Paper embroidered with ‘Forget Me Not’ in human hair (Weaver’s Cottage)
EXPECTATIONS
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trying on a metaphor
Sweet Seals For You, Always
Jules of Nature
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shark vs the universe
sheepfilms

Discoholic 🪩

Andulka
will byers stan first human second

izzy's playlists!

Origami Around
Sade Olutola
Noah Kahan
Claire Keane
Cosimo Galluzzi
we're not kids anymore.
Misplaced Lens Cap
RMH

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@anyoneghost
Paper embroidered with ‘Forget Me Not’ in human hair (Weaver’s Cottage)
taysajorge
Mary Herbert (British, 1988) - A Murmur (2021)
Charles Gaines, Working Drawings for Numbers and Trees #5, 1989-1990 [Whitney Museum of American Art, New York, NY. © 2021 Charles Gaines]
Noel W. Anderson
I think about my ancestors all the time. They were people, people who fell in love, people who had pets, people who had a favorite book, people who were passionate about a specific topic, people who went through their own tragedy and suffering. Every single one of them was a person with their own unique life experiences.
And sometimes I think of the really old ones- the ones who spoke languages that are no longer spoken, who lived alongside wildlife that no longer exist, who belonged to cultures that are only known through remnants of pottery. I think of the people who saw the world when it was wilder and more beautiful.
Painting of an Irish elk (Megaloceros giganteus) on the walls of of the Lascaux Cave. Despite being nicknamed the “Irish” elk, Megaloceros lived in many parts of Europe during the Paleolithic.
source
Mila Ganame Pleasure Garden Magazine n°6 ph. Julia Hetta
Benoit Paillé
Une profonde gravité et une rêveuse mélancolie étaient l'état ordinaire de son âme.
Friedrich von Schiller (via fleurdusoir)
reflective window | jeremy barton
Johannes Wilhjelm (1868 - 1938) - The Old Church of Skagen. Night. 1910. Oil on canvas.
Click to enlarge.
The moon setting on the Oregon Coast [oc][1534x2301] - Author: Awayiflew on reddit
“At the exit of the metro”
Available on Etsy : https://www.etsy.com/fr/shop/AuPetitSoleil
Theodora Allen
The Cosmic Garden (series). 2018-16, oil on linen
Handbuch der Waffenkunde, 1890
my favorites of Nils Udo