
Game Changer & Make Some Noise
KIROKAZE
untitled

Product Placement
★
todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
No title available
Show & Tell
hello vonnie

Love Begins
No title available
Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
EXPECTATIONS

seen from France
seen from Germany

seen from United States
seen from Mexico

seen from Norway
seen from Brazil
seen from France

seen from United States
seen from United States

seen from Germany
seen from Germany
seen from Morocco

seen from Sweden

seen from South Africa
seen from Kenya

seen from Türkiye

seen from United States

seen from United States

seen from Argentina
seen from United States
@amabamamare
She cried out in wonder, for she had never seen this before, and it struck me, Jeffers, how the human capacity for receptivity is a kind of birthright, an asset given to us in the moment of our creation by which we are intended to regulate the currency of our souls. Unless we give back to life as much as we take from it, this faculty will fail us sooner or later. My difficulty, I saw then, had always lain in finding a way to give back all the impressions I had received, to render an account to a god who had never come and never come, despite my desire to surrender everything that was stored inside me. Yet even so my receptive faculty had not, for some reason, failed me: I had remained a devourer while yearning to become a creator, and I saw that I had summoned L across the continents intuitively believing that he could perform that transformative function for me, could release me into creative action.
I realize you experience an ongoing disinclination to enter a meaningful exchange. This leads to stalemate and the desire on my impart certain wisdom upon you. This isn't necessarily a bad thing, sometimes its the best course available. Son, don't be afraid. We'll all be there together.
Tamara de Lempicka (Polish,1898-1980)
Le coquillage, 1941
oil on canvas