“Brooklyn’s too cold tonight & all my friends are three years away. My mother said I could be anything I wanted–but I chose to live.”
— Ocean Vuong, from ‘Thanksgiving 2006′, Night Sky With Exit Wounds
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“Brooklyn’s too cold tonight & all my friends are three years away. My mother said I could be anything I wanted–but I chose to live.”
— Ocean Vuong, from ‘Thanksgiving 2006′, Night Sky With Exit Wounds
Resmaa Menakem, My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies
When I Was Done Dying, by Dan Deacon
everything is so so significant to me how am i supposed to live
ordinary things, s.t
this lesbian love note in a thrifted book has overcome me like it really is all about love it has always been and will always be
the inherent evil of the passage of time
@cocainecuty’s archive
Jenny Slate, Little Weirds
you’ll drive 11 hours for someone you’ll never talk to again
you’ll give away your bed and get a plane ticket
they’ll tell you you’re doing a great job
they’ll tell you to get your shit together
they’ll tell you you’re not what you say you are
you’ll learn to stop listening
you’ll fall in love with falling in love
you’ll fall in love with leaving
you’ll dye your hair red, then black, then bleach it out and cut it to the scalp
you’ll never feel like you’re where you’re meant to be
you’ll be ok, i think.
wish my life was like a 90's movie where all my friends work in record stores and bookshops and coffee shops and we see really cool bands in small little clubs and get breakfast together and like hang out on roofs and shit
Marie-Helene Bertino
(from Don Quixote)
kitchen by banana yoshimoto
epic winter outfit
“—there is a power that wants me to live, I don’t know why.”
— Franz Wright, from “Walden,” in Walking to Martha’s Vineyard (via firstfullmoon)
Sylvia Plath // Holly Warburton // Working for the Knife, Mitski // Are You Satisfied?, MARINA // House of Hummingbird, directed by Kim Bora (2018) // Lady Bird, directed by Greta Gerwig (2017) // Tender Offerings, First Aid Kit // Play it Again, Sam directed by Woody Allen (1972) // Ruins, First Aid Kit // Ikiru, directed by Akira Kurosawa (1952) // Nightlife no. 1, Sangram Majumdar // Sorry to Myself, Alanis Morissette // Sabrina, directed by Billy Wilder (1954) // The Book of Disquiet, Fernando Pessoa (1982) // Rashomon, directed by Akira Kurosawa (1950) // It's Not, Aimee Mann // Les Animaux de Distance, Paz Boira
The complexity of being free, but forever imprisoned by the idea of not knowing what you could or should be