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Helmut Newton's lustrated No.3, 1991 via antipubliclibrary Instagram

#helmut newton

OLD GUARD NEW BLOOD II'A DARK FORCE CUTS THROUGH'Documenting The UndergroundAn International Complilation

#black metal #experimental #industrial #noise #power electronics #techno #underground #Bandcamp

speciesbarocus

Oil lamp, Roman (c. 30 AD).

#vatican shadow #dominick fernow #hospital productions #industrial techno #ambient #noise #Bandcamp

slcvisualresources

Josef Thorak working on his piece, Goddess of Victory.

jakobhetzer

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my-kelde

isamu Noguchi. Grey Sun, 1967.

arni marble

infected

The Fitzwilliam Museum, Cambridge, UK, photo by Winona Jade

speciesbarocus

> Photo: Simon Roberts.

"Beneath the Pilgrim Moon is a collection of photographs taken during the second Covid-19 lockdown [5 nov. to 2 Dec. 2020] whilst London’s Victoria and Albert Museum was closed to the public."

The photographs were first shown in the exhibition All Alone.

nobrashfestivity

Enkū (円空) (1632–1695) photography by Tetsuo Kurihara

Introduction by Ivan Napreenko – Layout by Valnoir.Aleksandr Lebedev-Frontov (alf, 1960–2022) is a major figure of the Russian avant-garde, a pioneer of Soviet noise and a total artist working at the intersection of sound, collage, and ideology. Born in Leningrad, he developed a radical practice from the late 1970s onwards, drawing as much from Luigi Russolo and John Cage as from the experiments of Dziga Vertov.Brought to wider attention in the mid-1990s through Sergei Kuryokhin, and closely linked to the newspaper Limonka, A.L.F. developed a singular aesthetic blending Dada, Constructivism and industrial culture, in the spirit of Hannah Höch.This book presents his visual work through a chronological trajectory, from his early collages and works produced for Limonka to the visuals and album covers of his musical projects. It reveals a distinctive graphic language, combining détourned propaganda, dark humor, and a deep obsession with the avant-gardes of the 20th century.Through this journey, Lebedev-Frontov emerges as a key figure of post-Soviet underground culture: a radical, fiercely independent artist whose work remains completely unclassifiable.