absolutely abby

@abbyfogle

[highfashionporn]

Olympia Le-Tan FW15

[luthienne]

“No, I thought. I was not careful. I was reckless, headlong. He was another knife, I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for.”

— Madeline Miller, Circe

[waldorf-astoria-luxe]

[waldorf-astoria-luxe]

[andantegrazioso-deactivated2018]

[cloth-fabric]

Simone Rocha - Spring RTW 2021

[centuriespast]

Au Bal – Marguerite de Conflans en toilette de bal Édouard Manet (1832–1883) The Courtauld Gallery

[artmastered]

Édouard Manet, A Bar at the Folies-Bergère, 1881-82, oil on canvas, 96 x 130 cm, The Courtauld Gallery, London. Source

Édouard Manet’s depiction of the Folies-Bergère music hall in Paris is an iconic piece of French Realist painting. As with in a number of the masterpieces looked at this month, the mirror behind the barmaid plays a central role in the analysis of the composition. Scholars are yet to agree on whether the gentlemen reflected on the far right stands in the place of the viewer, or just to the left, seeing as the barmaid’s mirror image seems strangely out of place.

[rom999]

somerset house a  / london march 2015

[imjoeyyu]

somerset house at night

[statelyhomesofengland]

Mentmore Towers

[ladybegood]

Audrey Hepburn photographed by Howell Conant for Breakfast at Tiffany’s (1961)

[themakeupbrush]

Pamella Roland Fall 2018

[flyartproductions]

Aurora works it

Aurora (1627), Artemisia Gentileschi / Work It, Missy Elliot

[europeanarchitecture]

Château de Cheverny - architect  Jacques Bougier, Cheverny, Loire Valley, France (by Thib41)

[immabillius]

TIBI FW17 | https://www.instagram.com/immabillius/

[stateofsweeran]