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Noah Kahan
One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"

Jar Jar Binks Fan Club
Aqua Utopia|海の底で記憶を紡ぐ
Fai_Ryy
Phantogram Three

Origami Around

No title available
noise dept.
Today's Document
Lint Roller? I Barely Know Her

Game Changer & Make Some Noise
The Bowery Presents
hello vonnie
Doug Jones
TMBGareOK. The Official They Might Be Giants tumblr
Sweet Seals For You, Always
tumblr dot com
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@absurdum-roroperrot
Sonic Youth - Complex, Washington, DC, July 25, 1986
What the world needs now, is EVOL, sweet EVOL. Right? Just about 40 years ago, Sonic Youth was touring all over in support of their classic third LP, which had been unleashed earlier that spring. A lotta good tapes from this era, some officially released, some unofficially circulated. This Washington, DC, show falls in the latter category — but with its high-fidelity recording and high-quality performance, it could easily be added to the former.
By this point, drummer Steve Shelley had been in the band for a little over a year, and was fully integrated into the Sonic Youth sound and lifestyle. After a couple cool soundcheck snippets, Steve drives the band relentlessly through most of EVOL, only letting up occasionally for retuning breaks soundtracked by the pop hits of the day; there's a nice moment where Prince's "Kiss" is almost medleyed with "Shadow of a Doubt." The guitars are glorious throughout, especially on the majestic "Expressway to Yr Skull" and the raging Sister sneak preview of "White Cross."
Seems like there's some sort of DC scene altercation going on in the crowd during some of the set, as an unhinged dude threatens other audience members with physical violence and generally behaves inappropriately. Kim shuts him down finally towards the end: "Hey, whatever you do, don't show your dick, OK?"
Stephen Malkmus: EVOL striked us Noise-Rock kids like no other record. I was 20 years old back then and studied at the University of Virginia. That was a few hundred miles away from the New York Underground that Sonic Youth was revolutionizing at that moment. But when we listened to EVOL, it felt very close ... The force with which EVOL hit me is what makes this album unique to this day and so important from a biographical point of view. In most songs of the album there is a darkness that Sonic Youth gave up very soon after. You can almost call it Indie-Gothic-Rock. Also, on this record there’s “Expressway To Yr. Skull” – one of my absolutely favorite songs. The song plays just over seven minutes and offers everything that alternative guitar music can do during this time.
Official Statement
Appointment of Mr. Romain Perrot as Honorary President of the Acousquantics Radiations Research Group (A.R.R.G.)
The Acousquantics Radiations Research Group (A.R.R.G.) is honored to announce the appointment of Mr. Romain Perrot, composer and creator of Acousquantics, as its Honorary President.
This appointment recognizes his pioneering role in the creation and development of the concept of Acousquantics Radiations, as well as his contributions to their theoretical, artistic, and experimental foundations.
As Honorary President, Mr. Romain Perrot will represent the A.R.R.G. internationally and will lead the Group's initiatives in research, education, dissemination, and international cooperation concerning Acousquantics Radiations, also referred to as Odd Radio Acousquantics.
In this capacity, he will engage with academic institutions, research laboratories, cultural organizations, and international partners to promote the Group's work, encourage interdisciplinary collaboration, and foster the advancement of research in this emerging field.
Through this appointment, the Acousquantics Radiations Research Group reaffirms its commitment to developing an international experimental and artistic framework dedicated to the study, exploration, and transmission of Acousquantics Radiations.
Issued as an official statement.
Communiqué officiel
Nomination de Monsieur Romain Perrot en qualité de Président d'Honneur du Groupe de Recherche de Radiations Acousquantiques (G.R.R.A.)
Le Groupe de Recherche de Radiations Acousquantiques (G.R.R.A.) a l'honneur d'annoncer la nomination de Monsieur Romain Perrot, compositeur et créateur de l'Acousquantique, en qualité de Président d'Honneur de l'organisation.
Cette distinction reconnaît son rôle fondateur dans le développement du concept des Radiations Acousquantiques, ainsi que sa contribution à l'élaboration de leurs fondements théoriques, artistiques et expérimentaux.
En sa qualité de Président d'Honneur, Monsieur Romain Perrot assurera la représentation internationale du G.R.R.A. et conduira les actions de recherche, de diffusion, de transmission et de coopération relatives aux Radiations Acousquantiques, également désignées sous l'appellation Odd Radio Acousquantics.
À ce titre, il interviendra auprès des institutions, des universités, des laboratoires de recherche, des organismes culturels et des partenaires internationaux afin de promouvoir les travaux du Groupe, de favoriser les échanges interdisciplinaires et d'encourager le développement des recherches dans ce domaine émergent.
Le Groupe de Recherche de Radiations Acousquantiques réaffirme, par cette nomination, sa volonté de développer un cadre expérimental, artistique et international consacré à l'étude, à l'exploration et à la transmission des Radiations Acousquantiques.
Fait pour servir et valoir ce que de droit.
Otto Wirsching (1889-1919), “Der Bücherwurm”, 1919
La Fée Mélusine et le Chevalier Raymondin (1894) by Jean Dampt
Source / Photos by Yann Girault
Gerard de Lairesse
METUS PHOBOS
Downed guitars & disen-chant-ments
By Romain 'roro' Perrot
Decimation Sociale 2026
The Maiden of Strechau Castle, circa 1600. Painted by unknown master.
This early seventeenth century painting presents a skeletal female figure rendered in refined aristocratic dress, adorned with floral motifs and a feathered hat, set against a stark, shadowed background. The deliberate contrast between elegant costume and exposed skull transforms the image into a powerful memento mori, underscoring the transience of beauty, youth, and social rank. Long associated with local legend, The Maiden of Strechau Castle reflects early modern preoccupations with mortality, remembrance, and the inescapable presence of death beneath outward refinement.
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The coffin containing the remains of Gilles van Ledenberg hanging from the gallows in the dunes outside The Hague, May 15, 1619.
— anonymous, Northern Netherlands, 17th century