Untitled

[c86]

Taken from The Los Angeles Times California Home Book, 1982

[villainsandvictims]

Jennifer’s Body (2009)

And now, I’m eating your boyfriend. See? At least I’m consistent. 

[shisasan]

Benjamin Matthew Victor / The Angel / Bronze (2017)

[weirdlandtv]

Art by Japanese artist Ryo Takemasa for his series, “A year long journey”.

[huariqueje]

Sleepless Night   -  Hanno Karlhuber

German, b.1946-

Oil tempera on wood ,70 x 80 cm.

[love-personal]

[trefoiled-deactivated20260516]

by Marcin Górski http://flic.kr/p/bPkoWX

[journalofanobody]

Nothing is more fragile than the surface.

Deleuze (via journalofanobody)

[nem0c-deactivated20260716]

The simulacrum is not a degraded copy. It harbors a positive power which denies the original and the copy, the model and the reproduction.

Gilles Deleuze, The Simulacrum and Ancient Philosophy (via p13rr0ts)

[greenfurious]

“A rhizome ceaselessly establishes connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles. A semiotic chain is like a tuber agglomerating very diverse acts, not only linguistic, but also perceptive, mimetic, gestural, and cognitive: there is no language in itself, nor are there any linguistic universals, only a throng of dialects, patois, slangs, and specialized languages. There is no ideal speaker-listener, any more than there is a homogeneous linguistic community… There is no mother tongue, only a power takeover by a dominant language within a political multiplicity. Language stabilizes around a parish, a bishopric, a capital. It forms a bulb. It evolves by subterranean stems and flows, along river valleys or train tracks; it spreads like a patch of oil … Thought is not arborescent, and the brain is not a rooted or ramified matter. … unlike trees or their roots, the rhizome connects any point to any other point … A rhizome has no beginning or end; it is always in the middle, between things, interbeing, intermezzo.”

[subtheory]

My favourite gif of Deleuze.

[esteemsters]

The truth is that sexuality is everywhere: the way a bureaucrat fondles his records, the judge and ministers justice, a businessman causes money to circulate; the way the bourgeoisie fucks the proletariat; and so on… Flags, nations, armies, banks get a lot of people aroused.

Gilles Deleuze and Félix Guattari, Anti-Oedipus (p. 293)

[cosechadehuellas]

¿Qué rostro no ha convocado los paisajes que amalgamaba, el mar y la montaña, qué paisaje no ha evocado el rostro que lo habría completado, que le habría proporcionado el complemento inesperado de sus líneas y de sus rasgos? Incluso cuando la pintura deviene abstracta, lo único que hace es volver a encontrar el agujero negro y la pared blanca, la gran composición de la tela blanca y de la hendidura negra. Desgarramiento, pero también estiramiento de la tela gracias a un eje de fuga, a un punto de fuga, a una diagonal, a unos navajazos, a una hendidura o a un agujero: la máquina ya está ahí presente, y siempre funciona produciendo rostros y paisajes, incluso los más abstractos. Tiziano empezaba pintando en blanco y negro, no para trazar contornos que habría que rellenar, sino como matriz de cada futuro color.

G. Deleuze y F. Guattari: Mil Mesetas, cap. Año Cero-Rostridad, Pre-textos, 

[objetpetita]

We are constructed in memory.

Gilles Deleuze quoting Fellini in The Time-Image (via objetpetita)

[rxtrobaby]

elton john, 1972

[ohyeahpop]

Freddie Mercury (Queen II Album Session), London, 1974 Ph. Mick Rock

[bilbao-song]

1,001 Decorating Ideas, 1974