Select stickers are now on sale at the shop! Hurry on it friends!
also, every order comes with a surprise (ooooahhh)
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ojovivo
will byers stan first human second
Jules of Nature
RMH

ellievsbear
Misplaced Lens Cap
TVSTRANGERTHINGS
sheepfilms
Keni
YOU ARE THE REASON
PUT YOUR BEARD IN MY MOUTH
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tannertan36

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almost home
we're not kids anymore.
Cosimo Galluzzi
Stranger Things
Cosmic Funnies
Xuebing Du

seen from Canada

seen from Türkiye
seen from United States
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seen from United States

seen from Thailand
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@ailsacatherine-blog
Select stickers are now on sale at the shop! Hurry on it friends!
also, every order comes with a surprise (ooooahhh)
http://joannasuhaydaart.bigcartel.com
Buy her shit cause its amazing!
Angela Strassheim
Evidence No. 2
2009
Carrie Mae Weems
from Kitchen Table series
1989-90
LaToya Ruby Frazier
Notion of Family
Jed Fielding
Look At Me
2009
Nicolas Nixon
The Brown Sisters
Keith Carter
From Uncertain to Blue
1985
Robert Frank
Ben James and His Wife, Wales 1953
Roy DeCarava
Dancers
1956
Mary Ellen Mark
Tiny, pregnant
Seattle Washington, 1985
Alec Soth
Sleeping by the Mississippi
1999-2002
Brian Sorg
Davey Project
2005-2011
Sally Mann
Damaged Child
1984
Roland Barthes
In Roland Barthes's Rhetoric of an Image he discusses different ways messages are conveyed through the use of images. I found this reading to be extremely insightful, and very helpful when thinking about my current project. I very rarely uses text in my work, and in doing so, I am experiencing difficulties. This reading really made me think about the different messages I am going to be portraying, some though the images and others through the text. His analysis of the image of the groceries was particularly interesting to me, especially when he pointed out that people from France and versus people from the rest of the world, particularly Italy, would read the image completely differently, and it is not just because of the language the text is in. I have been thinking a lot about how different people will read my piece when it is complete, and I think this reading has made me worry a little less about that, because no matter what I do, every viewer is going to read it differently.
A monk prays for an elderly man who had died suddenly while waiting for a train in Shanxi Taiyuan, China
Plank Piece, 1973 Charles Ray
“Ray was part of a wave of artists during the 1970s who addressed sculpture as an activity rather than as an object. In the iconic two-part photographic work Plank Piece the artist documents the use of his own body as the sculptural component. The static photograph belies the performative nature of the activity presented. Contrived through a complex balance between weight and gravity the artist suspended his body using only a plank of wood, creating a minimal, graphic image that is at once humorous and unsettling.”
Marina Abramovic meets Ulay “Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. at her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.”