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@anushkawrites00-blog
daydreaming about your writing is so normal and cool to do
I'm glad I'm such a well adjusted person
you ever listen to a song or see a piece of art or watch a movie or eat something delicious and feel inspired to write? art drives art
At some point "fanfic can be as good as professional writing" became "fanfic should be as good as professional writing" and that's caused major damage to fandom spaces.
my thing i haven’t made is so good 🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥
@ my imaginary WIP
unfortunately its not enough for me to write a scene - I need a full on, cinematic, intricately detailed movie sequence to follow
and also all my characters have to look exactly the way I imagine them, the music needs to fit, the lighting needs to be on point, and the production quality needs to be above average
is that too much to ask?
fuck using ai for fanart, fanfiction, poetry, essays, and anything else that's supposed to come from blood, sweat, tears, and bashing your head against the wall to pull something from the deep recesses of your heart
and whatever Hayao Miyazaki said
“what’s your writing process” i put a pathetic guy in a blender and blend blend blend
me, struggling to write: hmm, this part is a little difficult. maybe i should check my planning document, which i created as a helpful tool for my writing process!
the planning document:
My planning document isn't even structured D: it's literally just word vomit
need more “guish” words. anguish. extinguish. languish. great for when a character is bleeding out on the floor
Tragic backstory this, tragic backstory that... but it's not gonna work if there's no ripple effect! The past always comes back to haunt me so I can't spare anyone I write.
Just like real people, characters are made up of their experiences. A character's traits, personality, quirks, likes, dislikes, habits, etc. must be reflective of their past. Of course, not necessarily everything can be chalked up to buried trauma but your tragic backstory MUST align with your character to some extent. It must align with their actions and motives as well.
Tragic characters must retain some depth or it's just another kid who's mom died, which is literally every anime protagonist.
How does the past come back to haunt them? What nervous tics do they find hard to break? What memories do they dream about... what memories keep them awake? What skeletons in their closet keep popping back up to distract from the main goal?
I'll never shut up about traumatized characters
Never underestimate the power of setting aside time to write, hyping yourself up, and just going for it. Grab your favorite drink, a snack, your notebook, and your laptop. Where do you write best? Outside, under the sun or at your desk or on your bed... wherever you want. Find the position most comfortable for you (I'm partial to lying down on the floor).
Bring out your inner writer by nurturing them!!
I vote that your writing continues to be:
self indulgent
cringe
weird
bizarre
long
short
sappy
only for your eyes
obnoxious
You're allowed to have your own voice. You're allowed to write something only you want to read. Seize the freedom you were never given in your 8th grade English class!
How to Write a Character
↠Start with the basics, because obviously. Name. Age. Gender. Maybe even a birthday if you’re feeling fancy. This is step one because, well, your character needs to exist before they can be interesting. But nobody cares if they’re 27 or 37 unless it actually matters to the story.
↠Looks aren’t everything… but also, describe them. Yes, we know their soul is more important than their hair color, but readers still need something to visualize. Do they have the kind of face that makes babies cry? Do they always look like they just rolled out of bed? Give us details, not just “tall with brown hair.
↠Personality isn’t just “kind but tough.” For the love of storytelling, give them more than two adjectives. Are they kind, or do they just pretend to be because they hate confrontation? Are they actually tough, or are they just too emotionally repressed to cry in public? Dig deeper.
↠Backstory = Trauma (usually). Something shaped them. Maybe it was a messy divorce, maybe they were the middle child and never got enough attention, or maybe they once got humiliated in a spelling bee and never recovered. Whatever it is, make it matter to who they are today.
↠Give them a goal. Preferably a messy one. If your character’s only motivation is to “be happy” or “do their best,” they’re boring. They need a real goal, one that conflicts with who they are, what they believe in, or what they think they deserve. Bonus points if it wrecks them emotionally.
↠Make them suffer. Yes, I said it. A smooth, easy journey is not a story. Give them obstacles. Rip things away from them. Make them work for what they want. Nobody wants to read about a character who just gets everything handed to them (unless it’s satire, then carry on).
↠Relationships = Depth. Nobody exists in a vacuum. Who do they love? Who annoys the hell out of them? Who do they have that messy, can’t-live-with-you-can’t-live-without-you tension with? People shape us. So, shape your character through the people in their life.
↠Give them a voice that actually sounds like them. If all your characters talk the same, you’ve got a problem. Some people ramble, some overthink, some are blunt to the point of being offensive. Let their voice show who they are. You should be able to tell who’s talking without dialogue tags.
↠If they don’t grow, what’s the point? People change. They learn things, make mistakes, get their hearts broken, and (hopefully) become a little wiser. If your character starts and ends the story as the same exact person, you just wasted everyone’s time.
↠Flaws. Give. Them. Flaws. Nobody likes a perfect character. Give them something to struggle with, maybe they’re selfish, maybe they push people away, maybe they’re addicted to the thrill of self-destruction (fun!). Make them real. Make them human.
↠Relatability is key. Your character doesn’t have to be likable, but they do have to be understandable. Readers need to get them, even if they don’t agree with them. If your character never struggles, never doubts, and never screws up, I have bad news: they’re not a character, they’re a mannequin.
↠You’re never actually done. Characters evolve, not just in the story, but as you write them. If something feels off, fix it. If they feel flat, dig deeper. Keep refining, rewriting, and letting them surprise you. That’s how you create someone who feels real.
Now go forth and write characters that actually make people feel something. And if you need a reminder, just ask yourself: Would I care if this person existed in real life? If the answer is meh, start over.
As a creative writer that sucks at poetry and doesn't read it much, sometimes I'll read a poem and I'm just blown away by the sheer heaviness of the emotion it evokes.
It's a punch in the gut, it's light as a feather, it's cold and hurtful, it's an unbearable comfort, it's something indescribable but still familiar to every human walking the earth.
It makes you wonder how the poet put the worst day of your life, the best day of your life, your heart, the baggage you haven't let go of, the lavender of your Mom's perfume, and your best friend's laugh into three sentences. Into words that could mean anything separately, but mean everything together.
I don't know if that makes sense.
Do you ever think creating atmosphere? To really set the mood, you have to add detail.
I want readers to smell the air, hear ambient sounds, and feel their feet on the ground in my scenes. I want them to feel it like they've experienced it before, like they're recalling a memory they almost forgot the taste of. What's the weather like? What are they wearing? How does it feel? What's the vibe of the people that are around, if there are any? What colors are there? What patterns and faces and music and sights??
I want the setting to be so vivid that when they think back on reading my work, all the sensations that accompanied that experience flood back in.
For every room my characters are in, my readers must be there too.