David Hockney from the series The Blue Guitar (1976–77) who was inspired by Wallace Stevens who was inspired by Pablo Picasso
sheepfilms
Keni
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🩵 avery cochrane 🩵
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap
official daine visual archive

Origami Around
PUT YOUR BEARD IN MY MOUTH
Show & Tell

PR's Tumblrdome
noise dept.

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Monterey Bay Aquarium
will byers stan first human second
Xuebing Du
art blog(derogatory)
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oozey mess

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David Hockney from the series The Blue Guitar (1976–77) who was inspired by Wallace Stevens who was inspired by Pablo Picasso
Leslie Hewitt
Richard Tuttle
Alvaro Barrington
Mary Heilmann
Mike Kelley
Andrea Fraser
Richard Tuttle, Cloth Octagonal, 2, 1967 Dyed and sewn canvas, 57 1/8 x 53 3/4 in.
Betty Parsons, Islands in Greece, 1953 Watercolor on paper, 22 9/16 x 28 9/16 in.
Robert Smithson, Incidents of Miror-Travel in the Yucatan, (1969)
The Time Being (For Robert Smithson)
For the time being, in the interim, in the course of time, from day to day, from hour to hour, until, in due time, and in the fullness of time, time endures, goes on, remains, persists, lasts, goes by, elapses, passes, flows, rolls on, flies, slips, slides, and glides by.
Nancy Holt, 1978
Nancy Louise Holt Sun Tunnels Sculpture, Designed Landscape 20th century
Jill Magid, Homage CMYK, 2019–2020
The series Homage CMYK is made from photographs published in books about Luis Barragán’s house, Casa Barragán. Silkscreens that emulate Joseph Albers’ Homage to the Square series hang in the house's Living Room and the Library. The Living Room's yellow ‘Homage’ is illuminated by daylight coming through the garden window; the blue ‘Homage’ in the Library by a desk lamp. To make the silkscreens, Magid scans the images, manipulates the skewed 'Homages' back into squares, and prints them again to their original 45" x 45" size – now with the time and space of the photograph, and the process of publication, embedded into the image.
Susan Rothenberg. Untitled Drawing, No. 41. 1977. Synthetic polymer paint, gouache, pencil, and crayon on paper, 22 5/8 × 30" (57.5 × 76.3 cm). Acquired with matching funds from Alice C. Simkins and the National Endowment for the Arts. © 2022 Susan Rothenberg/Artists Rights Society (ARS), New York
Kaari Upson, Mother's Legs (2019) Installation view, Go Back the Way You Came, Kunsthalle Basel, August 30–November 10, 2019