Okay, I’m dying, but how are these two like this, I don’t understand.
You have Caroline who is technically turning 18, but didn’t spend a second of her birthday taking in what that meant. She wrote her own birthday off, and all the one’s that’ll follow, because she’s 17 forever, and there’s nothing for her now.
And her friends, instead of urging that ideal away, succumb and throw her a funeral. NOT ONE PERSON, denied something that she’d been fretting over all day, and for days to come.
And then here comes Klaus, and he quite literally opens her eyes. Because being a vampire has made her free, and she can see everything now, because she has the time, and the ability to do it. She can do all these things, that absolutely no one has bothered to reach out and tell her about.
And she could’ve died, falling right in line with that funeral, and what she presumed it stood for.
Her friends threw her a funeral, Klaus drew her a path.
And from this scene, to the phone call, nothing has changed. Do you realize NOTHING has changed, from their very first scene, to the most recent one to date.
No one tells her her life hasn’t ended, she hasn’t even considered the opposing—he does.
No one tells her her feelings about the twins are okay, no one understands why they’re there—he does.
Ships dynamics change, and the fundamentals change, but these two, will always, alwaaaaays, be about the aspects of each other that no one else bothers with.
dededos
yousharknotpass
pixelskylines
titsay
discoholicmusic
jacobvanloon
