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@acmecorptheatre
CHRIS ASHWORTH appeared in Acme Corporation’s Killer’s Head (selected by the Baltimore Sun as one of the "Best on Baltimore stages in 2013") and Caresses. He has also worked at Actors Theatre of Louisville, Single Carrot Theatre, and Shakespeare in Santa Fe. He created QLab. He joined Acme in 2014.
Thr3e Zisters by Anton Chekhov.
Directed by Yury Urnov
Spring 2012
directed by Stephen Nunns and Lola B. Pierson
"Best Play - 2013" Baltimore CityPaper
Sophie Hinderberger in Play (24 hour Cycle) by Samuel Beckett
http://www.youtube.com/watch?v=GiIXU_9-MyI&list=PLUqZaVUdfVjuYlNqF5At9rs...
Video by Thomas Kessler
Review in the Baltimore City Paper:
http://citypaper.com/arts/stage/fail-better-1.1460548
Article from The Baltimore Sun:
http://articles.baltimoresun.com/2013-03-18/entertainment/bal-acme-corporation-presents-marathon-of-beckett-play-20130317_1_acme-corporation-single-carrot-theatre-marathon
Co-director Stephen Nunns talks on WYPR about "Play":
http://www.wypr.org/podcast/how-do-you-watch-24-hour-play
Office Ladies written and directed by Lola B. Pierson
"Best Playwright" - Baltimore CityPaper "Best of Baltimore 2013"
Winter 2012
Office Ladies makes the City
Paper's Top 10
Theatre List for 2012!
http://citypaper.com/news/2012-top-ten-stage-1.1414978
Read Robert Obrien’s interview with Alex Scally about the music in Office Ladies.
http://www.baltimorefishbowl.com/stories/beach-houses-alex-scally-writes…
Review from the Baltimore City Paper
http://citypaper.com/arts/stage/learning-to-love-the-bomb-1.1414941
Office Ladies and The Acme Corporation in The Baltimore Sunhttp://www.baltimoresun.com/entertainment/arts/bs-ae-acme-office-ladies-…
Heart Happens by Lola B. Pierson
directed by Ida Daniel
Killer's Head by Sam Shepard
and Rockaby by Samuel Beckett
directed by Stephen Nunns
"Killer's Head." This 10-minute monologue captures the final stream — make that torrent — of consciousness from a man in an electric chair. Presented in an almost uncomfortably intimate setting, the production (also directed by Nunns) features a performance of virtuosic nuance and arresting intensity from Chris Ashworth.
- Tim Smith, The Baltimore Sun Read more: http://www.baltimoresun.com/entertainment/arts/artsmash/bal-offbeat-fare-from-single-carrot-theatre-acme-corporation-20131007,0,1188058.story#ixzz30OJc5k00
If You Can Get to Buffalo
Play by Samuel Beckett
NAOMI KLINE is a graduate of the Baltimore School for the Arts, The American Academy of Dramatic Arts, and the Media Studies program at New School University. In New York City, she worked as a founding member of Longstocking Productions. In Baltimore, Naomi has worked as an actor and director with Yellow Sign Theatre, UnSaddest Factory, Baltimore's 10 Minute Play Festival, and Shine Creative. She has been a company member with the Acme Corporation since 2013.
Killer' Head by Sam Shepard
Directed by Stephen Nunns
Fall 2013
If You Can Get to Buffalo by Trish Harnetiaux
Directed by Eric Nightengale
Spring 2013
Play by Samuel Beckett
directed by Lola B. Pierson and Stephen Nunns
Spring 2013
Office Ladies written and directed by Lola B. Pierson
"Best Playwright" - Baltimore CityPaper "Best of Baltimore 2013"
Winter 2012
Office Ladies makes the City
Paper's Top 10
Theatre List for 2012!
http://citypaper.com/news/2012-top-ten-stage-1.1414978
Read Robert Obrien's interview with Alex Scally about the music in Office Ladies.
http://www.baltimorefishbowl.com/stories/beach-houses-alex-scally-writes...
Review from the Baltimore City Paper
http://citypaper.com/arts/stage/learning-to-love-the-bomb-1.1414941
Office Ladies and The Acme Corporation in The Baltimore Sun http://www.baltimoresun.com/entertainment/arts/bs-ae-acme-office-ladies-...
Thr3e Zisters by Anton Chekhov.
Directed by Yury Urnov
Spring 2012
Rogue Waves - an evening of shorts
Spring 2012
YURY URNOV is a director, translator with the Specialist and the MFA Diplomas from the Russian Academy of Theater Art (GITIS). He has directed about 40 productions in Russia, Europe, Africa, and the US. He has translated into Russian plays of E. Albee, M. Mc Donagh, and S. Ruhl, as well as plays by Y. Klavdiev, P. Priazhko, and Presnyakov brothers into English. He has worked with Philip Arnoult’s Center for International Theatre Development over the past decade on three continents. In 2009/11, he was a Fulbright Scholar in Residence at Towson University. Yury is currently an Artist in Residence with both Towson University and the Woolly Mammoth Theater in DC.
SOPHIE HINDERBERGER went to Baltimore School for the Arts and later to Bennington College where she studied a mash-up of Theatre, French and Environment Studies. Most recently Sophie appeared in the Acme Corporation's Play as well as in the Baltimore Annex Theater's Macbeth. Other credits include Office Ladies with the Acme Corporation and Salome with the Annex Theater. She also appeared in Private Lives, The Children's Hour, The Glass Menagerie and Watch on the Rhine at Everyman Theatre. She performed in The Story of Invention, Tide Pool and their Ten Minute Play Festival with UnSaddestFactory, and As You Like It at the Bimidji Shakespeare Festival. She also appeared in Road to Paradise, two years running at the Tennessee Williams Festival in Provincetown.
ERIC NIGHTENGALE served as artistic director of 78th Street Theatre Lab in New York city from 1995 thru 2008, directing over 50 productions and overseeing the development of countless others. Other New York directing credits include work with Circle Repertory Theatre, The Acting Company, Circle in the Square, Cherry Lane Theatre,The River Ensemble, Ensemble Studio Theatre, 45 Bleecker, SoHo Rep, Barefoot Theatre Company, HERE, and Classic Stage Company. Eric has served as Artistic Director for Anchorage Theatre in Louisville, Zone 9 Productions in Indianapolis, and Actors Repertory Theatre in Chicago. Chicago directing credits also include work with Victory Gardens Theatre, Bailiwick Repertory Theatre, Steppenwolf, Chicago Dramatists Workshop, and Second City. He has served as Associate Artistic Director for the Developing Artists Series at the Drama League of New York and developed work at the New Harmony Project, National Playwrights Conference, and the Last Frontier Theatre Conference. Radio drama credits include work broadcast nationally over NPR affiliate stations, and in the UK over BBC channel 4. His work at the Edinburgh Festival Fringe has resulted in three Fringe First awards, eight published scripts, four adaptations for BBC radio, a Best Ensemble award, and a London transfer. Recent work includes The Frog Singer, an electro-luminescent-wire puppet play and An Idiot, produced by Propinquity Productions for the New York City Fringe Festival. This is not a picture of him.