Show & Tell
Lint Roller? I Barely Know Her
Keni
will byers stan first human second
taylor price
art blog(derogatory)
trying on a metaphor

pixel skylines
Cosmic Funnies
No title available

❣ Chile in a Photography ❣
Not today Justin
i don't do bad sauce passes
h
I'd rather be in outer space 🛸
DEAR READER
noise dept.
dirt enthusiast

祝日 / Permanent Vacation

Kiana Khansmith

seen from Finland
seen from United States

seen from United States
seen from United States
seen from Germany
seen from Germany
seen from United States

seen from Türkiye
seen from United States
seen from United States

seen from Malaysia
seen from United Kingdom
seen from United States

seen from Germany

seen from Netherlands

seen from Uruguay
seen from United Kingdom
seen from Malaysia

seen from United States

seen from Malaysia
@alphabetantics
What a fabulous show!!
Riley Winks
To AQ, with love.
Cool exhibit!
A quick brown fox jumps over the lazy dog
Large-scale handmade paper sheets were required for this project. The pulp was beaten using a 2 lb. hollander beater (made by David Reina Designs), measured out, poured into a deckle box and drained. The wet pulp was then pressed and placed into a restraint dryer. Here is a short clip on how a deckle box “poured” paper sheet is formed.
These handmade paper alphabet blocks were letterpress printed using wood type on a Vandercook no. 4 machine. This particular type of press was invented in 1935 by Robert Vandercook & Sons in Chicago, IL. It was one of the first “geared” presses used to print that did not rely on gravity. This particular model was manufactured until 1960. Today this type of press is highly sought after by printers and artists. It is often used to produce broadsides (posters) and artist books. Several blocks were also printed using a Reprex press--similar to the Vandercook.
History of Alphabet Antics
My interest lies in examining a sequence of events that repeats––cycles. Through paper I have discovered a medium that inspires me in process, properties and possibilities. The beauty of making one’s own substrate allows for obtaining the perfect paper strength, surface and color. I see papermaking and sculptural artists’ books as an interdisciplinary link––a nexus between tradition and the future.
Historically, alphabet blocks were utilized as a tool for learning letters, words, and narratives: linking knowledge and play. By looking at the physical act of how we learn to read through our senses by playful, spatial manipulation of surface, construction and deconstruction, we preserve the richness of words and the ability to invent. Metaphorically, as in all learning, we cannot understand until we take apart, examine and rebuild. This interactive installation of adult-sized alphabet blocks invites the viewer to participate in constructing and sharing his/her own narrative.