Home? That cannot be right. Armand is accustomed to thinking of Daniel as perpetually running away from something, everything. The Daniel he holds in his memory is always racing to the next new and exciting thing. It is why Armand has attempted to entice him with promises of a trip to a novel destination. But Daniel asks after home. In his state, in the blur of a remembered self, where does he think home is? The only place Armand thought of as their home was the Night Island.
He should trust that instinctual understanding, but he flinches away from it. He doubts his understanding of Daniel the more he hears him speak, and doubt is new, awful, arresting.
Daniel is so familiar in his arms, but he is a cipher to his heart.
Their island is the last place to which Armand would think to take Daniel now. They mustn't go any place known to Daniel, not when Marius might see through his mind exactly where they are and track them down. Armand does not know what to expect from a confrontation with his Maker in the wake of this kidnapping. It feels foolish to fear violent anger from him whom Armand still idolizes as the pinnacle of reason and restraint. And yet he cannot escape the anticipation of a punishment coming to him just as it would when cherubic Amadeo had disobeyed to get a rise out of his Master. That is why he expects the same, isn't it? Because he is acting just the same, in a way. Armand is trying to wound Marius. No, he insists to himself, he is trying to look after Daniel. But why the running, the hiding, the stealing of a companion at dusk, as if it means anything to get away clear tonight — as if doing so meant he could avoid Marius finding them for all the rest of time? That is impossible. So why not have just called on him and announced that he was removing Daniel from his care? ... Because to face Marius, it would open the door to all the turmoil he feels, his rejection of Marius and Daniel's companionship, the disgust that it makes rise in his gorge, the question of whose companionship his own has been measured against and found wanting. And maybe, just maybe, it would force him to look at the shadows of this own relationship with Marius and see something he was not ready to own about his past.
Turn away, don't look that thought in the eye too long. What matters is this: avoiding home is perhaps fruitless after all. Armand will someday have to face Marius. Perhaps it would be easier in his own little kingdom off the coast of Miami.
Look instead at the boy, the broken mess of a fledgling, and try understand not your own feelings, but his.
"We are not in New Orleans. But all is well. There will be a door when it is time to go." He draws Daniel's grasping hand away from his chest in a gesture Armand recognizes as the fretful, compulsive search for his amulet, and he runs his thumb back and forth over the knuckles as he holds it fast. "These are not lies, Daniel. I am here. There is a plane. And we shall go away together. Home, if you wish. Soon, so soon. And until it is time to go, we are here together. You have me. ... How can we calm these racing thoughts, hmm? Shall I tell you a story? Sing you a song? Or shall I just gather you up and hold you until the trouble's passed?