[paintingnotpainting]

B. Wurtz

[cartographyofperception]

Sarah Rapson

[apicturewindow]

Cathy Wilkes

The Modern Institute

Glasgow

2026

[rosepoems]

from "Consciousness Self-Learns"

Mei-mei Berssenbrugge

1 Plants and rocks lay under night sky; ground is a subject of sky; the relation's a force. I combine descriptions with ideas of forces; my photograph of night sky's like a text of symbols. Look inside when you are struggling; every cell in your body emits light. Cilia beat rhythms into space, signaling cells of wildflowers in a field, signaling sky. I connect to it, holding the hand of our friend, who's sleeping. When I look at a constellation, I construct lines from indivisible points, bind seeing to an infinity of points and single brights, at the same time. I may not recall these thoughts tomorrow, and I'm anxious, as if stars had extinguished. Then, talking to you about his illness provokes tension, disagreement that stirs in my memory lost thoughts.  Our difference became a permeable membrane between each person and the whole. Even though my mind focused within bounds, it's indivisible from sky I see, because seeing is as a field. Looking is an innate impulse toward wholeness.

[apicturewindow]

Richard Tuttle

Half-Light

Dia Beacon

2026

[real-life2021]

[real-life2021]

[apicturewindow]

Sample Question

Nina Porter

Kunstverein Hamburg

2026

[apicturewindow]

Jason Dodge at Sylvia Kouvali

[apicturewindow]

Material from Prunella Clough’s archive at Tate Britain

[antronaut]

David Hammons - Stone with Hair (1998)

stone, hair, polish 40.6 x 20.3 cm

[disease]

DAVID HAMMONS / “FLY JAR” / 1996

“David Hammons’ Fly Jar is a powerful yet haunting comment on accepted notions of beauty, sexuality, and race in modern society. Using his signature method of working with found objects and the detritus of urban life, Hammons creates a delicate miniature world in the jar in which he plays with the cultural and linguistic conventions of each of the objects that he uses. Contained within the confines of a heavy glass jar, Hammons creates what is, superficially at least, a scene recognizable to anyone who captured lightning bugs or other insects as a child. But instead of delicately beautiful insects, Hammons entombs mini zippers tied to twigs and in the process challenges conventional linguistic and sexual connotations. This play on words-the word fly of the insect contrasting with the fly of the zipper-is one of the strongest themes that run through much of the artist’s oeuvre, highlighting his interest in the shifting patterns of meaning and multi-layered references.” [MoMA]

[glass, wood, metal zipper sliders, metal mesh, metal wire and rod, plastic handle, leaves and soil | 46.3 x 43.8 x 35.5 cm.]

[kakaji]

David Medalla

[apicturewindow]

David Medalla

Cloud Canyons

[withhiddennoise]

Courte explication de Marcel Duchamp sur With hidden noise (À bruit secret)

[antoniogonzalezart]

Robert Morris

Untitled (Williams Mirrors), 1976-77. 12 Mirrors 231,4 x 244 cm (each) 91 x 96 inches (each). © Robert Morris / ARS, New York 2016 Courtesy of the artist, Sprüth Magers and Castelli Gallery

[antoniogonzalezart]

Beverly Buchanan

[antoniogonzalezart]

Franz Erhard Walther

Der Körper muss entsprechen II, 1984