I Draw :]
here are the basics: Any pronouns (He/She mainly).
Expect digital drawings plus some other mediums ever now and then.
you can ask me to draw anything and I might just do it.
The only time I can be bothered to practice line work is when I draw horror. Also I'm a little annoyed I didn't chose a canvas where she could properly spread her arms out 😔
Did this one digitally because I didnt want to waste more paper until I was more confident in my skill.
Lore yapping:
The fellas featured are as follows:
Amstiel is the last old God, with the second last being a tyrant king named Drehill who ruled a nation with bitterness (considering he thought his kind was extinct and that kind of killed his vibe).
The people that Drehill ruled over were pissy with the current leadership and tried finding different ways to overthrow the king. One group of scientist attempted to reanimate the corpses of other old gods, and after hundreds of failed attempts, Carro - a combination of over a dozen old gods cadavers - was 'born'.
Sadly There were several things the scientist didn't understand about old gods, ultimately resulting in Carro going mad with hunger before she even saw daylight. Resulting in her imprisonment, (because she was still the equivalent of a God and the humans were still struggling to kill those)
All of this results in a one sided rivalry, as Carro believes consuming Amstiel may help her be more complete. And Amstiel is confronted with the mere existence of Carro, an amalgamation of his friends and family that has become unfamiliar and unfriendly.
What the animation shows is Carro confronting Amstiel, and Carro displays the pains of their existence, mainly, due to them being priced together from various bodies they have no coherent way to transform, their limbs all move differently until is congeals into a blob, and it feels like bones breaking every time they try. Yet transformation to a God is like swimming to a fish, and Carro's inability to do so is an it h they can never scratch. This despair is then aimed at Amstiel as envy, considering Carro believes the surviving old got to be 'complete' unlike her.
There's also some lore sprinkled in near the end (the graves dug up for the bodies that make up Carro, her being zapped to life in the scene after, and Her face morphing from the old God who had that face before her, to her own version of it.)
The end is less literal, with Carro tearing open her flawed body to reveal an ebbing shadow figure unrestrained by flesh and with a hidden eye. - something else Carro is missing, the hidden forth eye of old gods that represents their sight into the forth dimension (which in my story is time) and that allows them to see into the future.
Anyways! Thanks if you read all that, hope it didn't waste your time :]
Their OG designs were sooo overcomplicated I had to redo these two brothers. (Even tho I scrapped the story they were from, I just like their concept too much.)
They don't have names but basically they were the first two born in heaven and hell respectively after the fall of Lucifer, being created at the exact same time.
They don't have much story apart from that so feel free to make up your own about them :]
Writing down an oc story with a love triangle in it, and realised halfway through I could just... make it gayer. So yeah now the story is about polygamous bisexuals.
A collection of these little guys, the "muses" in my ocs world. On par with gods, each muse represents some form of 'human ambition'. (Basically each strive for different life goals)
More lore:
Each Muse has a 'shadow' across their face, due to them only be a reflection of humanity, they themselves don't have true identities. Black shadows belong to muses yet to complete their ambition. White shadows belong to muses who have completed their ambition. (Ambitions can be completed then lost again, then completed again, etc.)
Cylaine : Muse of happiness
Cylaine should have completed his ambition by now, but Visteria, determined to keep their status as the 'only' complete ambition, continues to make Cylaines life miserable but hunting them down constantly.
Visteria : Muse of control/power
It isn't clear what Visteria needs to have power over, but he has taken his ambition to imply power over the other muses, so he ensures he remains the 'only' complete muse. (With one noticeable exeption)
Nishiro : Muse of completion
The muse with the most impossible task. Nishiro has to live every life possible to fully reach her goal, and time is faster than her by far. It has been long since Nishiro gave up her goal, now she travels and lives for fun, ignoring her life's ambition.
Marrel : Muse of justice/morality
Similar to Nishiro, Marrel has a near impossible goal, only achievable when everything in the universe is just. Unlike Nishiro, Marrel continues to strive for her goal, working as a private eye and calling out corruption whenever she unearths it.
Wandjur : Muse of Survival
Wandjur is the oldest because it is the only one not born of human ambition, it is as old as life itself. - which also makes it the wisest and most powerful, though it mainly keeps to itself and has no interest in the affairs of others. The other muses rarely interact with it, not considering this muse one of their own, the only one who's even bothered to learn its language is Nishiro.
As long as Wandjur is alive, it is complete, which makes the Muse's existence a touching subject for Visteria, who doesn't like being reminded of others more powerful than him.
The only thing Wandjur uses its power for is frequent shapeshifting, constant evolution into what it determines is the easiest form for survival. So it spends most of its time as a cockroach.
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