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contemporary art // art // writings

[kakaji]

Alvaro Barrington

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Mary Heilmann

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Mike Kelley

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Andrea Fraser

[kakaji]

Richard Tuttle, Cloth Octagonal, 2, 1967 Dyed and sewn canvas, 57 1/8 x 53 3/4 in.

[kakaji]

Betty Parsons, Islands in Greece, 1953 Watercolor on paper, 22 9/16 x 28 9/16 in.

[studio110d]

Robert Smithson, Incidents of Miror-Travel in the Yucatan, (1969)

[kakaji]

The Time Being (For Robert Smithson)

For the time being, in the interim, in the course of time, from day to day, from hour to hour, until, in due time, and in the fullness of time, time endures, goes on, remains, persists, lasts, goes by, elapses, passes, flows, rolls on, flies, slips, slides, and glides by.

Nancy Holt, 1978

[nobrashfestivity]

Nancy Louise Holt Sun Tunnels Sculpture, Designed Landscape 20th century

[kakaji]

Jill Magid, Homage CMYK, 2019–2020

The series Homage CMYK is made from photographs published in books about Luis Barragán’s house, Casa Barragán. Silkscreens that emulate Joseph Albers’ Homage to the Square series hang in the house's Living Room and the Library. The Living Room's yellow ‘Homage’ is illuminated by daylight coming through the garden window; the blue ‘Homage’ in the Library by a desk lamp. To make the silkscreens, Magid scans the images, manipulates the skewed 'Homages' back into squares, and prints them again to their original 45" x 45" size – now with the time and space of the photograph, and the process of publication, embedded into the image.

[kakaji]

Susan Rothenberg. Untitled Drawing, No. 41. 1977. Synthetic polymer paint, gouache, pencil, and crayon on paper, 22 5/8 × 30" (57.5 × 76.3 cm). Acquired with matching funds from Alice C. Simkins and the National Endowment for the Arts. © 2022 Susan Rothenberg/Artists Rights Society (ARS), New York

[kakaji]

Kaari Upson, Mother's Legs (2019) Installation view, Go Back the Way You Came, Kunsthalle Basel, August 30–November 10, 2019

[manufactoriel]

by Malick Sidibé

[kakaji]

Ed Ruscha

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Mike Kelley

[kakaji]

"The violence in the art world is about the creation of consensus. The work is seen by an audience, is shown again to different and larger audiences and through this often-organic process, a consensus emerges."

Matthew Higgs interviewed by Andrew Hunt Journal of Contemporary Painting, Volume 8, Numbers 1 and 2, 2022