It is believed that mint can help calm anxiety and help ease brain fog. Mint tea is also a popular drink for colds and sore throats. Mint extracts are even used in medicines for all sorts of purposes.
Certain people should not consume various types of mint though. People who have GERD or organ transplants for example are advised to not ingest mint. As with everything, always consult medical professionals if you are unsure of any drug interactions, even if they seem harmless. Coming from personal experience of almost putting myself in a coma due to interactions with a common anti-depressant and common pain relievers, always double check!
Happy witching!!
Pried open my rib cage…,words by: @sanitysipper
.