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@antithesick
oc aesthetic + inspo sideblog. do not interact unless we're mutuals on main, non-mutuals will be blocked. reblog from source if you can, please and thank you.
DAISY EDGAR-JONES as MARIANNE SHERIDAN NORMAL PEOPLE (2020)
Women in Love (1969), Ken Russell
Love (2015) dir. Gaspar Noé
DAISY EDGAR-JONES via instagram
— Hilda Doolittle, from Winter Love
Black Bear (2020)
Hey. Don't cry. Weird teenage girl somewhere out there reading Frankenstein for the first time. Ok?
DAISY JONES & THE SIX — Track 10: Rock ‘n’ Roll Suicide
Ophelia (2018) // November Nights, Arden Mae // House of the Dragon (2022-) // Persephone Returns, Emily Rose Cole // Ophelia, Friedrich Wilhelm Theodor Heyser // Mystery of Love, Sufjan Stevens // Fire with Fire (1986) // Spring and All, Cathy Park Hong // On-drakón (2015) // The Complex Sentence, Tony Hoagland // The Musketeers (2014-2016) // [from a letter], Sylvia Plath // 1883 (2021-22) // The Leaving Season, Jihyun Yun // Dorian Gray (2009) // The Lady of Shalott, Alfred Tennyson // Anne of Green Gables (1985) // Advantages of Being Evergreen, Oliver Baez Bendorf // Ophelia, John Everett Millais // Hamlet, William Shakespeare // Melancholia (2011) // Wild Geese, Mary Oliver // Revenge of the Sith (2005) // Summer Morning, Mary Oliver
@ro.fnfn
THE PRINCESS BRIDE (1987) dir. Rob Reiner
“We are, as a species, addicted to story. Even when the body goes to sleep, the mind stays up all night, telling itself stories.”
— Jonathan Gottschall, The Storytelling Animal: How Stories Make Us Human
“[…] I am writing to disappear.”
— Allison Benis White, from Please Bury Me in This
Mark Strand, “Eating Poetry”
WHERE THE CRAWDADS SING (2022) Dir. Olivia Newmon