[baskiet]

‘Into the Light’  Digital collage 2018 © Pascal Verzijl

[womenofgraphicdesign]

Barbara Stauffacher Solomon (San Francisco)

San Francisco Museum of Art program guide, May 1970

[visualkultur]

Gavillet & Cie – FRAC - Invitation Card Agnes Denes

[visualkultur]

Antonio Llorens - Untitled 5, 1960

[andrefrcandido]

Programme for Orquestra Sinfónica Juvenil’s concert at Santa Catarina’s Church.

[insidious-praetorian]

“The key to such power is ambiguity. In a society where the roles everyone plays are obvious, the refusal to conform to any standard will excite interest. Be both masculine and feminine, impudent and charming, subtle and outrageous. Let other people worry about being socially acceptable; those types are a dime a dozen, and you are after a power greater than they can imagine.”

— Robert Greene, The Art of Seduction (via humanapex)

[uncoatedletters]

by Gail Bichler

Spread from The New York Times’ magazine’s ‘She said’ issue

[setdeco]

GUY DESSAUGE’s, Tower of Prefabricated Housesing in Tubes, France, 1960s

[popularsizes]

[popularsizes]

Joseph Rees, Neon Table and Chair, 1975

[designbby]

Wang Zhi-Hong

[loladupre]

Tina Chow by Andy Warhol manipulation, 21 x 29.7cm

website | instagram | behance | facebook | ello

[rarebirth]

2017 11

Henz club x Modeci Thursday parties

[paranoidme]

Cover artwork for Diego Navarro - Nurture EP - via Sweat Taste music. Artwork inspired by the inevitable connection in the future between nature, life and technology. 

[paranoidme]

Cover artwork tribute to NARASAKI, one of my favorite Japanese musicians ever. 2016

[p-e-a-c]

Braulio Amado.

-

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[newguineatribalart]

Yu’pik mask Alaska