
@theartofmadeline

izzy's playlists!
EXPECTATIONS
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Noah Kahan
The Stonewall Inn
2025 on Tumblr: Trends That Defined the Year

roma★
"I'm Dorothy Gale from Kansas"
official daine visual archive
will byers stan first human second

ellievsbear

#extradirty

shark vs the universe

pixel skylines

Love Begins
noise dept.

❣ Chile in a Photography ❣
Jules of Nature
Today's Document
seen from Colombia
seen from Russia
seen from China
seen from Colombia
seen from Azerbaijan
seen from United Kingdom
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from Mozambique

seen from Argentina
@90sdadjants
David Bowie
8-Tracks
Nicola Kloosterman
Cinema without people: The Big Lebowski (1998, Joel Coen, dir.)
Self
Invasion of Astro-Monster (1965)
send me to mars just so I can be a space prospector and dig for geodes and gems that occur naturally on that planet
Co A/W 18
“I was, when I arrived in Hollywood, a very prim and proper Yankee girl. Wore no makeup, except for a touch of lipstick, and no sexy clothes. Was obviously and innocent in the whole area of sex. I didn’t seem to measure up in my own mind to the image of a typical actress. So to offset this weakness socially, I learned to smoke, which made me feel very sophisticated.”
Ellsworth Kelly, Austin, 2015. Now at Blanton Museum of Art, The University of Texas at Austin.
Charlotte Keates (British, b. 1990), Sanctuary of solitude, 2017. Acrylic and oil on board, 120 × 120 cm
Vasily Tsagolov (Ukrainian, b. 1965), Love Triangle, 2005. Oil on canvas, 150 x 160 cm.
via ratatoskryggdrasil
$775,000/4 br/3650 sq ft
Lakewood, CO
built in 1963
$535,000/4 br/2480 sq ft
Fort Worth, TX
built in 1960