1LA Gallery

A. Andreieva

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Mary Oliver, To Begin With, the Sweet Grass

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Thorn collar by Thierry Mugler

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Alexander McQueen “Savage Beauty” page 166

“Working in the atelier [at Givenchy] was fundamental to my career….Because I was a tailor, I didn’t totally understand softness, or lightness. I learned lightness at Givenchy. I was a tailor at Savile Row. At Givenchy I learned to soften. For me, it was an education. As a designer I could have left it behind. But working at Givenchy helped me learn my craft.”

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french evening wrap (via the met museum) and blouse and jacket combo (nationality unknown), c. 1900

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Wedding dress ca. 1895

From Vintage Textile (archived)

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© masao yamamoto

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She’s a triumph. In the history of Balmoral, no one has ever passed the test with such flying colors.

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Prince Lestat, by Anne Rice

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Stella Lucia Love Magazine (S/S 2016) ph. Daniel Jackson

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Vladimir Klavikho for Harper’s Bazaar Russia, 1998

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Jessica Stam / W March 2004 “A Boy Named Sue” by Craig McDean

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sororitevintage via instagram

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Esther de Jong for Givenchy Haute Couture Spring/Summer 1998