Nuestra Señora del Rosario de Filipinas Church, Madrid, Spain.
(Arch. Cecilio Sánchez-Robles, 1967-70)
Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.
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Nuestra Señora del Rosario de Filipinas Church, Madrid, Spain.
(Arch. Cecilio Sánchez-Robles, 1967-70)
Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.
Montreal building in São Paulo, Brazil 1950. Arch. Oscar Niemeyer.
Gaudet House, Tourrettes-sur-Loup, Antti Lovag (1968)
828. Craig Ellwood /// Case Study House 1953 (Henry Salzman House) /// Bel-Air, California, USA /// 1953
OfHouses presents Case Study Houses, part II. (Photos: © Marvin Rand. Source: Arts & Architecture, March 1956.)
House Dr H (1958-62) in Reutlingen, Germany, by Wilfried Beck-Erlang
Church St Konrad (1962-67) in Villingen-Schwenningen, Germany, by Emil Obergfell
600. Frank Schlesinger /// Frank Schlesinger House /// Doylestown, Pennsylvania, USA /// 1960
OfHouses presents Record Houses, part III. (Photos: © Marc Neuhof, Nina Leen. Source: “Architectural Record Houses of 1961″, Mid-May 1961; “LIFE Magazine”, Vol. 58, no. 22, June 1965.)
Phare des bailenes @richardpchapman
590. John W. Lawrence & George A. Saunders & Bill Calongne /// Philip M. Tiller, Jr. House /// Metairie, New Orleans, Louisiana, USA /// 1956
OfHouses presents Record Houses, part II. (Photos: © Frank Lotz Miller. Source: “Architectural Record Houses of 1957″, Mid-May 1957; “Arts & Architecture”, Vol. 74, No.7, July 1957.)
Louis Kahn. Indian Institute of Management Ahmedabad, Gujarat, India, 1974. Cemal Emden ©
Glenn Murcutt, Arthur & Yvonne Boyd Art Centre, Riversdale, 2001
en.wikipedia.org/wiki/Glenn_Murcutt/
Glasgow @jabbourjoseph
The Intricate, Undulating Brickwork at Eladio Dieste’s Cristo Obrero Church in Uruguay
Gonzalo Viramonte has released a series of photographs that focus in on the use of bricks by engineer Eladio Dieste in his Atlántida Cristo Obrero church.
Viramonte shows us the essence of the project with an artful register that places the serial yet simple material element (the brick) at the forefront. This gallery also celebrates the potential and versatility of bricks by highlighting the artfully geometric interior and exterior spaces and the apertures that allow natural light to cast upon the walls, floors, and other surfaces.
McCullough Mulvin, St. Mary’s Hall, Kilkenny, 2010
www.mcculloughmulvin.com/