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2025 on Tumblr: Trends That Defined the Year

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Janaina Medeiros

JBB: An Artblog!
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cherry valley forever
I'd rather be in outer space 🛸
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❣ Chile in a Photography ❣

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JVL

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blake kathryn
Show & Tell
art blog(derogatory)
YOU ARE THE REASON
One Nice Bug Per Day
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@annloves
Parks and Recreation Merchandise: http://bit.ly/1nsXYqC
#Relationshipgoals
data reporter
is what I say when describing what I do and what I receive is at best a nod of fascination but in fact a confused stare.
I go on and say I deal with numbers, statistics and I cover any topic that deals large set of data such as education, crime, government, really anything at this day and age; more blank stares promptly follow.
With time, I hope I get better at elaborating how valuable data-driven reporting is. To make up for all the times I couldn’t do data journalism justice, here’s a snippet of my fan/love letter on the topic.
Journalism or reporting, I believe, is about connecting dots. We are not constrained because we can have more than just one character or voice in any given piece. We are given first, the latitude in collecting as many as perspective as possible and second, the confidence that we are presenting them in a manner that is most comprehensive and collective.
Data is just like another source; an official, an expert, a victim, an offender or a bystander. Except data can mean thousands or million of sources compressed in a single statistics.
In lieu of the shooting of Michael Brown, no prosecution of Darren Wilson and protests that engulfed Ferguson, Mo., many news outlets around the country, small and big, have done great reporting, helping us make sense out of the tragedy.
Then there was, 1.5 million Missing Black Men by Justin Wolfer, David Leonheardt and Kevin Quealy at The Upshot.
Here’s an excerpt from the piece:
African-American men have long been more likely to be locked up and more likely to die young, but the scale of the combined toll is nonetheless jarring. It is a measure of the deep disparities that continue to afflict black men — disparities being debated after a recent spate of killings by the police — and the gender gap is itself a further cause of social ills, leaving many communities without enough men to be fathers and husbands.
Perhaps the starkest description of the situation is this: More than one out of every six black men who today should be between 25 and 54 years old have disappeared from daily life.
“The numbers are staggering,” said Becky Pettit, a professor of sociology at the University of Texas.
And what is the city with at least 10,000 black residents that has the single largest proportion of missing black men? Ferguson, Mo., where a fatal police shooting last year led to nationwide protests and a Justice Department investigation that found widespread discrimination against black residents. Ferguson has 60 men for every 100 black women in the age group, Stephen Bronars, an economist, has noted.
Narratives are powerful. But they are limiting. They can’t descriptively explain the context; not to mention, why that certain context has come into place in the first place. Data, however, can fill in the gaps.
It is far too easier to frame and dismiss a tragedy into just that: a tragedy. Tragedies bear no need for an explanation and therefore, accountability. Much like accidents, tragedies are constant. They are not discriminatory. The shooting of Michel Brown, an unarmed teenager by a police officer, is a tragedy. Many accounts, from eye-witness to officials, portrayed a conflicting explanations of how the tragedy took place, but not one could answer why this had happened.
But much like evil or good, or everything in this world, really, tragedies do not exist in a vacuum.
And the piece of data Upshot uses -- the ratio between men and women and the heartbreaking disparity between certain cities and race -- pinpoints the context: the context where the death of Michael Brown is not just another tragedy or accident.
All this is to say that I hope to do similar type of data-driven reporting. And to the so many who are already doing the incredible work, I salute you.
National Gallery of Art, East Building, Smithsonian
BEAUTIFUL. Designed by I.M. Pei (he also designed the iconic Bank of China tower), I was surprised to learn that the building was completed in 1978. It houses the modern art collection of the Smithsonian, including some modern sculptures on its atrium, as well as works by Picasso and Warhol.
Into it.
One Jar of Kimchi, 5 Dinners via Food52
No. Not the toast.
French illustrator Thomas Lamadieu imagines characters living in the space between apartment buildings (and other gifts the internet gave us this week):
http://bit.ly/1NXg8Oa (via sideshow)
A gregarious computer technician with a blue Mustang and a love of barbecue, Sergeant Robinson enlisted in the Army at 19, hoping for a long military career like his father’s.
Members of Armed Services Left in Dark on Health Errors, The New York Times
I often forget a service member is more than a soldier. In fact, I so easily overlook how a job title or a lack thereof doesn’t define the person.
Something to keep in mind.
Every Christian is to become a little Christ. The whole purpose of becoming a Christian is simply nothing else.
C.S. Lewis
What a luxury to call this home and not a vacation spot.
Blessed are the hearts that can bend; they shall never be broken.”
Albert Camus (via acrylicalchemy)
It’s always, to me, very hard. And the only thing that sustains me is the fact that I did it before, and there must be some way I can do it this time.
Tom Wolfe on writing. (via newyorker)
Editor’s Choice | Global News Pictures of the Week
See the full edit HERE
There is something soothing about looking at photos at the end of the week.
A haiku from the article: Petit St. Vincent, a Dot of Green in the Ocean Blue
The gospel is not a message that we bring to people. The gospel is not a package that we happen to possess, and which we dispense. It is a reality that is lived, and it is a gift that is received. And we cannot give it unless we are also at the same time receiving it.
Receiving & Sharing in the Gospel (via azspot)
Gray matters, Michael Kenna
"I’m constantly aware of lost opportunities. I used to think such lost opportunities were beautiful towns flashing by my train windows, but now I imagine they are lanterns from the past, casting light on what’s ahead."
Chris Huntington, Learning to Measure Time in Love and Loss.
Selma's refreshing portrayal of leadership
Hollywood finally ditches the Great Man Theory of history
"Every generation has to fight the same battles again and again and again. There is no destination called 'justice' or 'democracy' and if you catch a train driven by the right man you'll get there."
For the hundreds of children who lost parents in Afghanistan, the conflict that began 26 days after the Sept. 11 terrorist attacks will never really end. They continue to pay the cost of war with the cheers they won’t hear from the soccer sidelines, the hugs they won’t get at their high school graduations, the arms they won’t clasp down the aisle at their weddings.
Here are 14 portraits of those children, one for each year of a war that has claimed 2,351 American lives since 2001. Those profiled range in age from 6 to 34 and live from Connecticut to California. They are second-graders and high school seniors, athletes and artists, strugglers and strivers.