Louise Glück, from The Wild Iris; “The Wild Iris”

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Louise Glück, from The Wild Iris; “The Wild Iris”
The Myth of Innocence
by Louise Glück
One summer she goes into the field as usual stopping for a bit at the pool where she often looks at herself, to see if she detects any changes. She sees the same person, the horrible mantle of daughterliness still clinging to her.
The sun seems, in the water, very close. That’s my uncle spying again, she thinks — everything in nature is in some way her relative. I am never alone, she thinks, turning the thought into a prayer. Then death appears, like the answer to a prayer.
No one understands anymore how beautiful he was. But Persephone remembers. Also that he embraced her, right there, with her uncle watching. She remembers sunlight flashing on his bare arms.
This is the last moment she remembers clearly. Then the dark god bore her away.
She also remembers, less clearly, the chilling insight that from this moment she couldn’t live without him again.
The girl who disappears from the pool will never return. A woman will return, looking for the girl she was.
She stands by the pool saying, from time to time, I was abducted, but it sounds wrong to her, nothing like what she felt. Then she says, I was not abducted. Then she says, I offered myself, I wanted to escape my body. Even, sometimes, I willed this. But ignorance
cannot will knowledge. Ignorance wills something imagined, which it believes exists.
All the different nouns — she says them in rotation. Death, husband, god, stranger. Everything sounds so simple, so conventional. I must have been, she thinks, a simple girl.
She can’t remember herself as that person but she keeps thinking the pool will remember and explain to her the meaning of her prayer so she can understand whether it was answered or not.
They/Them By Danez Smith
Mia Mingus, from "Moving Toward the Ugly: A Politic Beyond Desirability" [ID'd]
What I Like About Poetry by Ellen Bass
Friedrich Nietzsche, The Gay Science
雨と緑 // Rainy and greenery // Kamakura, Japan ♡
Chinese Satellite - Phoebe Bridgers / Disco Elysium / My My, Hey Hey - Neil Young / Cowboy Bebop x 26 / Neil Gaiman, The Graveyard Book / (unknown) / Andy Muschietti’s direction during the quarry scene in It: Chapter Two / DE / Chelsea Wolfe, from Hisspun; “Two Spirit” / Woodlands Dark and Days Bewitched: A history of Folk Horror (Kier-La Janisse, 2021) / Catherynne M. Valente, Deathless / DE / The Four Generations of Chang E - Zen Cho / DE / (x) / DE / James Baldwin, Giovanni’s Room / DE / W. Somerset Maugham, The Moon and Sixpence / Safia Elhillo, from Home Is Not a Country; “The Stranger” / Succession 03x07 / My Tears Ricochet - TayIor Swift / DE / Thomas Wolfe, You Can’t Go Home Again / DE / James Baldwin, Giovanni’s Room / Stalker (1979) / Slaughterhouse-Five, or the Children’s Crusade, Kurt Vonnegut / Cinema Paradiso (1988) / John Murillo, “Mercy, Mercy Me,” from Kontemporary Amerikan Poetry / Riches and Wonders - The Mountain Goats / Twin Peaks: The Missing Pieces / Warsan Shire, Home / Pathologic 2 / Star Wars: Knights of the Old Republic II: The Sith Lords / Warsan Shire, Home / Twin Peaks: Fire Walk With Me / Emily Jungmin Yoon, from “Related Matters” / Kentucky Route Zero / Lorde - Buzzcut Season / The Umbrella Academy Volume 1: Apocalype Suite, Gerard Way & Gabriel Bà / The Penumbra Podcast 02x09 / Black Sails 01x02 / Anne Carson, Men in the Off Hours; “Interview with Hara Tamiki (1950)” / DE / When the Sick Rule the World, ‘Phone Home’ by Dodie Bellamy / Night in the Woods / The End - Kings of Leon / Hermann Hesse, Demian: The Story of Emil Sinclair’s Youth
Joan Didion, writing about the shock that followed after the death of her husband, John.
Clarice Lispector, from The Passion According to G.H.
Grown-Up
by Edna St. Vincent Millay
Was it for this I uttered prayers, And sobbed and cursed and kicked the stairs, That now, domestic as a plate, I should retire at half-past eight?
Dedication of Maurice by E.M. Forster // Sappho // The Well of Loneliness, Radclyffe Hall
A woman must stay alone for a long while until the hate men have for women has left her, and even longer until the jealousy women have for other women has left her, and longer still until the anger her children have for her has left her—until she is no longer a woman altered by the resentment of men, women, and children, no longer what others have forced her to be, but empty as a skull or a shell, filled only by whatever she pleases, forest air perhaps.
— Kiran Desai, The Loneliness of Sonia and Sunny
“You write the beginning and then you go back and rewrite the beginning, and you never got off page one. It’s kind of a syndrome, and I have a rash piece of advice which is — Go on, page two, page three, and never look back. Get something finished, no matter how lousy it is. […] Perfectionists cannot get going unless they kind of do violence to their own instincts, and just blast ahead.”
— Ursula K. Le Guin, The Last Interview and Other Conversations
starting a collection
attributed to Lily Tomlin; Terry Pratchett, A Hat Full of Sky; ilene_cecelia, reddit; Pratchett, Night Watch; Pratchett, A Hat Full of Sky; Pirkei Avot 2:21; Ursula K. le Guin, Tehanu
““The gods have no hands in this world but ours. If we fail Them, where then can They turn?””
— The Hallowed Hunt (World of the Five Gods) by Lois McMaster Bujold
"Es ist nicht deine Schuld, dass die Welt ist wie sie ist. Es wär nur deine Schuld, wenn sie so bleibt" - die ärzte
("It's not your fault that the world is like this. It would be your fault, if it stayed like this")