ORDET | CARL THEODOR DREYER | 1955

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ORDET | CARL THEODOR DREYER | 1955
THE CREMATOR (JURAJ HERZ, 1968)
THE CREMATOR (JURAJ HERZ, 1968)
Roma, città aperta (a.k.a. Rome, Open City) (Roberto Rossellini, 1945)
Roma città aperta (Rome, Open City), 1945
Roma città aperta / 1945 / Roberto Rosselini / Italy
Roberto Rossellini is one of the most influential filmmakers of all time. And it was with his trilogy of films made during and after World War II—Rome Open City, Paisan, and Germany Year Zero—that he left his first transformative mark on cinema. With their stripped-down aesthetic, largely nonprofessional casts, and unorthodox approaches to storytelling, these intensely emotional works were international sensations and came to define the neorealist movement. Shot in battle-ravaged Italy and Germany, these three films are some of our most lasting, humane documents of devastated postwar Europe, containing universal images of both tragedy and hope.
ROBERTO ROSSELLINI’S WAR TRILOGY
Anna Magnani in one of the most devastating scenes in all of film history from Roberto Rossellini’s riveting neorealist touchtone, Rome, Open City, released today in 1945.
The Passion of Joan of Arc | Carl Theodor Dreyer | 1928
AKA Jeanne d'Arcs lidelse og død (Jeanne d'Arc’s suffering and death)
The Passion of Joan of Arc , Carl Theodor Dreyer , 1928.
From Carl Theodor Dreyer’s The Passion of Joan of Arc (1928)
The Passion of Joan of Arc | Carl Theodor Dreyer | 1928
Maurice Schutz, Gilbert Dalleu, Eugene Silvain, Alexandre Mihalesco, Camille Bardou, Léon Larive, Louis Ravet, Maria Falconetti, et al.
Director Carl Theodor Dreyer gets behind the camera on the set of Ordet.
Carl Theodor Dreyer filming The Passion of Joan of Arc in 1927.
Maria Falconetti in The Passion of Joan of Arc (1928)
Ordet di Carl Theodor Dreyer (1955)